The Sting (1973)
Genre:
Drama / Crime / Comedy (more)
Tagline: ...all it takes is a little Confidence.
Plot Outline: In 1930s Chicago, a young con man seeking revenge for his murdered partner teams up with a master of the big con to win a fortune from a criminal banker. (more) (view trailer)
User Comments:
A Lightweight, Clever Throwback to the Big Cons of the 1930's.
(more)
User Rating:
        
8.3/10 (27,675 votes)
top 250: #81
Runtime:
129 min
Country:
USA
Language:
English
Color:
Color (Technicolor)
Sound Mix:
Mono (Westrex Recording System)
Certification:
Canada:PG (Manitoba/Ontario) / UK:A (original rating) / Canada:G (Quebec) / UK:PG (video rating) / Argentina:13 / Chile:14 / Finland:K-16 / Netherlands:12 / Norway:15 / Norway:16 (1974) / Peru:14 / Singapore:PG / Sweden:15 / USA:PG / West Germany:12
Trivia:
The movie was filmed on the backlot of Universal studios and the diner in which Hooker meets Lonnegan is the same diner interior used in Back to the Future (1985) in which Marty McFly first meets his father and calls Doc Brown.
(more)
Goofs:
Continuity: After Synder smashes his gun through the phone booth and hits Hooker on the side of the face, Hooker's hat falls off to the right and Hooker's traps the hat between his head and the inside wall of the booth. In the next shot, Hooker is wearing his hat as if it never fell off.
(more)
Quotes:
Henry Gondorff:
Glad to meet you, kid, you're a real horse's ass.
Henry Gondorff:
Is Lonnegan after you too?
Johnny Hooker:
I dunno... I ain't seen anybody.
Henry Gondorff:
You never do, kid.
(more)
Awards:
Won 7 Oscars.
Another 9 wins
&
6 nominations
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User Comments:
7 out of 12 people found the following comment useful:-
A Lightweight, Clever Throwback to the Big Cons of the 1930's., 24 January 2000

Author:
Donald J. Lamb from Philadelphia, PA
At first sight, THE STING appears to be nothing more than a television
movie. It is entirely plot-driven with no real stand out characters or
personalities. What makes the film work is excellent production design and
a delightfully clever plot filled with many surprises. The movie is
feather-weight emotionally, but the depth of the "con" and the way it is
fashioned by screenwriter David Ward leaves you with a pleasant
experience.
This is more Redford's film than Newman's, who reunite with George Roy Hill,
director of BUTCH CASSIDY AND THE SUNDANCE KID. The legendary actors were
more flesh and blood in that film, but here, they are merely players who
carry the story along. With lesser actors, THE STING may have been a
forgettable piece of work. Redford does all of the dirty work after
Newman's initial "hook", but the omniscient presence of Newman, as big-time
grifter "Henry Gondorff" exists throughout. A mysterious gloved character,
a crooked cop, the FBI, and a seemingly bigger con-man "Doyle Lonnegan"
(played by the late, great Robert Shaw) are some of the players who are
involved in some events that seem to be manipulated by an unseen force. Is
Newman as good as he claims in trying to clean out Shaw? We'll
see.
The film is shot simply by Hill. No tricky angles or contrived camera
movements are used. The action takes place simply in front of us. The
production design by Henry Bumstead and James Payne recreates old-time
Chicago through the use of built sets, matte paintings of a smaller
sky-line, and some location shots. It gives the film an almost artificial
look which is fitting considering it is a direct homage to the 1930's and
the gangster pictures that so dominated that decade. The story is even
furthered by title pages describing "the set-up, the hook, and the sting".
They are turned like pages in a book, adding a drop of elegance to a crooked
world. An iris is even employed in some scenes.
THE STING is definitely lightweight entertainment. It does not provoke much
thought or insight into what is happening on screen. Fun is the word for
this amusing little film that depicts a masterful plan for a big steal which
would be impossible to pull off today. Look out for Ray Walston in a
hilarious role announcing horse races and their results as they are
"happening" just after receiving word of the "real" race results from a back
room in the betting house. These are good con-men.
RATING: ***
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