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28 out of 38 people found the following comment useful:-
Soderbergh's minimalist view on a Gothic small-town 'love triangle': Well worth a glimpse, 26 September 2005
Author:
rbfltjshjgldfngr from United States
Lisa Swartzbaum of Entertainment Weekly opened the New York Film
Festival screening of "Bubble" by introducing the writer Coleman Hough
(a woman, to my minor shock). She said about 10 words and the screening
began.
Upon the first scene, any film guru would note that it's amazingly
captured on HD. Some scenes I couldn't believe weren't 35mm.
"Bubble" doesn't belittle the simple people it depicts, as many
Hollywood-takes-on-small-town-USA films do, but really gives them great
depth and complexity. Coming from a small town myself, I felt like I
knew the people that were on the screen.
The neurotic "love" triangle that emerges in the film is wonderfully
dark and comedic, as is the film entirely. From the assembly of the
dolls in the factory to the simple lunch break conversations,
everything has a seeded, underlying element of humanity that is both
jocular and haunting.
Without giving away anything damaging to the story, "Bubble" is a great
escape from Hollywood for both Soderbergh and the public alike with
amazing performances by the non-professional leads and supporting cast
and an ending that will make you say "Huh?"
8/10 (and for as much as I paid for tickets to the NYFF, Soderbergh
should've been there dammit!)
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