Nietzsche's Works

Abstract Both the subject of science and the notion of creativity in Nietzsche have not been studied with the attention they deserve. The subject of science, however, can be considered a thread of research that is attracting the attention of a large number of philosophers. The notion of creativity, for its part, occupies, among other notions, a little known place within the interests that revolve around the figure of the thinker of Röcken. Therefore, we intend to develop a study of (...) the concept of science in Nietzsche focusing on an analysis of his criticism, to pose the gaze on the subject of Darwinism. Creativity will be studied in light of Nietzsche works and later in nexus with science. The relationship between these themes allows a novel approach to the study of science in Nietzsche and, therefore, to perceive its possible consequences. (shrink)

Until recently one begins to speak of the “experimental philosophy” in the thought of Nietzsche. This novel way of approaching the philosopher of Röcken is due specifically to the reflections of Andreas Urs Sommer, an eminent interpreter of Nietzsche. Sommer explains the “experimental philosophy” supported by paragraph 125 of The Gay Science and goes hand in hand with an important figure in that paragraph: the madman. This article aims to explain what “experimental philosophy” is and then describe that literary artifice, (...) besides being found in paragraph 125, can be found in other texts by Nietzsche. That is to say, we will stop to analyze some texts of Thus spoke Zarathustra, fundamentally in those that are the question of the solitude. Is it possible to conclude that "experimental philosophy" can be framed in the theme of Nietzsche's solitude? The use of “experimental philosophy” can show us, as far as possible, a novel way of approaching the thoughts of the German philosopher and away from the conventional interpretation that has marked the twentieth century so profoundly. Does the philosopher really express his philosophy to us? It is a question that we intend to answer in this work. (shrink)

A landmark work of western philosophy, "On the Genealogy of Morality" is a dazzling and brilliantly incisive attack on European "morality". Combining philosophical acuity with psychological insight in prose of remarkable rhetorical power, Nietzsche takes up the task of offering us reasons to engage in a re-evaluation of our values. In this book, David Owen offers a reflective and insightful analysis of Nietzsche's text. He provides an account of how Nietzsche comes to the project of the re-evaluation of values; he (...) shows how the development of Nietzsche's understanding of the requirements of this project lead him to acknowledge the need for the kind of investigation of "morality" that he terms "genealogy"; he elucidates the general structure and substantive arguments of Nietzsche's text, accounting for the rhetorical form of these arguments, and he debates the character of genealogy as a form of critical enquiry. Owen argues that there is a specific development of Nietzsche's work from his earlier "Daybreak" and that in "Genealogy of Morality", Nietzsche is developing a critique of modes of agency and that this constitutes the most fundamental aspect of his demand for a revaluation of values. The book is a distinctive and significant contribution to our understanding of Nietzsche's great text. (shrink)

“‘[C]onscience,’” Nietzsche suggests early in Essay Two of On the Genealogy of Morals, “has a long history and variety of forms behind it”. Glossing over the explicit equivocity and irony of such statements, most commentators presume that the primary ambition of GM is to reconstruct the emergence and in so doing denaturalize and denounce the reign of conscience, which is treated as equivalent to both bad conscience and slave morality. Such presumption has obscured the central claims, operations, and stakes of (...) the text, indeed of Nietzsche’s late work generally. Although they are intertwined, Nietzsche’s genealogy of conscience is textually, substantively, and strategically distinct from his genealogy of bad conscience, which in turn is involved in but distinct from his genealogy of slave morality. Textually, it is not until Essay Two, section four of On the Genealogy of Morals that Nietzsche begins to ask after the emergence and psychosocial consequences of bad conscience, while the genealogy of conscience proceeds from the first essay. Substantively, the three genealogies are concerned with manifestly disparate objects. Strategically, the addressees of the three genealogies are diverse, thus are their modes of address: genealogy cannot be reduced to a uniform method. (shrink)

Written at the height of the philosopher's intellectual powers, Friedrich Nietzsche's _On the Genealogy of Morals_ has become one of the key texts of recent Western philosophy. Its essayistic style affords a unique opportunity to observe many of Nietzsche's persisting concerns coming together in an illuminating constellation. A profound influence on psychoanalysis, antihistoricism, and poststructuralism and an abiding challenge to ethical theory, Nietzsche's book addresses many of the major philosophical problems and possibilities of modernity. In this unique collection focusing on (...) the _Genealogy_, twenty-five notable philosophers offer diverse discussions of the book's central themes and concepts. They explore such notions as _ressentiment_, asceticism, "slave" and "master" moralities, and what Nietzsche calls "genealogy" and its relation to other forms of inquiry in his work. The book presents a cross section of contemporary Nietzsche scholarship and philosophical investigation that is certain to interest philosophers, intellectual and cultural historians, and anyone concerned with one of the master thinkers of the modern age. (shrink)

Nietzsche's On the Genealogy of Morality is a forceful, perplexing, important book, radical in its own time and profoundly influential ever since. This introductory textbook offers a comprehensive, close reading of the entire work, with a section-by-section analysis that also aims to show how the Genealogy holds together as an integrated whole. The Genealogy is helpfully situated within Nietzsche's wider philosophy, and occasional interludes examine supplementary topics that further enhance the reader's understanding of the text. Two chapters examine how the (...) Genealogy relates to standard questions in moral and political philosophy. Written in a clear, accessible style, this book will appeal to students at every level coming to read the Genealogy for the first time, and a wider range of readers will also benefit from nuanced interpretations of controversial elements in Nietzsche's work. (shrink)

This paper seeks to evaluate Nietzsche’s positive ethical vision through a focus on the plausibility of his moral-historical account as it appears in On the Genealogy of Morals. It is then argued that Nietzsche’s account of the “slave revolt in morality” contains shortcomings that necessitate further inquiry into Nietzsche’s consequent ethical vision. Furthermore, the paper goes on to demonstrate that if a proper historical context for the “slave revolt in morality” cannot be identified, or if it cannot be shown that (...) Nietzsche’s ethical vision can stand without such a context, then a neo-Nietzschean ethic must be set aside. (shrink)

In this astonishingly rich volume, experts in ethics, epistemology, philosophy of mind, political theory, aesthetics, history, critical theory, and hermeneutics bring to light the best philosophical scholarship on what is arguably Nietzsche's most rewarding but most challenging text. Including essays that were commissioned specifically for the volume as well as essays revised and edited by their authors, this collection showcases definitive works that have shaped Nietzsche studies alongside new works of interest to students and experts alike. A lengthy introduction, annotated (...) bibliography, and index make this an extremely useful guide for the classroom and advanced research. (shrink)

Nietzsche's book On the Genealogy of Morals is often taken to be the high point of his critical project. Many of the positive aspects of Genealogy are often ignored, however, because they are difficult to explain. This article attempts to give an interpretation of the second essay of Genealogy in terms of Nietzsche's concept of will to power. On this basis, the second essay shows itself not to be simply an account of "bad conscience", but rather an account of the (...) development of morality as a whole, and one which shows the beginnings of a normative teaching. /// A obra A Genealogia da Moral é normalmente considerada como o cume do projecto crítico de Nietzsche. A verdade, porém, é que muitos dos aspectos positivos da Genealogia são frequentemente ignorados, pela simples razao de que são difíceis de explicar. O presente artigo pretende dar uma interpretação do segundo ensaio da Genealogia em termos do conceito nietzschiano da vontade de poder. Neste sentido, o segundo ensaio revela ser algo mais do que uma mera narrativa acerca do desenvolvimento da moralidade no seu conjunto, explicação essa que põe a descoberto os inicios de uma doutrina normativa. (shrink)

This essay is dedicated to elaborating some of the stylistic elements at work in Nietzsche's polemical book, On The Genealogy of Morals with particular attention to the nature of the aphorism from its inception in ancient Greek literaure, Nietzsche's specific deployment of the aphorism as such, including Nietzsche's argument structure and rhetorical technique as well as the language of Greek and Jewish antiquity, master and slave. -/- In: Christa Davis Acampora, ed., Nietzsche’s On the Genealogy of Morals: Critical Essays (Lanham, (...) Md., Rowman & Littlefield, 2006), pp. 177-190. (shrink)

1. We are unknown to ourselves, we knowing ones, we to our own selves, and for a good reason. We have never sought ourselves – so how could it happen, that one day we would find ourselves? Someone once correctly said: “where your treasure is, there your heart will be also”;1 our treasure is where the beehives of our knowledge are. We are always on the way to finding it; as winged creatures and honey-gatherers of the spirit, we truly care (...) for only one thing from the heart: to “bring something home.” Whatever else concerns life, the so-called “experiences” – who among us has enough seriousness for them? Or enough time? In these matters we have been, I fear, somewhat distracted: our hearts have not quite been in it, and not even our ears! More often, like some divine scatter-brain absorbed-in-himself into whose ear the bell has tolled the twelve strikes of noon at full power, who then suddenly wakes up and asks himself, “What was really just struck?”, just like that we rub our ears afterwards and ask, completely amazed, completely embarrassed, “what did we really experience?” and further, “who are we really?” and afterwards, as said, count the twelve trembling bell-strikes of our experience, our life, our being – ugh! and miscount them . . . We necessarily remain strangers to ourselves, we do not understand ourselves, we must get ourselves wrong, for us the saying “Each is furthest from himself” holds for all eternity – we are not “knowing ones” with respect to ourselves. (shrink)

“The genealogy of morals” is, most famously, a pair of genealogies: that of the good/evil dichotomy in the First Treatise, and that of the bad conscience in the Second Treatise. But the straightforward presentation of these two narratives is subverted even before it begins. Nietzsche classifies the book not as a treatise or inquiry but as a “polemic”; voices interrupt the narrative to insist that much is left unsaid; the narratives are framed by, of all things, reflections on the scientific (...) conscience; Nietzsche declares the entire enterprise to be a contribution to the critique of “the value of values”; the two genealogies of the first two Treatises overlap and various points and ultimately converge in a discussion of the “meaning” of the “ascetic ideal.” Whatever one makes of these complications, two tentative conclusions can be drawn. Nietzsche is profoundly concerned with the status of his genealogy. And genealogy does not function as reportage, primarily concerned with the accurate depiction of events; rather, it aims to reveal something about the status of “moral values” and the possibility of an alternative to them. (shrink)

It is seldom in dispute that genealogy, or genealogical accounts are central to Nietzsche’s philosophic enterprise. The role that genealogy plays in Nietzsche’s thought is little understood, however, as is Nietzsche’s argumentation in general, and, for that matter, what Nietzsche might be arguing for. In this paper I attempt to summarize Nietzsche’s genealogical account of modern ethical practices and offer an explanation of the philosophical import of genealogy. The difficulties in coming to understand the philosophical function of genealogy are obvious. (...) Genealogy, whatever else we say about it, offers a story of the genesis of contemporary ethical beliefs and practices. The story that Nietzsche gave is obviously a revisionist one, and Nietzsche seldom cites specific historical evidence; although it contains many historical allusions, the presentation is thematic or even mythical. At the same time, Nietzsche’s interests were primarily ethical: he seems to be attempting, in some novel way, either to solve or to eliminate1 philosophical problems about norms and values. In particular, he offered his genealogy as part of a critique of specifically “modern” values and the advancement of an “immoralism” that would take their place. So the difficulties are: it is unclear what status we should accord Nietzsche’s stories in particular, and it is unclear what role any story about the emergence of modern values can play in an assessment of those values. We seem to need a reason to take Nietzsche’s account as particularly authoritative, and then an explanation of how his account does in fact bear upon the normative status of “modern values.”. (shrink)

Toward a Genealogy of 'Deontology' ROBERT B. LOUDEN [A]ny choice of a conceptual scheme presupposes values. Hilary Putnam, Reason, Truth, and History tN Va'HICS AS ELS~.WHEI~, the basic categories used by writers to mark the conceptual terrain of their field profoundly affect readers' understanding of what is important within the field. And in ethics , most writers who habitually employ the currently accepted categories of their discipline have no knowledge of the particular history of these categories -- of who first (...) coined them, of the purposes for which they were originally intended, of how their meanings have shifted over the years, of how ascending categories have displaced descending ones, of who is primarily responsible for their current meanings, etc. As an illustration of this claim, I propose to examine the history of'deontology' in ethics, with an aim to making the recent topographical shifts within the field less "unknown to ourselves. ''~ Who was the first author to employ "the general, ugly, and familiar head- 1Cf. Nietzsche's opening remark in The Genealogy of Morals: "We are unknown to ourselves, we seekers after knowledge [w/r Erkennendon]" . It is perhaps worth noting at the outset that the following exercise in moral genealogy is not terribly Nietzschean -- I myself accept very little of the specifics of his attack on morality. However, I do concur with Nietzsche's general conviction that moral philosophers.. (shrink)

This paper raises three questions: (1) Can Nietzsche provide a satisfactory account of how the slave revolt could have begun to "poison the consciences" of masters? (2) Does Nietzsche's affinity for "master values" preclude him from acknowledging claims of justice that rest upon a sense of equality among human beings? and (3) How does Nietzsche's story fare when looked on as (at least in part) an empirical hypothesis? The first question is answered in the affirmative, the second in the negative, (...) and the third with the verdict "quite well". Nietzsche's interpretation of Socrates is held to vindicate the affirmative answer to question one; his conception of nobility as spontaneously self-affirming to justify the negative answer to question two, and historical, anthropological and etymological evidence to support the favorable answer to question three. (shrink)

The goal of this article is to trace the transformations in Nietzsche's early thinking that led to the ideas published in Human, All Too Human, the first book of his mature philosophy. In contrast to his early works, in which he sides with art and philosophy in criticizing the scientific culture of his time, Nietzsche, in Human, All Too Human, hails the methodology of science as a way to overcome the metaphysical delusions of philosophy, art, and religion. However, in disagreement (...) with popular scholarly view, I show that Human, All Too Human does not represent a complete break with his earlier writings, but rather a shift in emphasis. I argue that the overall project connecting Nietzsche's early thought to Human, All Too Human is, first, the attempt to come to terms with the upheavals introduced into the cultural terrain by the Socratic turn, and second, to affirm a higher culture. (shrink)

Before the world knew of the thinker who “philosophizes with a hammer,” there was a young, passionate thinker who was captivated by the two forces found within Greek art: Dionysus and Apollo. In this essay, which was the forerunner to his groundbreaking book _The Birth of Tragedy, The Dionysian Vision of the World_ provides an unparalleled look into the philosophical mind of one of Europe’s greatest and provocative intellects at the beginning of his philosophical interrogation on the subject of art. (...) “While dreaming is the game man plays with reality as an individual, the visual artist plays a game with dreaming.” This is the Dionysian vision of the world. (shrink)

“How does music stand to image and concept?” (KSA 1, 104) This query in the aesthetics of media is central to Nietzsche’s Birth of Tragedy and related early texts; it shapes both their form and content. Nietzsche searches for a mode of non-conceptual philosophizing; he wishes to organize thought as a sequence of suggestive images – thoughts, that is, about that very relationship. Nietzsche’s success or failure in that endeavour becomes clearer against the foil of the 1795 controversy between Friedrich (...) Schiller and Johann Gottlieb Fichte. These disputants rigidly opposed concept and image; they identified a potential for mediation, at best, in the aftermath. Yet Nietzsche realizes that concepts are images whose character as such fell into oblivion. He undermines the established opposition, too, by introducing sound as a third medium. In spite of these insights, both Schiller and Fichte get clearer about possible coalescences of media than Nietzsche who, at the end of The Birth of Tragedy, forces their harmony by opting for Wagner’s ‘total work of art’. (shrink)

This is the first comprehensive study of Nietzsche's earliest (and extraordinary) book, The Birth of Tragedy (1872). When he wrote it, Nietzsche was a Greek scholar, a friend and champion of Wagner, and a philosopher in the making. His book has been very influential and widely read, but has always posed great difficulties for readers because of the particular way Nietzsche brings his ancient and modern interests together. The proper appreciation of such a work requires access to ideas that cross (...) the boundaries of conventional specialisms. This is now provided by M. S. Silk and J. P. Stern in their joint study of Nietzsche's book. They examine in detail its content, style and form; its strange genesis and hybrid status; its biographical background and the controversy engendered by its publication; its value as an account of ancient Greek culture and as a theory of tragedy and music; its relation to other theories of tragedy; and its place in the history of German ideas and in Nietzsche's own philosophical career. (shrink)

Anthony K. Jensen has successfully undertaken an essential project for the fields of Nietzsche studies and philosophy of history. In his interpretation of Nietzsche's second "Untimely Meditation," On the Uses and Disadvantages for Life[1] (henceforth HL), he demonstrates an attention to detail and meticulousness sometimes bordering on obsessiveness. This textual work is based on Jensen's comprehensive familiarity with the philosophical, philological, and historiographic culture in which Nietzsche was trained and to which he was in part responding. Unlike many Anglophone philosophers (...) interested in Nietzsche, Jensen is fully at home with German language and idiom. He combines this linguistic facility with philological expertise and encyclopedic archival research to bring sober clarity to a field often plagued by flights of interpretive speculation. Jensen is knowledgeable of not only the Anglophone but also the Germanophone secondary literatures, and he uses this expertise like a wide-angle lens to give his readers a synoptic perspective on the last thirteen decades of reactions to and interpretations of HL. I hasten to add, though, that his monograph is not simply a summary of the production, content, and reception of one of Nietzsche's early works; it is also a judicious philosophical evaluation of Nietzsche's views and arguments. It may not be the last word on HL, but the prospect of adding anything new and valuable is now daunting. (shrink)

Summary: In this paper I investigate Nietzsche’s ideal of wholeness or unity. The consensus among commentators is that this ideal consists in the achievement of psychic integration in a person whereby the various parts of the agent’s mind are restructured into a harmonious whole. Against this prevalent reading, I argue that Nietzschean wholeness concerns cultural integration: a person becomes whole by pursuing the ideal of freedom and humanity in himself and in all, an ideal that transcends national boundaries and that (...) is universal in scope. For Nietzsche, the pursuit of this ideal makes a person into a piece of fate or primal law, that is, it makes him necessary for all that is and that is yet to come. In this way, the person who becomes whole finds redemption from the meaninglessness of existence. Instead of allowing his life to become a mindless act of chance, this person manages to project his energies into the future in the form of the very ideal he fought and aspired to realize while alive – an ideal that is being perpetually renewed and guaranteed for all within the suprapersonal community that is made up of those genuine fighters of culture who became whole. Resumen: En este trabajo investigo el ideal de Nietzsche de completud o de unidad. El consenso entre los analistas, es que este ideal consiste en el logro de una integración psíquica dentro de la persona a través de la cual las diversas partes que conforman la mente del agente son restructuradas de forma tal que se vuelvan un conjunto armonioso. En contra de esta usual lectura, sostengo que la completud Nietzscheana se refiere a la integración cultural: una persona alcanza la completud persiguiendo el ideal de la libertad y de la humanidad en sí mismo y en todos, un ideal que trasciende fronteras nacionales y que es de alcance universal. Para Nietzsche, la búsqueda de este ideal hace que una persona se convierta en un pedazo de fatalidad o de ley primaria, es decir, hace que se vuelva necesario para todo lo que es y está por venir. De esta forma, la persona que alcanza la completud logra redimirse del sinsentido de la existencia. En vez de permitir que su vida se convierta en un puro acto de azar carente de pensamiento, esta persona proyecta sus energías hacía el futuro en la forma del propio ideal por el cual luchó y que aspiró a realizar mientras estuvo vivo – un ideal que está siendo constantemente renovado y garantizado para todos dentro de la comunidad suprapersonal que componen los auténticos luchadores de la cultura que alcanzaron la completud. (shrink)

I have argued elsewhere that the psychological aspects of Nietzsche’s later works are best understood from a psychodynamic point of view. Nietzsche holds a view I dubbed the tenacity of the intentional (T): when an intentional state loses its object, a new object replaces the original; the state does not disappear entirely. In this essay I amend and clarify (T) to (T``): When an intentional state with a sub-propositional object loses its object, the affective component of the state persists without (...) a corresponding object, and that affect will generally be redeployed in a state with a distinct object. I then trace the development of the tenacity thesis through Nietzsche’s early and middle works. Along the way, I discuss a number of related topics, including the scope of the tenacity thesis (does it apply to all intentional states?), the reflexive turn one often finds in Nietzsche’s examples (why does he so often say the new object is oneself?), and the relations among will to power, drives, and the tenacity of the intentional. (shrink)

I provide a critical interpretation of Morgenröthe: Gedanken über die moralischen Vorurteile that identifies the key philosophical work done by Nietzsche in this text, as well as presenting the text as a type of medical narrative. I show how Nietzsche engages with three main questions, drawing thematic connections between themes of physical and psychological health and of ethics, in order to develop a foundation for his critical transvaluation project: First, what is the nature of, and relationship between psycho-physiological and cultural (...) health? Second, by which method of critical engagement may our health be diagnosed and promoted? And third, what virtues are required for such work? (shrink)

In this essay I seek to show that a philosophy of modesty informs core aspects of both Nietzsche’s critique of morality and what he intends to replace morality with, namely, an ethics of self-cultivation. To demonstrate this I focus on Dawn: Thoughts on the Prejudices of Morality, a largely neglected text in his corpus where Nietzsche carries out a quite wide-ranging critique of morality, including Mitleid. It is one of Nietzsche’s most experimental works and is best read, I claim, as (...) an Epicurean-inspired critique of the present and an exercise in moral therapy. In the opening sections I draw attention to the wider social dimension of the text and its concern with a morality of compassion, which is rarely done in the literature. I then turn to highlighting Nietzsche’s Epicurean moment, followed by two sections on Nietzsche on the self in which I aim to bring to light his ethics of self-cultivation and show in what ways his revaluation makes central to ethics a modest egoism and care of self. In the conclusion to the essay I provide a contrast between Nietzsche and Kant and deal with reservations readers might have about his ethics. Overall, the essay seeks to make a contribution to an appreciation of Dawn as a work of moral therapy. (shrink)

"Human, All Too Human" and the problem of culture -- "Daybreak" and the campaign against morality -- "The Gay Science" and the incorporation of knowledge -- The later works: beyond the free spirit.