Spinoza: Philosophy of Mind

A book review of Valtteri Viljanen's "Spinoza’s Geometry of Power".

With the proviso that Spinoza's concerns were philosophical, not medical, we examine the Ethics with a view to bringing out those aspects of it which are of import for mental health. We find that the Ethics surrounds the idea that man can be egoless in the Buddhist sense of that term. This concept provides a criterion of mental health. Further, according to Spinoza's theory of the Affections, those which are passive include some which are based on pain. These he 'enumerates (...) among the diseases'. And for them he provides, in Part V, specific 'remedies'. This in turn leads him to equate 'Mental Freedom or beatitude' with a 'healthy Mind'. We thus have in Part V additional possible criteria of mental health. Finally, there is the suggestion that philosophy for Spinoza was a kind of therapy.' There is not a philosophical method, though there are indeed methods, like different therapies. — The philosopher's treatment of a question is like the treatment of an illness. — A main cause of philosophical disease — a onesided diet . . . Wittgenstein This doctrine of knowledge first and action later is not a minor disease . . . My present advocacy of the unity of knowledge and action is precisely the medicine for that disease. Wang Yang-ming When asked by two disciples which of the views of each was correct, Wang replied: both are. Which is used depends on the kind of person you are trying to help. Some persons need this one, others that. (shrink)

This chapter argues that contemporary literary criticism suffers from a reflexive faith in things, conceived broadly as static objects that reflect wider political, social, and cultural practices. Literature is re-imagined here as an open-ended event that demands an immanent materialism in which distinctions between literary objects and human bodies no longer stand up. By reflecting on the ambiguous “thing-ness” of Shakespeare, Vallelly draws attention to the elusive nature of things in theatrical spaces, and explores how this enigmatic materiality can be (...) applied to literary experience more generally. To do so, he draws on Roberto’s Bolaño’s 2666, affect theory, and new materialism to construct a new literary materialism, one in which literary meaning is located neither in the human nor in the non-human world, but in the affective correspondence between these worlds. To illustrate this point, the chapter concludes with a discussion of the relationship between characters and stones in Shakespearean drama. (shrink)

In this paper, I offer an argument for cultivating cheerfulness as a remedy to sadness and other emotions, which, in turn, can provide some relief to certain cases of depression. My thesis has two tasks: first, to establish the link between cheerfulness and sadness, and second, to establish the link between sadness and depression. In the course of accomplishing the first task, I show that a remedy of cultivating cheerfulness to counter sadness is supported by philosophers as diverse as Thomas (...) Aquinas, Baruch Spinoza, and David Hume in their writings on the passions. I also show that my argument can generalize to promote the cultivation of other emotions. In the course of accomplishing the second task, I consider different models of depression and how the emotions are related to depression. The purpose of this paper is to offer conceptual, philosophical support that is consistent with the most current empirical data on depression. (shrink)

This paper develops an immanent ecological ethics that locates human flourishing within sustaining ecological relationships. I outline the features of an immanent ethics drawn from Spinoza, and indicate how this model addresses gaps left by approaches based in moral considerability. I argue that an immanent ecological ethics provides unique resources for contesting anthropogenic harm, by 1) shifting the focus from what qualifies as a moral subject to what bodies can or cannot do under particular relations, 2) emphasizing the constitutive role (...) of interaction and interdependence in ecosystemic existence, and 3) extending ethical regard to ecologically-ramified scales. (shrink)

In this paper I examine the question whether Spinoza can account for the necessity of death. I argue that he cannot because within his ethical intellectualist system the subject cannot understand the cause of her death, since by understanding it renders it harmless. Then, I argue that Spinoza could not solve this difficulties because of deeper commitments of his system. At the end I draw a historical parallel to the problem from medieval philosophy.

Two priority problems frustrate our understanding of Spinoza on desire [cupiditas]. The first problem concerns the relationship between desire and the other two primary affects, joy [laetitia] and sadness [tristitia]. Desire seems to be the oddball of this troika, not only because, contrary to the very definition of an affect, desires do not themselves consist in changes in one's power of acting, but also because desire seems at once more and less basic than joy and sadness. The second problem concerns (...) the priority of desires and evaluative judgements. While 3p9s and 3p39s suggest that evaluative judgements are posterior to desires, Andrew Youpa has recently argued that passages in Ethics 4 indicate that rational evaluative judgements can give rise to, rather than arise out of, desires. I aim to offer solutions to these problems that reveal the elegance and coherence of Spinoza's account of motivation. Ultimately, I argue that whereas emotions and d.. (shrink)

The objective of this doctoral dissertation is to interpret the explanation of akrasia that the Dutch philosopher Benedictus Spinoza gives in his work The Ethics. One is said to act acratically when one intentionally performs an action that one judges to be worse than another action which one believes one might perform instead. In order to interpret Spinoza’s explanation of akrasia, a large part of this dissertation investigates Spinoza’s theory of emotion. The first chapter is introductory and outlines Spinoza’s categorisation (...) of mental states and his conception of the relation between the mind and the body. The second chapter deals with Spinoza’s epistemology and the relation between cognitive mental states and states of the brain. The third chapter argues that Spinoza holds that emotions are non-cognitive mental states that are caused by cognitive mental states. The fourth chapter interprets Spinoza’s discussion of the emotions of Joy and Sadness insofar as they are mental states. The fifth chapter suggests that when Spinoza says that the power of our body is increased or decreased when we are joyful or sad, he means that when we are joyful or sad then, at the same time, our heart and perhaps the organs of our digestive system are affected in such a way that our bodily health is increased or decreased. The sixth chapter points to three problems that concern Spinoza’s definitions of the psychophysical states of pleasure, pain, cheerfulness and melancholy, and offers slightly altered definitions of these states. The seventh chapter interprets the various aspects of Spinoza’s conception of the emotion of Desire, both insofar as it is a state of the mind and insofar it is a state of the body, as well as the relation between the emotion of Desire and man’s striving for self-preservation. The eighth chapter discusses what Spinoza writes on the strength of emotions and the way in which we make value judgments in order to finally interpret why it is, according to Spinoza, that ‘we so often see the better for ourselves but follow the worse’. (shrink)

In this paper I will discuss the doctrine of substance which emerges from Leibniz’s unpublished early memoir De affectibus of 1679. The memoir marks a new stage in Leibniz’s views of the mind. The motivation for this change can be found in Leibniz’s rejection of the Cartesian theory of passion and action in the 1670s. His early Aristotelianism and some features of Cartesianism persisted to which Leibniz added influences from Hobbes and Spinoza. His nascent dynamical concept of substance is seemingly (...) a combination of old and fresh influences, representing a characteristically eclectic approach, but I will argue that the influence of Hobbes is especially important in the memoir. To do that, I will examine Leibniz’s development in the 1670s up to the De affectibus and consider the nature of affects in the memoir, especially the first affect which starts the thought sequence. This first affect of pleasure or pain is the key to Leibniz’s theory of active substances and in this way to the whole of Leibniz’s moral psychology and ethical metaphysics. (shrink)

Like any broad narrative about the history of ideas, this one involves a number of simplifications. My hope is that by taking a closer look Spinoza's notorious remarks on animals, we can understand better why it becomes especially urgent in this period as well as our own for philosophers to emphasize a distinction between human and nonhuman animals. In diagnosing the concerns that give rise to the desire to dismiss the independent purposes of animals, we may come to focus on (...) a new aspect of what needs to change about contemporary thinking on species divisions. In what follows, I will bring out Spinoza's contradictory and ambivalent remarks pertaining to the specific differences between humans and animals. It is my suspicion that this ambivalence continues to plague us today. Like Spinoza, we want to say that humans are like and unlike animals. As a simply descriptive claim, it may be true and innocuous. Yet, the way we affirm our proximity and distance from nonhuman animals requires careful attention. Spinoza viewed this proximity as a source of danger. We might do well to emphasize, with thinkers such as Donna Haraway (2003),how our proximity and difference are also sources of pleasure and power, both to be able to enjoy the affectionate bond that can often develop between humans and our animal companions but also to quell the anxiety that might encourage us to exploit and abuse them. (shrink)

La double question a la source de ce travail est la suivante: comment le mecanisme du progres dans la connaissance se deploie-t-il exactement chez Spinoza, et pourquoi ce processus cognitif, relie aux idees qu'on possede, est-il en meme temps un processus ethique, relie a la joie et au bonheur? On constate que le champ de l'ethique n'est pas, a proprement parler, celui de la connaissance, mais celui du progres dans la connaissance, qui s'acheve par une conscience superieure de soi, de (...) Dieu et des choses. Nous avons donc cherche a comprendre precisement ce que la notion de "conscience" recouvrait, savoir, une connaissance d'un etat de puissance du sujet, une "connaissance experientielle" ou affective, et quelle place elle avait dans l'economie du systeme: celle de moteur du progres quasi automatique de l'ame humaine. ;Chez l'homme, c'est la conscience de soi donnee dans les affects qui permet le progres ethique, sachant qu'a chaque stade de ce progres correspond simultanement un degre ontologique de puissance, un degre d'activite dans la connaissance, et un degre de joie. Ontologie, theorie de la connaissance et theorie des affects sont si inextricablement meles dans l'ethique de Spinoza qu'il est impossible de rendre compte proprement de celle-ci sans utiliser les trois, ce que nous avons tente de faire par le plan choisi. Un premier chapitre s'attache a comprendre la causalite a l'oeuvre dans la nature; un deuxieme presente la theorie spinoziste de l'ame; un troisieme trace les contours d'une ontologie des affects; et un quatrieme enfin unifie ces trois dimensions en montrant comment l'affectivite explique a chaque degre de la progression le passage a un degre superieur. ;Au terme de cette etude, nous pensons pouvoir comprendre avec une ampleur plus grande le sens meme de l'ethique en meme temps que ses bornes. Ni en deca du progres , ni au-dela : l'affectivite concerne l'homme, et c'est l'homme aussi qui est concerne par l'ethique. Car ce sont tres precisement les affects qui, a chaque etape de l'existence, guident l'ame jusqu'a la realisation de sa puissance propre, la faisant ainsi progresser vers la beatitude. (shrink)

This dissertation concerns the affects, defined as bodily intensities and as pre-personal productive or creative feelings. Here, the affects are not simply passions; they precede the distinction between activity and passivity. These definitions correspond to the intuition expressed in philosophies of time and experience, that something is always happening in or to bodies. According to this intuition, events and processes always pertain to bodies, and what happens to bodies is experienced as affects: corporeal intensities, blocks of lived timespace, which can (...) also be called duration-location . These definitions likewise interlace with the contentions of some recent continental philosophers according to whom our subjectivities are produced within relational networks of power and desire. The importance of these redefinitions is twofold: first, the affects are constitutive of subjectivity and not the inverse. Psychological or private personal emotions are derivative of a larger circulation of affects. Secondly, the constitution of subjectivity by the affects, here denominated a production of subjectivity, implies that social forms are inherently plastic and in process. Thus there is always an opening to other forms of individual and group subjectivity, and along with this conclusion comes the corollary: how to engage that opening most fruitfully? The ontological productivity of desiring intensities in Gilles Deleuze and Felix Guattari's Anti-Oedipus, presented with an exemplary mixture of philosophical and political concerns, serves as the starting point for this redefinition of the affects. Here the affects are seen in the context of extreme experiences, powerful hallucinations of our participation in history. In Spinoza's Ethics, especially Parts 2 and 3, a detailed analysis of the relation between affections and affects allows us to see the ramifications of a systematic philosophy which makes affective modification its primary logic. Guattari's later writings, especially Cartographies Schizoanalytiques and Chaosmosis, develop in a very different sense the possibility of a logic of intensities or of affects, using it as the basis for an examination of the production of subjectivity in determinate social and historical systems, and proposing the possibility of an ethico-aesthetic paradigm of enunciations beyond the current desingularization of subjectivity. The entire project rests under the sign of a double Spinozist affirmation: of speculative thinking , and of the power of the affects. (shrink)

In this dissertation, I trace the development of Spinoza's philosophy of mind throughout his corpus. I argue that understanding the development of his thought, as well as its historical context, helps us understand how Spinoza's mature system fits together. Owing to the complexity and systematic nature of Spinoza's philosophy, along with the tendency in the literature to study his Ethics in isolation, the importance of such connections for the proper understanding of any particular area of his thought is often overlooked. (...) This project focuses on the connections between Spinoza's philosophy of mind and political philosophy. The goal of my dissertation is to show how, not just that, these two aspects of his system are related. For example, I show how Spinoza's parallelism principle, a development that does not occur until Part II of the Ethics, allows Spinoza to account for the individuation and identity of minds and bodies. This account is foundational for both his mature theory of mind and for his systematization of the doctrines of a political movement in The Netherlands known as "Radical Cartesianism". I see the development of the parallelism principle as a turning point in Spinoza's philosophy and a solution that Spinoza was working towards throughout his philosophical career. ;My methodology is twofold: first, a reconstruction of the development of key epistemological doctrines in Spinoza's corpus; second an examination of the intellectual context of that development. The key doctrines I examine to trace the changes in Spinoza's philosophy of mind are his views on truth, error, and falsity. I begin with the Appendix Containing Metaphysical Thoughts. I argue that this work represents Spinoza's earliest thinking about the mind. Then, through textual comparison, I reconstruct Spinoza's development through his transitional works, the Emendation of the Intellect and Short Treatise, and his mature work, the Ethics. I show how these developments are related to Spinoza's commitments to Radical Cartesian political theory. ;I conclude that while Spinoza is greatly influenced by Descartes, he never accepted Descartes' theory of mind; as Spinoza's theory of mind develops, it looks less and less similar to that of Descartes'; and the development of Spinoza's theory of mind is largely motivated by his commitments to Radical Cartesian Politics. Ironically, Spinoza's attempt to make coherent a political movement based on Descartes' psychology and overall philosophical methodology ends in a rejection of that very psychology and major components of that methodology. (shrink)

Spinoza unequivocally states in the Ethics that intuitive knowledge is more powerful than reason. Nonetheless, it is not clear what exactly this greater power promises in the face of the passions. Does this mean that intuitive knowledge is not liable to akrasia? Ronald Sandler offers what, to my knowledge, is the only explicit answer to this question in recent Spinoza scholarship. According to Sandler, intuitive knowledge, unlike reason, is not susceptible to akrasia. This is because, intuitive knowledge enables the knower (...) to greater power over the passions due to its immediacy, its foundation and because it engenders the boundlessly powerful intellectual love of God. In this paper, I consider to what extent intuitive knowledge is liable to akrasia by exploring whether Sandler's claim can justifiably be attributed to Spinoza. I argue that, given our modal status, it is not plausible to claim that akrasia would never apply to intuitive knowledge. Since intuitive ideas are the ideas of a finite .. (shrink)

Este artigo busca interpretar a gravura "Melancolia I", do renascentista alemão Albrecht Dürer, segundo o pano de fundo filosófico do pensamento de Spinoza. A ideia central é a de que, nessa gravura, haveria uma intuição artístico-filosófica pela qual Dürer foi levado a associar a tristeza melancólica à ideia de um conhecimento confuso e turvado pela imaginação. Tal intuição se completaria numa outra gravura, criada no mesmo ano, o "São Jerônimo em seu gabinete", na qual a melancolia do "homem de cultura" (...) renascentista desaparece. Tais intuições permitiriam ler as duas gravuras sob a ótica das "teorias" da mente e do conhecimento de Spinoza, para quem o conhecimento está associado à alegria, desde que esteja livre das sombras da imaginação projetadas pelo medo, pelo desejo excessivo, pelas crenças ou pelas superstições. This article seeks to interpret the engraving "Melencolia I" , made by the German Renaissance’s painter Albrecht Dürer, according to the philosophical background of Spinoza’s thought. The central idea is that, in this picture, there would be an artistic-philosophical intuition by which Dürer associated melancholy to the idea of a confused and muddied knowledge caused by imagination. Another engraving, also created in 1514, completes this intuition: "St. Jerome in his study", in which the melancholy of the Renaissance’s "man of culture" disappears. Such insights allow reading the two pictures from the perspective of Spinoza’s "theories" of mind and knowledge. He assumes that knowledge is associated with joy, since it is free from the shadows of the imagination projected by fear, excessive desire, beliefs or/and superstitions. (shrink)

Se analizan los más tradicionales aspectos vinculados a la teoría política spinozista, la teoría del contrato y la crítica de la religión, en estrecha relación con la Ética y con el tratamiento de las relaciones entre afectos e imaginación, que se considera como el núcleo de su pensamiento político. Se interpreta así la idea de conatus desde una doble dimensión, política y ontológica, cuya articulación con las otras categorías recogidas en la Ética, especialmente con relación a los afectos, ofrece una (...) alternativa al pensamiento de la omnipotencia, dominante en la mayor parte de las filosofías de la modernidad. The article analyzes the most traditional aspects of Spinoza's political theory, the theory of the contract and the critique of religion, in close relation with the Ethics and the handling of the relations between affects and the imagination, considered to be the core of his political thought. Thus, the idea of conatus is interpreted from the dual perspective of politics and ontology, whose articulation with other categories included in the Ethics, particularly that of affects, offers an alternative to the idea of omnipotence that prevails in most modern philosophies. Neste artigo, analisam-se os mais tradicionais aspectos vinculados à teoria política spinozista, a teoria do contrato e da crítica da religião, na estreita relação com a Ética e com o tratamento das relações entre afetos e imaginação, que se considera como o núcleo de seu pensamento político. Interpreta-se assim a ideia de conatus a partir de uma dupla dimensão, política e ontológica, cuja articulação com as outras categorias reunidas na Ética, especialmente a respeito dos afetos, oferece uma alternativa ao pensamento da onipotência, dominante na maior parte das filosofias da modernidade. (shrink)

The Spinozistic essence is the factor of individuation of a particular or individual thing. Affects or emotions are properties of an essence, which, under the attribute of thought, is an idea, i.e., cognition. Such essence is the human mind, which is the idea of a particular actual body. Since our emotions are properties of our cognitions, whether adequate or not, concerning the state of our body, which reflects nature as a whole in a particular way, I entitle Spinoza’s theory of (...) emotions "cognitivism." In light of Spinoza’s cognitivism, I attempt to explain what is precisely the significance of the intellectual love of God and how cognitive means serves Spinoza’s philosophical psychotherapy or theory of salvation. (edited). (shrink)

Despite the considerable attention given to Spinoza’s account of affectivity, especially in recent years, scant attention has been paid to the distinction between action and passion, or to the problems which it presents internally and externally. This essay offers a clarification and defense of Spinoza’s account of action and passion. A second theme is the behavioristic nature of Spinoza’s account of human affectivity. Despite the bad press which behaviorism is receiving these days, I argue that the behavioristic aspects of Spinoza’s (...) account are defensible. (shrink)

The question of the weakness of the will, traditionally named akrasia after Aristotle’s Nicomachean Ethics (Book III), is tackled in part 4 of Spinoza’s Ethics. After a brief presentation of this problematic in the Ethics, the author shows how the geometrical order chosen by Spinoza to write his book constitutes a great part of the strategy put in place to concretely resolve this question.

The notion of divine love was essential to medieval Christian conceptions of God. Jewish thinkers, though, had a much more ambivalent attitude about this issue. While Maimonides was reluctant to ascribe love, or any other affect, to God, Gersonides and Crescas celebrated God’s love. Though Spinoza is clearly sympathetic to Maimonides’ rejection of divine love as anthropomorphism, he attributes love to God nevertheless, unfolding his notion of amor Dei intellectualis at the conclusion of his Ethics. But is this a legitimate (...) notion within his system? In the first part of this article, I will explain some of the problems surrounding this notion, and then turn, in the second part, to consider two unsatisfactory solutions. In the third part, I will attempt to rework Spinoza’s amor Dei intellectualis from his definitions of love and the other affects in part three of the Ethics. In the fourth part, I will examine closely how Spinoza tweaks his definition of love in order to allow for the possibility of divine intellectual love, and conclude by trying to explain what motivated this move. (shrink)

In the Sociology of Emotion and Affect Studies, affects are usually regarded as an aspect of human beings alone, or of impersonal or collective atmospheres. However, feelings and emotions are only specific cases of affectivity that require subjective inner selves, while the concept of ‘atmospheres’ fails to explain the singularity of each individual case. This article develops a theory of social affect that does not reduce affect to either personal feelings or collective emotions. First, I use a Spinozist understanding of (...) the ‘body’ to conceptualize the receptivity and mutual constitution of bodies, to show how affects do not ‘belong’ to anybody; they are not solely attributable either to the human or to any kind of body alone, but emerge in situations of the encounter and interaction . Next I build upon Jean-Marie Guyau’s concept of transmissions to show how we can theorize affect as an emerging transmission between and among bodies. Finally, I demonstrate how we now have a complete conceptual frame for theorizing affect in relation to all bodies in any given social scene, the grand composition of which I call affectif. (shrink)

Spinoza Contra Phenomenology fundamentally recasts the history of postwar French thought, typically presumed to have been driven by a critique of reason indebted to Nietzsche and Heidegger. Although the reception of phenomenology gave rise to many innovative developments in French philosophy, from existentialism to deconstruction, not everyone in France was pleased with this German import. This book recounts how a series of French philosophers used Spinoza to erect a bulwark against the nominally irrationalist tendencies of phenomenology. From its beginnings in (...) the interwar years, this rationalism would prove foundational for Althusser's rethinking of Marxism and Deleuze's ambitious metaphysics. There has been a renewed enthusiasm for Spinozism of late by those who see his work as a kind of neo-vitalism or philosophy of life and affect. Peden counters this trend by tracking a decisive and neglected aspect of Spinoza's philosophy—his rationalism—in a body of thought too often presumed to have rejected reason. In the process, he demonstrates that the virtues of Spinoza's rationalism have yet to be exhausted. (shrink)

Book synopsis: The thoroughly contemporary question of the relationship between emotion and reason was debated with such complexity by the philosophers of the 17th century that their concepts remain a source of inspiration for today’s research about the emotionality of the mind. The analyses of the works of Descartes, Spinoza, Leibniz, and many other thinkers collected in this volume offer new insights into the diversity and significance of philosophical reflections about emotions during the early modern era. A focus is placed (...) on affective components in learning processes and the boundaries between emotions and reason. (shrink)