Theories of Color, Misc

This essay aims to provide conceptual tools for the understanding of Wittgenstein’s theory of color as a grammar problem instead of a phenomenological or purely scientific one. From an introduction of his understanding of meaning in his early and late life, his notion of grammar will be analyzed to understand his rebuttal of scientific and phenomenological discourse as a proper means for dealing with the problem of color through his critique of Goethe. Then Wittgenstein’s take on color will become clear (...) as his sympathy for Runge, the painter that Goethe criticizes, is analyzed to understand color as a language-game regarding kinds of colors as numbers and geometrical figures, in that grammar rather than experience is used to acknowledge them. (shrink)

Wittgenstein introduced his claim about colour incompatibility originally in the Tractatus Logico-Philosophicus , where he stated that there could be only one colour in one place and time. It is commonly believed that Wittgenstein abandoned his conception of logical atomism when he realized the consequences of this claim. The aim of this article is to provide an interpretation of the colour incompatibility claim in terms of Wittgenstein’s phenomenology. I will focus on two works of great significance for the claim: Some (...) Remarks on Logical Form and Philosophical Remarks . These two works were written between 1929 and 1930, which is the beginning of the “middle period” in Wittgenstein’s philosophy. I will focus not only on Wittgenstein’s formulation of the colour incompatibility claim, but also on how this claim was justified. The explanation of Wittgenstein’s justification of this claim will help to understand his phenomenology and theory of philosophical grammar. (shrink)

Consider the distinctive qualitative property grass visually appears to have when it visually appears to be green. This property is an example of what I call sensuous color. Whereas early modern mechanists typically argue that bodies are not sensuously colored, Margaret Cavendish (1623-1673) disagrees. In cases of veridical perception, she holds that grass is green in precisely the way it visually appears to be. In defense of her realist approach to sensuous colors, Cavendish argues that (i) it is impossible to (...) conceive of colorless bodies, (ii) the very possibility of color experience requires that bodies are sensuously colored, and (iii) the attribution of sensuous colors to bodies provides the best explanation of color constancy. Although some passages might suggest that Cavendish endorses a reductive account of sensuous color, according to which sensuous color reduces to a body’s microscopic surface texture (or some other mechanistically respectable property), I argue that she accepts a non-reductive account, on which sensuous color is not thus reducible. (shrink)

Colour information not only helps sustain the survival of animal species by guiding sexual selection and foraging behaviour but also is an important factor in the cultural and technological development of our own species. This is illustrated by examples from the visual arts and from state-of-the-art imaging technology, where the strategic use of colour has become a powerful tool for guiding the planning and execution of interventional procedures. The functional role of colour information in terms of its potential benefits to (...) behavioural success across the species is addressed in the introduction here to clarify why colour perception may have evolved to generate behavioural success. It is argued that evolutionary and environmental pressures influence not only colour trait production in the different species but also their ability to process and exploit colour information for goal-specific purposes. We then leap straight to the human primate with insight from current research on the facilitating role of colour cues on performance training with precision technology for image-guided surgical planning and intervention. It is shown that local colour cues in two-dimensional images generated by a surgical fisheye camera help individuals become more precise rapidly across a limited number of trial sets in simulator training for specific manual gestures with a tool. This facilitating effect of a local colour cue on performance evolution in a video-controlled simulator (pick-and-place) task can be explained in terms of colour-based figure-ground segregation facilitating attention to local image parts when more than two layers of subjective surface depth are present, as in all natural and surgical images. (shrink)

There exist two widely used notions concerning the structure of phenomenal color space. The first is the notion of unique/binary hue structure, which maintains that there are four unique hues from which all other hues are composed. The second notion is the similarity structure of hues, which describes the interrelations between the hues and hence does not divide hues into two types as the first notion does. Philosophers have considered the existence of the unique/binary hue structure to be empirically and (...) phenomenally well-grounded, and the structure has been considered to be primary because this can account for the similarity structure. Consequently, the unique/binary hue structure has played a central role in color philosophy. This calls for the assessment of the justification for its existence carried out in this paper. It is concluded that, despite the prevalent view among philosophers, none of their reasons for endorsing the existence of the unique/binary hue structure are justified. Since the notion of the unique/binary hue structure appears intuitively plausible for many, however, a sketch explaining this intuition is outlined at the end. (shrink)

An adequate ontology of color must face the empirical facts about perceptual variation. In this paper I begin by reviewing a range of data about perceptual variation, and showing how they tell against color physicalism and motivate color relationalism. Next I consider a series of objections to the argument from perceptual variation, and argue that they are unpersuasive. My conclusion will be that the argument remains a powerful obstacle for color physicalism, and a powerful reason to believe in color relationalism (...) instead. (shrink)

This paper critically examines color relationalism and color relativism, two theories of color that are allegedly supported by variation in normal human color vision. We mostly discuss color relationalism, defended at length in Jonathan Cohen's The Red and the Real, and argue that the theory has insuperable problems.

_The Routledge Companion to Philosophy of Psychology, Second Edition_ is an invaluable guide and major reference source to the major topics, problems, concepts and debates in philosophy of psychology and is the first companion of its kind. A team of renowned international contributors provide forty-nine chapters organised into six clear parts: Historical background to Philosophy of Psychology Psychological Explanation Cognition and Representation The biological basis of psychology Perceptual Experience Personhood. _The Companion_ covers key topics such as the origins of experimental (...) psychology; folk psychology; behaviorism and functionalism; philosophy, psychology and neuroscience; the language of thought, modularity, nativism and representational theories of mind; consciousness and the senses; dreams emotion and temporality; personal identity and the philosophy of psychopathology. For the_ second edition_ many of the current chapters have been updated, and seven new chapters added on important new topics such predictive processing, comparative cognition, learning, and group cognition, as well as a new introductory chapter by the editors on the demarcation between philosophy and psychology. Essential reading for all students of philosophy of mind, science and psychology, _The Routledge Companion to Philosophy of Psychology _will also be of interest to anyone studying psychology and its related disciplines. (shrink)

This paper presents a puzzle or antinomy about the role of properties in causation. In theories of properties, a distinction is often made between determinable properties, like red, and their determinates, like scarlet (see Armstrong 1978, volume II). Sometimes determinable properties are cited in causal explanations, as when we say that someone stopped at the traffic light because it was red. If we accept that properties can be among the relata of causation, then it can be argued that there are (...) good reasons for allowing that some of these are determinable properties. On the other hand, there are strong arguments in the metaphysics of properties to treat properties as sparse in David Lewis’s (1983) sense. But then it seems that we only need to believe in the most determinate properties: particular shades of colour, specific masses, lengths and so on. And if we also agree with Lewis that sparse properties are ‘the ones relevant to causal powers’ (1983: 13) it seems we must conclude that if properties are relevant to causation at all, then all of these are determinate properties. I call this ‘the antinomy of determinable causation’. On the one hand, we have a good argument for the claim that determinable properties can be causes, if any properties are. I call this the Thesis. But on the other hand, we have a good argument for the claim that only the most determinate properties can be causes, if any properties are. I call this the Antithesis. Clearly, we need to reject either the Thesis or the.. (shrink)

By arguing that qualia is meaning or understanding, a new framework for understanding consciousness is developed. In this way, the meaning of yellow and red are uncovered. The suggested solutions are that yellow means “source of light” and red means “important”. Also, in the process of arguing that qualia is meaning, remarkable similarities in the structure of qualia are uncovered. In this way, a reason for why very hot and very cold water feel the same, is given. The same behaviour (...) is also shown to take place for colours. (shrink)

Is color real or illusory, mind independent or mind dependent? Does seeing in color give us a true picture of external reality? The metaphysical debate over color has gone on at least since the seventeenth century. In this book, M. Chirimuuta draws on contemporary perceptual science to address these questions. Her account integrates historical philosophical debates, contemporary work in the philosophy of color, and recent findings in neuroscience and vision science to propose a novel theory of the relationship between color (...) and physical reality. -/- Chirimuuta offers an overview of philosophy’s approach to the problem of color, finds the origins of much of the familiar conception of color in Aristotelian theories of perception, and describes the assumptions that have shaped contemporary philosophy of color. She then reviews recent work in perceptual science that challenges philosophers’ accounts of color experience. Finally, she offers a pragmatic alternative whereby perceptual states are understood primarily as action-guiding interactions between a perceiver and the environment. The fact that perceptual states are shaped in idiosyncratic ways by the needs and interests of the perceiver does not render the states illusory. Colors are perceiver-dependent properties, and yet our awareness of them does not mislead us about the world. Colors force us to reconsider what we mean by accurately presenting external reality, and, as this book demonstrates, thinking about color has important consequences for the philosophy of perception and, more generally, for the philosophy of mind. (shrink)

Mazviita Chirimuuta proposes a new “adverbialist” ontology of color. I argue that ontological disputes in the philosophy of color are uniformly terminological. Chirimuuta's proposal too is a terminological variant on others, though it has some hortatory value in directing attention to aspects of color science that have hitherto been neglected. On a side note, I also take issue with Chirimuuta's laudatory take on early modern theories of color.

Brown highlights cases of “chromatic layering”—scenarios in which one perceives an opaque object through a transparent volume/film/filter with a chromatic or achromatic content of its own—as a way of reining in the argument from perceptual variation sometimes used to motivate a relationalist account of color properties. Brown urges that the argument in question does not generalize smoothly to all types of perceptual variation—in particular, that it fits poorly in layering cases in which there is either experiential fusion or scission. While (...) he doesn’t want to reject the relationalist description of variation in all cases, he does suggest that there is an alternative, and preferable, description available for layering cases, and that the availability of this alternative puts limits on the scope of both relationalist arguments and relationalist conclusions. I claim that the obstacles for the argument from perceptual variation posed by cases of layering are merely apparent. I argue that relationalism can be extended smoothly to cases of layering, and indeed that denying this extension, as Brown proposes, contravenes ordinary and more or less universally accepted canons of rational inquiry. (shrink)

In this paper I reply to two sets of criticisms—a first from Joshua Gert, and a second from Keith Allen—of the relationalist view of color developed and defended in my book, The Red and the Real: An Essay on Color Ontology.

Back when researchers thought about the various forms that color vision could take, the focus was primarily on the retinal mechanisms. Since that time, research on human color vision has shifted from an interest in retinal mechanisms to cortical color processing. This has allowed color research to provide insight into questions that are not limited to early vision but extend to cognition. Direct cortical connections from higher-level areas to lower-level areas have been found throughout the brain. One of the classic (...) questions in cognitive science is whether perception is influenced, and if so to what extent, by cognition and whether a clear distinction can be drawn between perception and cognition. Since perception is seen as providing justification for our beliefs about properties in the external world, these questions also have metaphysical and epistemological significance. The aim of this paper is to highlight some of the areas where research on color perception can shed new light on questions in the cognitive sciences. A further aim of the paper is to raise some questions about color research that are in dire need of further reflection and investigation. (shrink)

This article cohesively discusses three topics, namely color and its perception, the yet-to-be-solved hard problem of consciousness, and the theoretical possibility of strong AI. First, the article restores color back into the physical world by giving cross-species evidence. Secondly, the article proposes a dual-field with function Q hypothesis (DFFQ) which might explain the ‘first-person point of view’ and so the hard problem of consciousness. Finally, the article discusses what DFFQ might bring to artificial intelligence and how it might allow strong (...) AI to stay true. (shrink)

This is a comprehensive discussion of determinables, determinates, and their relation ('determination', for short), covering the historical development of these notions, the theoretical options for understanding them, and certain of their contemporary applications.

Cohen begins by defining ‘Color Physicalism’ so that the position is incompatible with Color Relationalism (unlike Byrne and Hilbert 2003, 7, and note 18). Physicalism, in any event, is something of a distraction, since Cohen’s argument from perceptual variation is directed against any view on which minor color misperception is common (Byrne and Hilbert 2004). A typical color primitivist, for example, is equally vulnerable to the argument. Suppose that normal human observers S1 and S2 are viewing a chip C, as (...) in Cohen’s example. C looks unique green to S1, and bluish green to S2. The problem, as Cohen has it, is to explain “what could (metaphysically) make it the case” that S1, say, and not S2, is perceiving C correctly. He purports to find the explanation “extremely hard to imagine”, and so concludes that both S1 and S2 are perceiving C correctly. (That is not the only option, of course: Hardin concludes that neither is perceiving the chip correctly.). (shrink)

In this paper I propose and defend an account of color that I call color functionalism. I argue that functionalism is a non-traditional species of primary quality theory, and that it accommodates our intuitions about color and the facts of color science better than more widely discussed alternatives.

Colour relationalism holds that the colours are constituted by relations to subjects. Anti-relationalists have claimed that this view stands in stark contrast to our phenomenally-informed, pre-theoretic intuitions. Is this claim right? Cohen and Nichols’ recent empirical study suggests not, as about half of their participants seemed to be relationalists about colour. Despite Cohen and Nichols’ study, we think that the anti-relationalist’s claim is correct. We explain why there are good reasons to suspect that Cohen and Nichols’ experimental design skewed their (...) results in favour of relationalism. We then run an improved study and find that most of our participants seem to be anti-relationalists. We find some other interesting things too. Our results suggest that the majority of ordinary people find it no less intuitive that colours are objective than that shapes are objective. We also find some evidence that when those with little philosophical training are asked about the colours of objects, their intuitions about colour and shape cases are similar, but when asked about people’s colour ascriptions, their intuitions about colour and shape cases differ. (shrink)

An important motivation for relational theories of color is that they resolve apparent conflicts about color: x can, without contradiction, be red relative to S1 and not red relative to S2. Alas, many philosophers claim that the view is incompatible with naive, phenomenally grounded introspection. However, when we presented normal adults with apparent conflicts about color (among other properties), we found that many were open to the relationalist's claim that apparently competing variants can simultaneously be correct. This suggests that, philosophers' (...) claims to the contrary notwithstanding, introspection does not supply authoritative and unambiguous reason to reject color relationalism. (shrink)

Philosophers and scientists have long speculated about the nature of color. Atomists such as Democritus thought color to be "conventional," not real; Galileo and other key figures of the Scientific Revolution thought that it was an erroneous projection of our own sensations onto external objects. More recently, philosophers have enriched the debate about color by aligning the most advanced color science with the most sophisticated methods of analytical philosophy. In this volume, leading scientists and philosophers examine new problems with new (...) analytic tools, considering such topics as the psychophysical measurement of color and its implications, the nature of color experience in both normal color-perceivers and the color blind, and questions that arise from what we now know about the neural processing of color information, color consciousness, and color language. Taken together, these papers point toward a complete restructuring of current orthodoxy concerning color experience and how it relates to objective reality. Kuehni, Jameson, Mausfeld, and Niederee discuss how the traditional framework of a three-dimensional color space and basic color terms is far too simple to capture the complexities of color experience. Clark and MacLeod discuss the difficulties of a materialist account of color experience. Churchland, Cohen, Matthen, and Westphal offer competing accounts of color ontology. Finally, Broackes and Byrne and Hilbert discuss the phenomenology of color blindness. Contributors: Justin Broackes, Alex Byrne, Paul M. Churchland, Austen Clark, Jonathan Cohen, David R. Hilbert, Kimberly A. Jameson, Rolf Kuehni, Don I.A. MacLeod, Mohan Matthen, Rainer Mausfeld, Richard Niederée, Jonathan Westphal The hardcover edition does not include a dust jacket. (shrink)

Color provides an instance of a general puzzle about how to reconcile the picture of the world given to us by our ordinary experience with the picture of the world given to us by our best theoretical accounts. The Red and the Real offers a new approach to such longstanding philosophical puzzles about what colors are and how they fit into nature. It is responsive to a broad range of constraints --- both the ordinary constraints of color experience and the (...) more theoretical constraints of color science, psychology, semantics, and ontology. (shrink)

If the so-called 'science wars' are futile shouting-matches between extremists, some of the more bewildering skirmishes have been contested in the realm of colour science and culture. Ethnographers, postmodernists, and Wittgensteinians stress the specificity of local colour naming strategies, or the peculiarity of objects and emotions with which colours are associated, and may confess lingering attraction to Whorf's idea that cultures carve up an intrinsically unstructured colour space into quite arbitrary linguistic categories. Self-proclaimedly hard-headed biological and evolutionary psychologists, in contrast, (...) argue that the pan-human physiology of colour perception determines our colour categorization, and constrains whatever minimal linguistic variability there is. Don Dedrick's wonderful study in the philosophy of cognitive science offers not only a careful survey of the relevant evidence in this stand-off, but also a persuasive set of tools for thinking the issues through quite differently, and for avoiding the dichotomous terms in which the debates have previously been couched. The book should be essential reading for colour scientists, and for philosophers interested in links between cognition and culture; and it offers useful advanced introductions to detailed technical literatures in psychophysics, colour linguistics, and cognitive anthropol. (shrink)

Studies show that there are widespread intrasubjective and intersubjective color variations among normal perceivers. These variations have serious ramifications in the debate about the nature and ontology of color. It is typical to think of the debate about color as a dispute between objectivists and subjectivists. Objectivists hold that colors are perceiver-independent physical properties of objects while subjectivists hold that they are either projections onto external objects or dispositions objects have to look colored. I argue that individual color variations present (...) difficulties, albeit not the same kind, for both objectivism and subjectivism. Lastly, I propose an alternative account that handles such variations nicely. (shrink)

In the present article, I show that sounds are properties that are not physical in a narrow sense. First, I argue that sounds are properties using Moorean style arguments and defend this property view from various arguments against it that make use of salient disanalogies between sounds and colors. The first disanalogy is that we talk of objects making sounds but not of objects making colors. The second is that we count and quantify over sounds but not colors. The third (...) is that sounds can survive qualitative change in their auditory properties, but colors cannot survive change in their chromatic properties. Next, I provide a taxonomy of property views of sound. As the property view of sound has been so rarely discussed, many of the views available have never been articulated. My taxonomy will articulate these views and how they are related to one another. I taxonomize sounds according to three characteristics: dispositional/non-dispositional, relational/non-relational, and reductive/non-reductive. Finally, mirroring a popular argument in the color literature, I argue that physical views in the narrow sense are unable to accommodate the similarity and difference relations in which sounds essentially stand. I end replying to three objections. (shrink)

The question of the constituting nature of colour is largely open. The old dispute between colour objectivism and colour subjectivism is still relevant. The former has defended itself against accusations of not being able to explain colour structures, while the latter view has received criticism for not being able to provide a plausible theory of the location of colours. By weakening the notion of physical categories, making some of them perceiver-depended, colour objectivists have managed to overcome at least some of (...) the previous accusations. However, the arguments based on Crane’s and Piantanida’s findings of the existence of binary colours like greenish-red and yellowish-blue, indicate the inadequacy of colour objectivism. Consequently, we have colours but our theories of them are false. (shrink)

Perspectivalism is a semantic theory according to which the contents of utterances and mental states (perhaps of a particular kind) have a truth-value only relative to a particular perspective (or standard) determined by the context of the speaker, assessor, or bearer of the mental state. I have defended this view for epistemic terms, moral terms and predicates of personal taste elsewhere (Brogaard 2008a, 2008b, forthcoming a). The main aim of this paper is to defend perspectivalism about color perception and color (...) discourse. The content of color perception and color discourse, I will argue, has a truth-value only relative to an appropriate viewing condition and the perceiver, or a perceiver deferred to. (shrink)

Review of: R. Steven Turner, In the Eye's Mind: Vision and the Helmholtz-Hering Controversy. xiv + 338 pp., frontis., illus., figs., tables, bibl., index. Princeton, N.J.: Princeton University Press, 1994.

I argue that there are good reasons for thinking of colors as both subjective and objective. I propose a spectrum ranging from the entirely subjective to the entirely objective, with colors belonging somewhere between the two ends. I then argue that these findings about colors can be applied to other sensory properties as well because the reasons for placing colors where they belong on the spectrum hold for all sensory properties.

Data about perceptual variation motivate the ecumenicist view that distinct color representations are mutually compatible. On the other hand, data about agreement and disagreement motivate making distinct color representations mutually incompatible. Prima facie, these desiderata appear to conflict. I’ll lay out and assess two strategies for managing the conflict—color relationalism, and the self-locating property theory of color—with the aim of deciding how best to have your cake and eat it, too.

Farben sind für uns sowohl objektive, als auch phänomenale Eigenschaften. In seinem Buch argumentiert Fabian Dorsch, daß keine ontologische Theorie der Farben diesen beiden Seiten unseres Farbbegriffes gerecht werden k ann. Statt dessen sollten wir akzeptieren, daß letzterer sich auf zwei verschiedene Arten von Eigenschaften bezieht: die repräsentierten Reflektanzeigenschaften von Gegenständen und die qualitativen Eigenschaften unserer Farbwahrnehmungen, die als sinnliche Gegebenheitsweisen ersterer fungieren. Die Natur der Farben gibt einen detaillierten Überblick über die zeitgenössischen philosophischen und naturwissenschaftlichen Theorien der Farben und (...) bietet sich aufgrund seines systematischen und umfassenden Charakters auch als ein seminar- oder vorlesungsbegleitendes Textbuch an. (shrink)

Color has been studied for centuries, but has never been completely understood. Digital technology has recently sparked a burgeoning interdisciplinary interest in color. The fact that color is a quality of perception rather than a physical quality brings up a host of interesting questions of interest to both artists and scholars. This volume--the ninth in the Vancouver Studies in Cognitive Science series--brings together chapters by psychologists, philosophers, computer scientists, and artists to explore the nature of human color perception with the (...) aim to further our understanding of color by encouraging interdisciplinary interaction. (shrink)

In this paper I reply to two sets of criticisms—a first from Joshua Gert, and a second from Keith Allen—of the relationalist view of color developed and defended in my book, The Red and the Real: An Essay on Color Ontology.

Color relationalism is the view that colors are constituted in terms of relations between subjects and objects. The most historically important form of color relationalism is the classic dispositionalist view according to which, for example red is the disposition to look red to standard observers in standard conditions (mutatis mutandis for other colors).1 However, it has become increasingly apparent in recent years that a commitment to the relationality of colors bears interest that goes beyond dispositionalism (Cohen, 2004; Matthen, 1999, 2001, (...) 2005; Thompson, 1995). Accordingly, it is an important project for those interested in the metaphysics of color to sort through and assess different forms of color relationalism. There is, however, a powerful and general cluster of objections that has been thought by many to amount to a decisive refutation of any and all forms of color relationalism. Although this idea has been developed in a number of ways, the basic thought is that relationalism — qua theory of color — is at odds with the manifest evidence of color phenomenology, and that this clash between theory and data should be resolved by giving up the theory. (shrink)

What is color? What is color vision? Most philosophers answer by reference to humans: to human color qualia, or to the environmental properties or "quality spaces" perceived by humans. It is argued, with reference to empirical findings concerning comparative color vision and the evolution of color vision, that all such attempts are mistaken. An adequate definition of color vision must eschew reference to its outputs in the human cognition and refer only to inputs: color vision consists in the use of (...) wavelength discrimination in the construction of visual representations. A color quality is one that is generated from such processing. (shrink)

Many philosophers have thought that colours or flavours or values are in some way less objective than shape or mass or motion. This paper explores the approach to capturing this thought that is based on the idea of ‘ response-dependence ’. First, it is argued that the conceptions of response-dependence developed by Mark Johnston, Philip Pettit and Crispin Wright fail to capture this thought adequately. Then, the rest of the paper proposes an alternative conception, based in part on Kit Fine's (...) notion of " essence ", which looks more likely to succeed in capturing the thought adequately. (shrink)

Are colors relational or non-relational properties of their bearers? Is red a property that is instantiated by all and only the objects with a certain intrinsic (/non-relational) nature? Or does an object with a particular intrinsic (/non-relational) nature count as red only in virtue of standing in certain relations - for example, only when it looks a certain way to a certain perceiver, or only in certain circumstances of observation? In this paper I shall argue for the view that color (...) properties are relational (henceforth, relationalism), and against the view that colors are not relational (henceforth, anti- or non-relationalism). (shrink)

The relations among consciousness, brain, behavior, and scientific explanation are explored in the domain of color perception. Current scientific knowledge about color similarity, color composition, dimensional structure, unique colors, and color categories is used to assess Locke.

Most objectivist and dispositionalist theories of color have tried to resolve the challenge raised by color variations by drawing a distinction between real and apparent colors. This paper considers such a strategy to be fundamentally erroneous. The high degree of variability of colors constitutes a crucial feature of colors and color perception; it cannot be avoided without leaving aside the real nature of color. The objectivist theory of color defended in this paper holds that objects have locally many different objective (...) colors. Most color variations are then real and result from the extreme richness of color properties. (shrink)

The view that the mind-dependence of colour is implicit in our ordinary thinking has a distinguished history. With its origins in Berkeley, the view has proved especially popular amongst so-called ‘Oxford’ philosophers, proponents including Cook Wilson (1904: 773-4), Pritchard (1909: 86-7), Ryle (1949: 209), Kneale (1950: 123) and McDowell (1985: 112). Gareth Evans’s discussion of secondary qualities in “Things Without the Mind” is representative of this tradition. It is his version of the view that I consider in this paper.

You may speak of a chain, or if you please, a net. An analogy is of little aid. Each cause brings about future events. Without each the future would not be the same. Each is proximate in the sense it is essential. But that is not what we mean by the word. Nor on the other hand do we mean sole cause. There is no such thing.

Primary quality theories of color claim that colors are intrinsic, objective, mind-independent properties of external objects — that colors, like size and shape, are examples of the sort of properties moderns such as Boyle and Locke called primary qualities of body.¹ Primary quality theories have long been seen as one of the main philosophical options for understanding the nature of color.

Colors are of philosophical interest for two kinds of reason. One is that colors comprise such a large and important portion of our social, personal and epistemological lives and so a philosophical account of our concepts of color is highly desirable. The second reason is that trying to fit colors into accounts of metaphysics, epistemology and science leads to philosophical problems that are intriguing and hard to resolve. Not surprisingly, these two kinds of reasons are related. The fact that colors (...) are so significant in their own right, makes more pressing the philosophical problems of fitting them into more general metaphysical and epistemological frameworks. (shrink)

Taking the real Newtonian colour circle – and not the one Palmer depicts as Newton's – we don't have to wait 300 years for Palmer to say no to the Lockean aperçu about the inverted spectrum. One of the aims of this historical detour is to show that one's commitment about the “topology” of the colour space greatly affects Palmer's argument.

We argue that relationalism entails an unacceptable claim about the content of visual experience: that ordinary ‘red’ objects look like they look like they look like they’re red, etc.