Two of Britain’s greatest painters, J.M.W. Turner and John Constable were also the greatest of rivals. Born within a year of each other – Turner in 1775, Constable in 1776 – the art critics of the day compared their paintings to a clash of ‘fire and water’.
Raised in the gritty heart of Georgian London, Turner quickly became a young star of the art world despite his humble beginnings. Meanwhile Constable, the son of a wealthy Suffolk merchant, was equally determined to forge his own path as an artist but faced a longer, more arduous rise to acclaim. Though from different worlds, both artists were united in their desire to transform landscape painting for the better.
With the two painters vying for success through very different but equally bold approaches, the scene was soon set for a heady rivalry within the competitive world of landscape art. Turner painted blazing sunsets and sublime scenes from his travels, while Constable often returned to depictions of a handful of beloved places, striving for freshness and authenticity in his portrayal of nature.
Marking 250 years since their births, this landmark exhibition explores Turner and Constable's intertwined lives and legacies. Discover unexpected sides to both artists alongside intimate insights seen through sketchbooks and personal items.
Experience many of the artists’ greatest works, with over 170 paintings and works on paper. Highlights include Turner’s momentous 1835 The Burning of the Houses of Lords and Commons, not seen in Britain for over a century and The White Horse 1819, one of Constable’s greatest artistic achievements.
This is a one in a lifetime opportunity to explore the careers of the two greatest British landscape painters, seen – as they often were in their own time – side by side.
Turner and Constable is in partnership with LVMH. Supported by the Huo Family Foundation and James Bartos. With additional support from The Turner and Constable Exhibition Supporters Circle, Tate Americas Foundation and Tate Members.
Audio guide
John Constable The White Horse 1819 (detail) The Frick Collection, New York. J.M.W. Turner The Burning of the Houses of Lords and Commons, October 16, 1834 1835 (detail) © Cleveland Museum of Art
How were these remarkable paintings made? Did Turner and Constable really despise each other?
Get closer to the art and artists with this self-guided audio tour on your smartphone.
After purchase, you’ll receive an exclusive link to your audio guide via email. Open the link at the exhibition entrance and listen using your own headphones or your smartphone speaker.
Add the £5 guide when booking your ticket.
