Existentialism Existentialism - A
Existentialism Existentialism - A
Existentialism – A Definition
Existentialism in the broader sense is a 20th century philosophy that is centered upon the
analysis of existence and of the way humans find themselves existing in the world. The notion is
that humans exist first and then each individual spends a lifetime changing their essence or
nature.
In simpler terms, existentialism is a philosophy concerned with finding self and the meaning of
life through free will, choice, and personal responsibility. The belief is that people are searching
to find out who and what they are throughout life as they make choices based on their
experiences, beliefs, and outlook. And personal choices become unique without the necessity of
an objective form of truth. An existentialist believes that a person should be forced to choose and
be responsible without the help of laws, ethnic rules, or traditions.
Existentialism is broadly defined in a variety of concepts and there can be no one answer as to
what it is, yet it does not support any of the following:
There is a wide variety of philosophical, religious, and political ideologies that make up
existentialism so there is no universal agreement in an arbitrary set of ideals and beliefs. Politics
vary, but each seeks the most individual freedom for people within a society.
Each basically agrees that human life is in no way complete and fully satisfying because of
suffering and losses that occur when considering the lack of perfection, power, and control one
has over their life. Even though they do agree that life is not optimally satisfying, it nonetheless
has meaning. Existentialism is the search and journey for true self and true personal meaning in
life.
Most importantly, it is the arbitrary act that existentialism finds most objectionable-that is, when
someone or society tries to impose or demand that their beliefs, values, or rules be faithfully
accepted and obeyed. Existentialists believe this destroys individualism and makes a person
become whatever the people in power desire thus they are dehumanized and reduced to being an
object. Existentialism then stresses that a person's judgment is the determining factor for what is
to be believed rather than by arbitrary religious or secular world values.
Introduction
Unlike René Descartes, who believed in the primacy of conciousness, Existentialists assert that a
human being is "thrown into"into a concrete, inveterate universe that cannot be "thought
away", and therefore existence ("being in the world") precedes consciousness, and is
the ultimate reality. Existence, then, is prior to essence (essence is the meaning that may be
ascribed to life), contrary to traditional philosophical views dating back to the ancient Greeks.
As Sartre put it: "At first [Man] is nothing. Only afterward will he be something, and he himself
will have made what he will be."
Kierkegaard also stressed that individuals must choose their own way without the aid
of universal, objective standards. Friedrich Nietzsche further contended that the individual
must decide which situations are to count as moral situations. Thus, most Existentialists believe
that personal experience and acting on one's own convictions are essential in arriving at
the truth, and that the understanding of a situation by someone involved in that situation
is superior to that of a detached, objective observer (similar to the concept of Subjectivism).
According to Camus, when an individual's longing for order collides with the real world's lack
of order, the result is absurdity. Human beings are therefore subjects in an indifferent,
ambiguous and absurd universe, in which meaning is not provided by the natural order, but
rather can be created (however provisionally and unstably) by human actions and
interpretations.
Sartre is perhaps the most well-known, as well as one of the few to have actually accepted being
called an "existentialist". "Being and Nothingness" (1943) is his most important work, and his
novels and plays, including "Nausea" (1938) and "No Exit(1944), helped to popularize the
movement.
In "The Myth of Sisyphus" (1942), Albert Camus uses the analogy of the Greek myth of
Sisyphus (who is condemned for eternity to roll a rock up a hill, only to have it roll to the bottom
again each time) to exemplify the pointlessness of existence, but shows that Sisyphus ultimately
finds meaning and purpose in his task, simply by continually applying himself to it.
Simone de Beauvoir, an important existentialist who spent much of her life alongside Sartre,
wrote about feminist and existential ethics in her works, including "The Second Sex" (1949)
and "The Ethics of Ambiguity" (1947).
Marxists, especially in post-War France, found Existentialism to run counter to their emphasis on
the solidarity of human beings and their theory of economic determinism. They further argued
that Existentialism's emphasis on individual choice leads to contemplation rather than to action,
and that only the bourgeoisie has the luxury to make themselves what they are through their
choices, so they considered Existentialism to be a bourgeois philosophy.
In more general terms, the common use of pseudonymous characters in existentialist writing
can make it seem like the authors are unwilling to own their insights, and
are confusing philosophy with literature.
Existentialism, any of various philosophies, most influential in continental Europefrom about
1930 to the mid-20th century, that have in common an interpretation of human existence in the
world that stresses its concreteness and its problematic character.
Starting from such bases, existentialism can take diverse and contrasting directions. It can insist
on the transcendence of Being with respect to existence, and, by holding that transcendence to be
the origin or foundation of existence, it can thus assume a theistic form. On the other hand, it can
hold that human existence, posing itself as a problem, projects itself with absolute freedom,
creating itself by itself, thus assuming to itself the function of God. As such, existentialism
presents itself as a radical atheism. Or it may insist on the finitude of human existence—i.e., on
the limits inherent in its possibilities of projection and choice. As such, existentialism presents
itself as a humanism.
Existentialism, true to its roots in Kierkegaard and Nietzsche, was oriented toward
two major themes: the analysis of human existence, or Being, and the centrality of
human choice. Thus, its chief theoretical energies were devoted to ontology and
decision.
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From 1940 on, with the diffusion of existentialism through continental Europe, its directions
developed in keeping with the diversity of the interests to which they were subject:
the religious interest, the metaphysical (or nature of Being) interest, and the moral and political
interest. That diversity was rooted, at least in part, in the diversity of sources on which
existentialism draws. One such source is the subjectivism of the 4th–5th-century theologian St.
Augustine, who exhorted others not to go outside themselves in the quest for truth, for it is
within them that truth abides. “If you find that you are by nature mutable,” he wrote, “transcend
yourself.” Another source is the Dionysian Romanticism of the 19th-century German
philosopher Friedrich Nietzsche, who exalted life in its most irrational and cruel features and
made such exaltation the proper task of the “higher man,” who exists beyond good and evil. Still
another source is the nihilism of the Russian author Fyodor Dostoyevsky, who, in his novels,
presented human beings as continually defeated as a result of their choices and as continually
placed before the insoluble enigma of themselves. As a consequence of the diversity of such
sources, existentialist doctrines focus on several aspects of existence.
They focus, first, on the problematic character of the human situation, through which the
individual is continually confronted with diverse possibilities or alternatives, among which he
may choose and on the basis of which he can project his life.
Second, the doctrines focus on the phenomena of that situation and especially on those that are
negative or baffling, such as the concern or preoccupation that dominates the individual because
of the dependence of all his possibilities upon his relationships with things and with other
people; the dread of death or of the failure of his projects; the “shipwreck” upon insurmountable
“limit situations” (death, the struggle and suffering inherent in every form of life, the situation in
which everyone daily finds himself); the guilt inherent in the limitation of choices and in the
responsibilities that derive from making them; the boredom from the repetition of situations; and
the absurdity of his dangling between the infinity of his aspirations and the finitude of his
possibilities.
Third, the doctrines focus on the intersubjectivity that is inherent in existence and is understood
either as a personal relationship between two individuals, I and thou, such that the thou may be
another person or God, or as an impersonal relationship between the anonymous mass and the
individual self deprived of any authentic communication with others.
Fourth, existentialism focuses on ontology, on some doctrine of the general meaning of Being,
which can be approached in any of a number of ways: through the analysis of the temporal
structure of existence; through the etymologies of the most common words—on the supposition
that in ordinary language Being itself is disclosed, at least partly (and thus is also hidden);
through the rational clarification of existence by which it is possible to catch a glimpse, through
ciphers or symbols, of the Being of the world, of the soul, and of God;
through existentialpsychoanalysis that makes conscious the fundamental “project” in which
existence consists; or, finally, through the analysis of the fundamental modality to which all the
aspects of existence conform—i.e., through the analysis of possibility.
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There is, in the fifth place, the therapeutic value of existential analysis that permits, on the one
hand, the liberating of human existence from the beguilements or debasements to which it is
subject in daily life and, on the other, the directing of human existence toward its authenticity—
i.e., toward a relationship that is well-grounded on itself, and with other humans, with the world,
and with God.
The various forms of existentialism may also be distinguished on the basis of language, which is
an indication of the cultural traditions to which they belong and which often explains the
differences in terminology among various authors. The principal representatives of German
existentialism in the 20th century were Martin Heidegger and Karl Jaspers; those of French
personalistic existentialism were Gabriel Marcel and Jean-Paul Sartre; that of
French phenomenology were Maurice Merleau-Ponty; that of Spanish existentialism was José
Ortega y Gasset; that of Russian idealistic existentialism was Nikolay Berdyayev (who, however,
lived half of his adult life in France); and that of Italian existentialism was Nicola Abbagnano.
The linguistic differences, however, are not decisive for a determination of
philosophical affinities. For example, Marcel and Sartre were farther apart than Heidegger and
Sartre; and there was greater affinity between Abbagnano and Merleau-Ponty than between
Merleau-Ponty and Marcel.
Historical Survey Of Existentialism
Many of the theses that existentialists defend or illustrate in their analyses are drawn from the
wider philosophical tradition.
Precursors of existentialism
The problem of what humans are in themselves can be discerned in
the Socraticimperative “know thyself,” as well as in the work of the 16th-century French
essayist Michel de Montaigne and Blaise Pascal, a 17th-century French religious philosopher and
mathematician. Montaigne had said: “If my mind could gain a foothold, I would not write essays,
I would make decisions; but it is always in apprenticeship and on trial.” And Pascal had insisted
on the precarious position of humans situated between Being and Nothingness: “We burn with
the desire to find solid ground and an ultimate sure foundation whereon to build a tower reaching
to the Infinite. But our whole groundwork cracks, and the earth opens to abysses.”
The stance of the internal tribunal—of one’s withdrawal into one’s own spiritual interior—which
reappeared in some existentialists (in Marcel and Sartre, for example) already belonged, as
earlier noted, to St. Augustine. In early 19th-century French philosophy, it was defended by a
reformed ideologue of the French Revolution, Marie Maine de Biran, who wrote: “Even from
infancy I remember that I marvelled at the sense of my existence. I was already led by instinct to
look within myself in order to know how it was possible that I could be alive and be myself.”
From then on, that posture inspired a considerable part of French philosophy.
The theme of the irreducibility of existence to reason, common to many existentialists, was also
defended by the German idealist F.W.J. von Schelling as he argued against G.W.F. Hegel in the
last phase of his philosophy; Schelling’s polemic, in turn, inspired the thinker usually cited as the
father of existentialism, the religious Dane Søren Kierkegaard.
The requirement to know humanity in its particularity and, therefore, in terms of a procedure
different from those used by science to obtain knowledge of natural objects was confronted
by Wilhelm Dilthey, an expounder of historical reason, who viewed “understanding” (Verstehen)
as the procedure and thus as the proper method of the human sciences. Understanding, according
to Dilthey, consists in the reliving and reproducing of the experience of others. Hence, it is also a
feeling together with others and a sympathetic participation in their emotions. Understanding,
therefore, accomplishes a unity between the knowing object and the object known.
Immediate background and founders
The theses of existentialism found a particular relevance during World War II, when Europe
found itself threatened alternately by material and spiritual destruction. Under those
circumstances of uncertainty, the optimism of Romantic inspiration, by which the destiny of
humankind is infallibly guaranteed by an infinite force (such as Reason, the Absolute, or Mind)
and propelled by it toward an ineluctable progress, appeared to be untenable. Existentialism was
moved to insist on the instability and the risk of all human reality, to acknowledge that the
individual is “thrown into the world”—i.e., abandoned to a determinism that could render
his initiatives impossible—and to hold that his very freedom is conditioned and hampered by
limitations that could at any moment render it empty. The negative aspects of existence, such as
pain, frustration, sickness, and death—which 19th-century optimism refused to take seriously
because they do not touch the infinite principle that those optimists believed to be manifest in
humans—became for existentialism the essential features of human reality.
The thinkers who, by virtue of the negative character of their philosophy, constituted the
exception to 19th-century Romanticism thus became the acknowledged masters of the
existentialists. Against Hegelian necessitarianism, Kierkegaard interpreted existence in terms of
possibility: dread—which dominates existence through and through—is “the sentiment of the
possible.” It is the feeling of what can happen to a person even when he has made all of his
calculations and taken every precaution. Despair, on the other hand, discovers in possibility its
only remedy, for “If man remains without possibilities, it is as if he lacked air.” The German
philosopher and economist Karl Marx, in holding that the individual is constituted essentially by
the “relationships of work and production” that tie him to things and other humans, had insisted
on the alienating character that those relationships assume in capitalist society, where private
property transforms the individual from an end to a means, from a person to the instrument of an
impersonal process that subjugates him without regard for his needs and his desires. Nietzsche
had viewed the amor fati (“love of fate”) as the “formula for man’s greatness.” Freedom consists
in desiring what is and what has been and in choosing it and loving it as if nothing better could
be desired.
Emergence as a movement
Modern existentialism reproduced such ideas and combined them in more or less coherent ways.
Human existence is, for all the forms of existentialism, the projection of the future on the basis of
the possibilities that constitute it. For some existentialists (Heidegger and Jaspers, for example),
the existential possibilities, inasmuch as they are rooted in the past, merely lead every project for
the future back to the past, so that only what has already been chosen can be chosen
(Nietzsche’s amor fati). For others (such as Sartre), the possibilities that are offered to existential
choice are infinite and equivalent, such that the choice between them is indifferent; and for still
others (Abbagnano and Merleau-Ponty), the existential possibilities are limited by the situation,
but they neither determine the choice nor render it indifferent. The issue is one of individuating,
in every concrete situation and by means of a specific inquiry, the real possibilities offered to
humans. For all the existentialists, however, the choice among possibilities—i.e., the projection
of existence—implies risks, renunciation, and limitation. Among the risks, the most serious is the
descent into inauthenticity or alienation, the degradation from being a person into being a thing.
Against that risk, for the theological forms of existentialism (e.g., Marcel, the Swiss
theologian Karl Barth, and the German biblical scholar Rudolf Bultmann), there is the guarantee
of transcendent help from God, which in its turn is guaranteed by faith.
Existentialism, consequently, by insisting on the individuality and nonrepeatability of existence
(following Kierkegaard and Nietzsche), is sometimes led to regard one’s coexistence with other
humans (held to be, however, an ineluctable fact of the human situation) as a condemnation or
alienation of humanity. Marcel said that all that exists in society beyond the individual is
“expressible by a minus sign,” and Sartre affirmed, in his major work L’Être et le
néant (1943; Being and Nothingness), that “the Other is the hidden death of my possibilities.”
For other forms of existentialism, however, a coexistence that is not anonymous (as that of a
mob) but grounded on personal communication is the condition of authentic existence.
Existentialism has had ramifications in various areas of contemporary culture. In literature, Franz
Kafka, author of haunting novels, walking in Kierkegaard’s footsteps, described human existence
as the quest for a stable, secure, and radiant reality that continually eludes it (Das
Schloss [1926; The Castle]) or as threatened by a guilty verdict about which it knows neither the
reason nor the circumstances but against which it can do nothing—a verdict that ends with death
(Der Prozess[1925; The Trial]).
The theses of contemporary existentialism were then diffused and popularized by the novels and
plays of Sartre and by the writings of the French novelists and dramatists Simone de Beauvoir—
an important philosopher of existentialism in her own right—and Albert Camus. In L’Homme
révolté (1951; The Rebel), Camus described the “metaphysical rebellion” as “the movement by
which a man protests against his condition and against the whole of creation.” In art,
the analogues of existentialism may be considered to be Surrealism, Expressionism, and in
general those schools that view the work of art not as the reflection of a reality external to
humans but as the free immediate expression of human reality.
That common ground notwithstanding, each existentialist thinker has defended and worked out
his own method for the interpretation of existence. Heidegger, an existentialist with ontological
concerns, availed himself of the philosophy of Edmund Husserl, the founder of phenomenology,
which employs speech that manifests or discloses what it is that one is speaking about and that is
true—in the etymological use of the Greek word alētheia (i.e., the sense of uncovering
or manifesting what was hidden). The phenomenon is, from Heidegger’s point of view, not
mere appearance, but the manifestation or disclosure of Being in itself. Phenomenology is thus
capable of disclosing the structure of Being and hence is an ontology of which the point of
departure is the being of the one who poses the question about Being, namely, the human being.