Spanish Architecture in The Philippines
Spanish Architecture in The Philippines
It is said to be the oldest and the smallest fort in the Its walls are 20 feet tall and 8 feet thick, forming a triangle with
Philippines, covering an area of 2,025 square meters. uneven lengths: two sides face the sea and the other the land,
where the current entrance gate to the fort is located.
Jose Rizal, the national hero of the Philippines, spent his last
days holed up in Fort Santiago before being marched off to
Bagumbayan (now Rizal Park) where he was executed by firing
squad.
Military Establishments
FORTIFICATIONS
-It is an old structure dating back to 1609, when the The structure is made of granite blocks, with walls
Spaniards built it to protect part of the growing city back approximately 30 feet high
then.
A wide stairway leads to the top of the port where a
concrete house can be found.
FOUR TYPES
1. Aduana/Intendencia – Custom House which serves as a central treasury
2. Audenica – Superior Court and also housed the jail.
3. Ayuntamiento (Casas Consitoriales or Cabildo) – City Hall
4. Palacio del Gobernador – Residence and office of the governor general
Religious orders played a decisive role when the Spaniards reached the Philippines. They filled Intramuros with churches,
monasteries and convents which also performed social and welfare functions. Some edifices were built through forced labor and
sometimes forced town people to flee.
Baroque churches of the Spanish colonial period constitute the most emblematic element
of the country’s architectural heritage
Polo y servicio - natives who were required by the government to render some service or work for a stipulated number of days
within the year - built churches, and other publicbuildings.
Abuses committed - Disruption of agricultural works, Displacement of laborers and separation of man from their families.
CHURCHES
It was referred to as camarin (toclong/tuklong)– resemblance to a shed
It has fourteen side chapels and a trompe l'oeil ceiling painted in 1875 by Italian artists Cesare Alberoni and Giovanni Dibella.
Up in the choir loft are hand-carved 17th-century seats of molave, a tropical hardwood.
It is a national landmark that was used as a fortress during the 1896 Revolution.
The construction of the church was spread over a century beginning from 1604: the
cornerstone of the church was laid in 1704; the convent in 1707; and the belltower
in 1793. Even while still unfinished, Paoay Church was already used by parishioners. In
1896, it was finally inaugurated. But in 1706 and 1927, it was damaged by
earthquakes.
Casa mestiza or Bahay na bato is evolved from bahay kubo A new type of domestic architecture emerged from two
by developing a similarhouse having the same feature but centuries of gestation
on grader scale.
Combined the elements of the indigenous and Hispanic
The ground floor plan is an almost perfect presentation of building traditions
a traditional Filipino Balay na Bato. The Silong was used as
a carriage garage or a storage area. Ground floor is made Prevent the dangers posed by fires, earthquakes, and
of cutstone or bricks cyclones
FEATURES
Grillwork that protect the ground floor windows
Upper floor is made of wood Beneath the pasamano (window sill), auxillary windows
called ventanillas, (small windows), reach to the floor.
It does not have a volada , a narrow perimeter corridor Protected with either iron grilles or wooden barandillas
normally featured in Spanish colonial houses. (baluster) and sliding wooden shutters
The second floor features three bedrooms, library, living
room, dining room, kitchen and a balcony. Caida (antesala)– Waiting area before being received.
This is the most immediate room from the stairs and
The staircase area is also features a traditional “caida” was an all purpose room for entertaining, sewing,
dancing, or even dining.