Smart: Chance Favors Preparation
Smart: Chance Favors Preparation
W
ould’nt it be lovely, if
coach could program
excellence, if there
were n0 mistakes or lost
opportunities, if all went
well – all the time? But, that
would be wishful thinking.
An unflagging defender
will stymie the best-laid plans. More often than not, the
game turns on the lack of experience. When a defensive
stop is imminent, experienced offensive players understand
intuitively what remedial options are available to outsmart
aggressive defenders. In truth, defenders are obliged to give-
up “this” or “that”. There is always a place to go and viable
options to pursue. Basketball is all about movement that
creates opportunities. Experience has taught me, the most
enjoyable learning vehicle for introducing “What if…?” is
the half-court Three-Man Game.
Basic Movement
Place one player on each box (neutral square) and one at
the top of the key. The man on top – crossing the foul line
extended – triggers the cascade.
Basic Footwork
Now, it’s basic foot-work for the man on the box wanting
the ball: Basket/Ball/Backdoor: Facing the ball at the top of
the key, with your back at a forty-five degree angle to the
baseline, step decisively with the baseline foot to the basket
(as if anticipating a high pass between you and the basket).
This draws the defender closer, then, push-off hard on
that baseline foot as you slide diagonally toward the foul
line extended expecting the defender to again close down
the passing lane. At the moment of closure, push-off hard
pivoting toward the basket with the foul line foot as you
step long to the basket with the baseline foot. Present the
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hand furthest from the ball as a target for the lead backdoor
pass – and lay-up.
In the event the man on the box is playing outside the paint
in the “hole” (halfway between the box and the foul line
extended), he will step decisively to the ball, ostensibly
for a pass (invariably, your better defenders will deny this
option), when denied, quickly pivot inside, executing a
“willy” (a quick long go-by jump-step) to the basket looking
for the back-door pass.
Option One
The man on the top with the ball is prepared to pass the
ball to either man on either box as he jockeys diagonally in
and out (“jerking his man” with speed changes, head feints,
and a “willy”, i.e., a quick long go-by jump-step) to separate
himself from his defender and invite a pass. However, he
will not receive the ball above the foul line extended; that’s
an automatic backdoor option.
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demands his participation, cooperation and unflagging
patience.
Come off the pick tight and go high (bottom half of the
jump circle, then move to the top half). Properly executed,
this places the defense between a rock and a hard place.
If the defense fails to switch, you’re open for the short
jumper; if they do switch, the picker is open for the lay-up.
There is yet another quick option. When gravitating to the
top of the jump circle, with a jerk and a willy to the basket,
you should again be open for the pass and jumper. It’s easier
said than done. It takes an inordinate degree of cooperation,
skill, and deception to run this option smoothly, and yes,
endless practice.
Option Two
The man on the top should be prepared to drive into that
clearout (or to move past the foul line extended which
would open one). It’s really his choice. A crossover and a
willy, a wrap around and a willy, a double and a willy, or
just a willy, should produce a short jumper or a lay-up.
You may well ask: Why not down the middle? That
invariably leads to confusion, roles are not clearly defined,
no rotation, very little movement, and the defense has a
definite edge.
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him the short jumper as he comes off the pick and rolls up
the lane. There’s always a place to go, or a thing to do.
The man on top with the ball has four options: pass, drive,
shoot, or corners.
Option Three
Shoot only when under control, when out of defensive
reach or reaction, and when you have what it takes.
Option Four
Corners simply opens up the court for the give & go, and
affords more room for one-on-one. It’s a way to spread the
floor, isolate mismatches, and make it very difficult for the
defense to “double” the ball. The man on top (above the
foul line extended) dribbles sideways as he slides towards
the sidelines, never crossing his feet, keeping the ball in the
outside hand, anticipating a defensive miscue (a step too
slow, reaching, a step ahead) that will allow him to willy
past his defender for the short jumper or lay-up. It may not
happen.
Rebounding Responsibilities
It’s a fact, there are as many missed attempts as made shots.
Until there are perfect shooters, everyone is responsible for
rebounding. Other than the proper execution of boxing-out
mechanics, the key to rebounding excellence is anticipation
and movement.
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Anticipation
There are times and places that demand a shot be taken.
Most situations and players are predictable. After factoring
in ego, the underskilled, and the inexperienced, anticipation
becomes less of a mystery and more than manageable.
Movement
Excessive velocity or miscalculated trajectory usually
causes missed shots to rebound to the opposite side of
the backboard. Outstanding rebounders can be found
there. But, all of the above is useless if you don’t position
yourself sufficiently in advance of the shot to exploit that
anticipation.
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DEFENSE
Imagine a direct path from the man with the ball to each
of his four potential receivers, those are passing lanes. Any
defensive player (worth having) who finds himself within
reach or reaction of a passing lane (any passing lane) must
be intercept conscious, even as he guards his man, helps
others, and protects the basket area. Multi-tasking is for
winners. The defensive men off the ball are expected to
anticipate passes and interdict the passing lanes.
The man with the ball must be so harried that his hurried
passes are more likely to become turnovers, or interceptions,
rather than assists. When he’s dribbling, you must limit his
options, i.e., center the ball between your legs, or overplay
his strong hand.
c) Coaches
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WHAT MAKES THE GAME
- Edgar A. Guest
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