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Sathish Kumar
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https://www.oprah.

com/
oprahsbookclub/tolstoy-and-the-
victorian-novel/6

The Many Faces of Anna Karenina


The True Shock (continued)   

PAGE 6
But again, in Russia, the cultural context was different. Marriages were normally arranged by
matchmakers, and simply assumed future fidelity. When western literature infiltrated the country
it had to conform to these norms. Although amorous intrigue became a routine, it always
represented light-hearted, pre-marital play culminating in legal marriage and wedded happiness.
The European theme of some external, passionate, self-obstructing love held no interest for the
Russians.

That Renegade Tolstoy


Why, then, Anna Karenina? The answer lies partly in the foreign influences working on Russian
society, and partly in the conscious views and subconscious fears of her author. Tolstoy felt
impelled to write a novel on a subject virtually new to Russian literature—the link between the
sexual emancipation of women and the degeneration of family values. Anna and Vronsky are
both morally disadvantaged by being brought up without good family structures. At the start of
their affair, Anna experiences not ecstasy but degradation, while Vronsky feels like a murderer.
Yet, overwhelmed by passion, Anna makes such a huge investment in their love that it
"outweighs every good including life itself." Tolstoy does not spare Anna a single emotion that
adultery brings in its wake: lust, possessiveness, insecurity, anger and self-destructive despair
follow each other in compelling succession.

Yet family structures were for Tolstoy not merely social glue but a means of containing the
horror of rampant sexuality that obsessed him because of his own sexual urges. Despising the
lust he felt for his own wife, with whom he fathered 13 children, he created a heroine so
enchanting she tempted him beyond his own powers of resistance.

 Eugene Onegin by Aleksandr Pushkin


 Madame Bovary by Gustav Flaubert
 Tess of the D'Urbervilles by Thomas Hardy
 Nana by Émile Zola
 Bel-Ami by Guy de Maupassant
 The Kreutzer Sonata by Leo Tolstoy
 The Golden Bowl by Henry James
 The Age of Innocence by Edith Wharton
 The French Tutor by Judith Armstrong

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