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PAGE 6
But again, in Russia, the cultural context was different. Marriages were normally arranged by
matchmakers, and simply assumed future fidelity. When western literature infiltrated the country
it had to conform to these norms. Although amorous intrigue became a routine, it always
represented light-hearted, pre-marital play culminating in legal marriage and wedded happiness.
The European theme of some external, passionate, self-obstructing love held no interest for the
Russians.
Yet family structures were for Tolstoy not merely social glue but a means of containing the
horror of rampant sexuality that obsessed him because of his own sexual urges. Despising the
lust he felt for his own wife, with whom he fathered 13 children, he created a heroine so
enchanting she tempted him beyond his own powers of resistance.