4 - Philosophy of Islamic Architecture (LEC 4)
4 - Philosophy of Islamic Architecture (LEC 4)
Islamic Architecture
---The first is to provide the high degree of privacy necessary for the
Muslim family, a feature that has inspired the description of Islamic
architecture as “the architecture of the veil” (Edwards et al., 2006).
Which truly shows its existence when penetrated and experienced from
within. Its is based on the principle that a façade should be unrelated to
its interior.
---The second aspect has a social dimension relating to social
cohesion and unity. The rights of neighbors are respected by
abstaining from external embellishment and keeping facades modest
and simple. Exterior modesty reduces social tensions, as the buildings of
the rich and the poor will look the same. In the interior, the private
space, family and personal tastes are expressed in a variety of styles and
colors.
--- Privacy is paramount in Islamic households.
---The most common expression of this is Muslim house organized
around an inner courtyard. Its presents to the outside world high
windowless walls interrupted only by a door. Often several houses are
collected together into a larger walled complex accessible only through a
single door.
--- If there are openings other than a door, then they must be screened
and it should be impossible to see into the area occupied or used by the
household. This is also true for door or gate openings which usually have
screen walls behind them, guarding the privacy of the household.
---Public and private life are strictly demarcated in Islamic society, and
even within the house, degrees of privacy are expressed architecturally,
the most fundamental division being between male reception areas and
the harem (women) area.
Courtyard house in Syria
Mosque of Damascus
Mosque in Taj Mahal. Humayun’s Tomb
---So two conclusions may be drawn. First very few building types in Muslim world
articulate the interior space on their exteriors. And second either these buildings are
totally functional like bridges, watch towers or some exceptional mausoleums and
tomb towers that demand to be clearly visible and free standing.
ANICONISM:
Development of rich design from abstract geometric shapes to floral patterns and from
inscriptions in a variety of calligraphic style to single words.
The tendency of infinite repetition of individual units ( bays, arches,
columns, passages, courtyards, doorways, cupolas) and continuous
merging of spaces without any specific direction. If a definite spatial limit
is reached such as a surface that could stop the movement of any
element through the building, will be decorated with patterns that
repeat themselves. This repetitive theme of geometry, columns, motifs
suggests the infinity--- Allah's infinite power.
Suspended muqarnas canopy that form the
great dome of the hall of two sisters in
Alhamra Palace, Granada.
UNITY
Islam is the religion of unity on all levels, and the term used to describe that
unity is ‘Ummat’. All muslim ummat is united in one belief that is tawheed
and Whole philosophical structure of Islamic world rests on these basic
compilations___ Quran and Hadith (Sharia Law). This compilation demands
the observance of five pillars of Islam, shahada, Syam, salat, zakat and hajj.
---Pillars that concern architecture are Salat and Hajj and existence of Kaaba
and Mosques all around the world announce the great degree of unity.
--- the Unity on which Islam is centered upon is not expressible in terms of
any image, which explains the abstract character of Islamic Architecture.
---At the Centre of Islam both geographically and spiritually stands the
Kaaba. Central importance of Kaaba in Islamic architecture is quiet
clear. The annual pilgrimage, brings the faithful from all parts of world
to Mecca and the mehrab of every mosque is aligned with it, so whole
of the Islam can be seen as the gigantic wheel with lines drawn from
all mosques converge to Ka’ba.
---Kaba is the only non directional religious building in Muslim's world. It is
diagonally oriented with its corners facing cardinal points of the compass, which
are according to Arab beliefs the four corner pillars of universe. It is the symbol of
intersection between vertical axis of spirit /heaven and horizontal axis of plane.
During the pilgrimage ceremony the pilgrims circumambulate the Kaba and this
movement resembles nothing but a swirling whirlpool.
Characteristics Irrespective of
Religious Influences
FORM AND FUNCTION:
---There is almost total absence of specific architectural form for a
specific function. A Muslim building serving a specific function can
assume a variety of forms. Example of this is four Iwan courtyard
structure of Central Asia and Iran, which is also found in the other parts
of Islamic world. These structures were built to serve all of the functions
like mosque, madrassahs, palaces, caravanserais, bath or private
dwellings. So an Islamic building need to be designed in a perfect
scheme that can be used for a great variety of functions without any
difficulties.
A Caravanserai of Safavid Era.
--- With the exception of tomb, mausoleums
and other simple domed structures, Islamic
buildings rarely display an axial quality. i.e.
Actual physical direction of a mosque is often
different from the functional direction. A visitor
who enters a Courtyard of the mosque which is
not often drawn at right angle to the direction
as indicated by Qibla, will be unsure of his
direction. Which never happens in case of
Classic Temple or Basilica.