Starter Kit AP
Starter Kit AP
IO -
AP ENGLISH LITERATURE
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TABLE OF CONTENTS
6
Introduction
7
About Us
8
Is AP English Literature
Hard?
17
11 AP English Literature
Test Taking Strategies
23
15 Must-Know Rhetorical
Terms for AP English
Literature
TABLE OF CONTENTS
33
AP English Lit Multiple
Choice Questions:
A How-To Guide
36
3 Ways to Tackle
AP English Literature
Prompts
40
How to Score Your Own
AP English Literature
Practice Essay
46
The Best
AP English Literature
Review Books of 2016
TABLE OF CONTENTS
62
The Ultimate
AP English Literature
Reading List
77
Advice from
AP English Literature
Students for
Future APers
81
One Month
AP English Literature
Study Guide
102
The Ultimate List of
AP English Literature Tips
Introduction
This eBook was created as the perfect starter kit for any student planning to take
the AP English Literature and Composition exam. By beginning here, you’ll have a
better understanding of the test and how to study for it.
It features information from the Albert Blog. If you’re looking for additional help
in preparing for the APs, be sure to regularly check the blog and subscribe to hear
about our new posts.
Albert bridges the gap between learning and mastery with interactive content
written by world-class educators.
We offer:
• Tens of thousands of AP-style practice questions in all the major APs
• A complete competitive online leaderboard to see where you stand
compared to others
• Immediate feedback on each question answered
• An easy to access platform from any Internet-enabled device
• In-depth personal statistics to track your progress
• Intuitive classroom tools for teachers and administrators
If the idea of dedicating a bit of your high school education to a subject that can
ultimately result in college credit sounds appealing, then the AP English Literature
class may be right up your alley. Not only will it provide a foundational
understanding of classic literature, but it will also teach skills in the areas of
comprehension and composition.
Now, don’t let the description intimidate you. While the idea may sound overly
sophisticated, AP English Lit ultimately builds on the skills you have been
cultivating throughout your school career. Unlike some other English courses,
much of English Lit is open to personal interpretation, and you will learn the
techniques necessary to identify patterns and form strong opinions based on your
analysis of the content.
The AP English Literature course focuses on providing you with the skills and
knowledge necessary to participate in the analysis of a wide range of literary
works. You will increase your understanding of the English language and learn
how it is used to achieve certain goals or effects in a written work.
Before I lose you, consider this; part of what makes a piece of literature
particularly moving is its ability to elicit an emotional response in you, the reader.
This can be accomplished through the use of vivid imagery, shifts in tone, and
other idiosyncrasies of the English language.
Part of English literature is learning how these mood-shifting pieces work. You will
learn exactly how they can impact you so deeply, and will be introduced to tools
that help you understand why others may feel differently. In this regard, studying
literature is part art, part science. It helps you see how word choice and sentence
structure can be used to obtain a particular reaction, or to guide the reader on a
journey well beyond the basics of the words on the page.
Does this mean that AP lit is difficult? Not necessarily. Analysis at this level is often
personal, so there is room for interpretation when it comes to what an author is
trying to accomplish. It’s this level of flexibility that makes the class an adventure
as it focuses on the exploration of written works more than hard-and-fast
mechanics.
With that being said, that does not mean you will not be completing any written
assignments. The difference is that, while English composition guides you through
the use of proper techniques, much of the writing in AP English Literature is used
to reinforce concepts found in the written works.
AP Lit’s difficulty resides less with the content, and more in the sheer volume of
content that may apply to its study. As I mentioned before, there is not strict
reading list to which all classes must adhere. This means that you may be required
to read certain works based on your individual class’s requirements, but whether
that information will be on the AP exam is somewhat left to chance.
With that in mind, you will be best served by taking personal time to examine
written works that are not required to pass your class. This can make AP Literature
hard for students who have a particularly demanding course load, as free time to
pursue its study may be limited.
You can make the study of English literature simpler by increasing your exposure
to classic written works over time. If you plan to take AP English Literature as a
high school senior, see if you can obtain a reading list from the teacher of that
class. With that information, you can identify if any key works are not included,
use that information to create a personal AP Literature study guide, and can use
some of your summers to enjoy those works independently. This will ensure you
have the best foundation possible before you take the exam.
By the Numbers
AP exams are scored based on a scale of one to five, with one being the lowest
score possible and five being the highest. For the score to be considered sufficient
to stand it for college credit, a score of 3 or greater is required.
Based on the CollegeBoard report on the success rates of students who took the
AP English Literature exam in 2013, 55 percent of all test-takers achieve a passing
score with 6.8 percent achieving a score of 5, 17.4 obtaining a score of 4, and 30.8
percent earning a score of 3.
Exam Structure
The structure of the exam established by the College Board is simple. It is divided
into two sections, the multiple choice section, and the free response section. Each
section is timed, just like any other standardized exam, like the PSAT or SAT, tends
to be. This ensures that all test-takers are given the same opportunity to complete
the questions even if you are taking it on different days, in different cities, or even
different states.
The multiple choice section consists of 55 questions where you will be expected to
examine excerpts from various literary works and answer corresponding questions
regarding the piece. You will be given one hour to complete this portion. Once the
time is up, you will be told to close that section of the exam before preparing for
the free response portion.
The term free response is simply a fancy way to refer to the written part of the
exam. While this section is only comprised of three questions, each requires an
essay-length answer. With this in mind, you are given two hours to complete your
responses in this section.
You will be presented with one question from each of the following categories to
guide your efforts through the free response section:
Does the amount of time available make the exam seem too difficult? Before you
let that fear discourage you from going forward, consider the following exam
technique to help you succeed in the written portion of the exam.
First, you want to read all three questions and begin by writing your essay
response for the one about which you feel most confident. Not only can that help
get your mind in writing mode, but it can also be pretty exciting to get through a
piece that you feel you nailed.
Once that one is complete, move to the one you had the second most confidence
in, leaving the most challenging piece for last. This will hopefully give you the
strongest chance in regards to leaving quality answers in the areas you feel
knowledgeable, and may leave you with more time to dedicate to the complicated
topic if you finish the other essays more quickly.
Content
The AP literature review will include works from a variety of categories. Most
commonly, a teacher will feature sections on drama, verse, and prose fiction. You
will be responsible for reading select works and participating in analytical
activities designed to further your understanding of how the English language is
used in literature.
During your exploration of the topic, you will also have the opportunity to expand
your vocabulary to promote a college-level understanding of language, and will be
introduced to higher level writing techniques based on what is expected from
successful college students.
At times, group work may be required during your class to develop your skills in
the areas of literary analysis and to expose you to the thought processes and
points-of-view of other students. This collaboration is used to further the
exploration as to how a written work may be interpreted by the reader.
To excel in AP English courses, you must have a suitable reading level for the
coursework that will be presented. This may require a vocabulary beyond a basic
high school student, as well as a greater understanding of writing techniques and
how they vary between different forms of written works. It is helpful to have an
introduction to common forms of poetry, as well as fiction from various eras.
Your ability to read quickly is less relevant than your ability to thoroughly
comprehend what you read. Not only will you have to examine the excerpts at
face value, but you will also have to determine the presence of any subtext that
may change the meaning of the content in a critical way. In this regard, critical
thinking ability and analytical skills are also highly desirable for students
interested in AP Lit.
As with most AP courses, the primary benefit is that you will have a stronger
foundation to build upon before you officially become a college student. This may
make other related courses easier based on your preexisting knowledge on certain
subjects.
Do you want to hear the best part? By successfully passing the AP Literature
exam, you may also receive college credit by accredited colleges and universities
for certain English courses. Not only can this help you progress through your
degree more quickly, as you will not be required to attend certain classes, it can
also save you money since it will not be necessary to pay for any coursework that
you do not need to take to obtain your degree. And who doesn’t like saving
money?
For those who have a particular interest in literature and reading, literature
courses often expose you to works that you may not have otherwise read. This
may introduce you to a new favorite author, or may present ideas that you may
not have otherwise considered.
Even though the AP English Literature course, and subsequent test, may be
considered difficult. The opportunity to qualify for college credit, save money on
college expenses, and learn about different eras can certainly make it a worth
while venture.
Next Steps
If your school does offer the course, you will need to speak with the
administrators in charge of class scheduling and see if you are eligible to attend.
While the CollegeBoard does not specify any prerequisites, your school may have
a standard to which you must adhere.
In cases where the class is offered, but you do not yet meet the requirements as
set by your school, you can take advantage of the extra time and begin
broadening your literary horizons by reviewing the various written works that
would be covered in an AP English Literature course.
As mentioned before, you should request a copy of the applicable syllabus, and
then focus your personal studies on works that are not going to be covered during
the class. You can explore the reading list provided by Albert to help you along
your way. This ensures you are spending your own time on pieces that will provide
you with a wider range of knowledge in the area and limits the risk of having to
reread a piece you had already covered.
Even if you are not able to take the class, you may still be eligible for the exam.
You can participate in practice exams and focus your efforts on the key areas
covered within the standard coursework. While this may be a more challenging
approach, especially if you are still required to complete other classes to graduate,
it does give you the chance to experience the same benefits as those who can
take the class in-person. One benefit of the self-study route is that once you feel
sufficiently prepared, you can look into scheduling your exam.
Now that you have seen an overview of the AP English Literature course and
exam, what’s stopping you from giving it a try? Not only can you further your
studies, but you can also obtain college credits before you ever set foot in college.
I think that sounds like a pretty good deal, and thousands of students every year
agree.
Taking any of the multitude of AP exams can seem like a daunting task in the
beginning stages of your preparation. That’s why it’s important to be organized
about the work you do in studying for these tests. The AP English Literature exam
is frankly no different. Each of these tests requires extensive, specific preparation.
But how do we know what to prepare for and how to prepare for it? Answering
that question requires some solid strategy. Continue reading for 11 specific AP
English Literature strategies that you can use to tie all of your tireless preparation
together.
The AP English Literature test takes three hours to complete and consists of two
parts: multiple choice and free response. The multiple-choice section is worth
45%, and the free response section 55% of the final exam grade. The AP English
Literature multiple-choice section is 55 questions and takes place over the first
hour of testing. The free response section takes place over the final two hours of
testing and requires the completion of three essay responses.
Understanding the importance of these separate parts and how they make up the
whole of the AP English Literature test should inform your test-taking strategies.
The multiple-choice section of the AP English Literature test makes up almost half
of your final grade. The scoring of this section allows you to bolster your base
score easily! No points are subtracted for unanswered or incorrectly answered
questions. This means that really knowing the material, the terms, concepts, and
literary works discussed, in the multiple-choice section can only help you. Rattle
off the multiple-choice answers to gain a strong base on which you can build with
your essay responses.
Annotate the passages that you’re expected to analyze. Take note of the time
period if it is provided or make an inference about the time period by analyzing
the diction. Mark up literary terms and devices. Paraphrase things in your head in
order to cut through the sometimes complicated diction of the sample passages.
These notes can come in handy on the upcoming questions. Just a few extra,
collective minutes spent on annotation can save you a lot more than that in time
spent rereading the passage while trying to answer a question.
4. Guess
Once more, incorrect answers do not count against you. So, at least make a
reasonable guess at every question on the test. Every question has 5 possible
answer choices. That means an outright guess has a 20% chance of being correct.
Eliminate as many choices as possible and increase your odds of guessing
correctly.
As of 2014, the top 5 most frequently cited literary works appearing on the AP
English Literature exam are:
These pieces can, with a good read, reveal several constant themes and tropes
that will be of use to you on the multiple choice and response sections of the test.
When utilizing a quick first read through the text and then the questions on the
multiple choice portion, you might get a better sense of which questions you can
answer easily and maximize the time you have to spend on more difficult
questions. Then, upon rereading the passage, you may have an idea of what to
look out for without attempting to cherry pick your answers out of the passage
and wasting even more valuable time. Alternatively, you could get a similar effect
from reading the questions to start with and then reading the passage. Go with
what feels right for you, considering your personal preferences about how to best
utilize the time you’re provided.
The other half of the test, comprising a little over half of your final grade, asks for
responses to three separate prompts. Concentrate on what you’re being asked to
do and provide a response as relevant to the prompt as possible. To receive at
least a 5 on the AP English Literature test, according to the College Board rubric,
test takers must demonstrate the ability to select a suitable work, explain this
piece in a relatively nuanced fashion, and exercise control over some college-level
composition practices. The first steps in writing an effective essay for the AP
Literature test are identifying what you’re being asked and selecting a work that
allows you to provide a relevant response to the prompt.
A good way to prepare for the response section of the test is to know a few
literary works, typically from a class-reading list, pretty well. Composing an
effective essay depends on your knowledge of a few texts that you can reference,
even if it is what you might consider superficial knowledge. On test day, have a list
of well-known poetry and fiction pieces ready to call up when you need them.
Make notes in the margins of the text. Use the DIDLS prose analysis method. Use
the TP-CASTT poetry analysis method. Whatever you do, make a plan. By just
beginning to write without a road map, you’re more likely to waste time writing
around an appropriate response to the prompt without actually addressing it.
This can make or break your response section score. If you can at least employ
some of these strategies with ease, you can score decently on the response
section. Some of these strategies include:
This probably seems like a general test-taking skill, and it is. However, breathing
and staying relaxed are of particular importance on the AP English Literature test.
When we’re anxious, stressed, or worked up, we tend to lose cognitive efficacy.
Letting the moment get the best of you is a surefire way to lose points on the
response section of this test.
Breath, stay calm, and understand that the body’s natural stress response impairs
our ability to plan ahead and to recall memories. On this portion of the test, the
readers want to see that you’ve at least organized your thoughts. If you stay calm,
you will have a much easier path to meeting that extremely important expectation
put forth in the rubric.
Given an appropriate amount of study time and some solid strategizing on your
part, you can start strong on the multiple-choice section and confidently continue
on to the free response section. Given an understanding of the literary works and
the writing skills you are expected to demonstrate, you can create clean essays for
the free response portion with ease.
Now, since you have some ideas of how to tackle it, which strategies can you use
to improve your odds of acing the AP English Literature exam?
I personally found writing the words and their definitions over and over again, an
approach known as inculcation, to be the best way for me to master this
vocabulary before I took the AP English Literature exam. When facing a large
vocabulary list such as this one, it’s easy to look at and consider it as a whole, a
practice that creates a lot of unnecessary stress.
1. Alliteration
3. Analogy
Comparing two things or instances in time often based on their structure and
used to explain a complex idea in simpler terms.
Purpose: Analogies are typically used to clarify or explain an author’s idea to the
reader by likening a new idea to an older, better known one. They typically appear
as similes that allow the reader to more easily understand the author’s meaning.
It’s important for the reader to be able to understand or able to infer using
context clues the meaning of the comparison.
A device used to create contrast by placing two parallel but opposite ideas in a
sentence.
Purpose: Antithesis literally means opposite, but the rhetorical definition calls for
parallel structures of contrasting words or clauses. These opposing words or
clauses are placed in close proximity within a sentence in order to create a focal
point for the reader.
5. Consonance
Purpose: Consonance is, again, a device used by writers in order to create focus
on a particular part of a piece. In many cases, consonance appears in poetry as a
device used to create slant rhymes.
7. Ellipsis
Purpose: Often, ellipsis is used to omit some parts of a sentence or even an entire
story, forcing the reader to figuratively fill in the gaps. This heavily depends on the
reader being not only invested but also immersed in the story enough to care
about what happens during those gaps.
Example: A good example of ellipsis is “I went to the park, and she went too.” The
reader can infer that she also went to the park, though “to the park” is omitted
from the second clause.
Example: Consider the overlap between diction and appeal. The author’s word
choice can tip the reader off that an ethical appeal is being made.
9. Hyperbole
Example: One of the best examples is the phrase “I’m dying to…” One is literally
not dying to see someone or do something, but the exaggeration intends to show
affection or intense longing while maintaining a humorous tone.
Purpose: Imagery is used to characterize objects, actions, and ideas in a way that
appeals to our physical senses. The true purpose of imagery is to create a visual
imagination of the scenarios or things being described.
Example: Again, consider the diction of the piece. Imagery is created by the
writer’s choice of words. Evocative words that arouse the senses—touch, sight,
smell, etc.—are indicators of imagery at work.
11. Irony
The expression of one’s meaning by using language that normally signifies the
opposite of what the writer intends to achieve a humorous effect or to add
emphasis.
Purpose: A writer utilizes irony to show that the words they use do not necessarily
represent their intended meaning. Further, irony can be manifest as a situation
that does not pan out the way that the audience, speaker, or characters believe it
will.
Example: A common example of irony is the nickname “Tiny” for a large man. We
know and see that a large man is not, in fact, tiny, yet we employ the nickname
ironically.
13. Pathos
Purpose: Pathos is a term used to identify an appeal to the pathetic. A writer may
want a reader to sympathize with a character and employ a pathetic appeal to
inspire feelings of pity, sympathy, or sadness.
Example: Examples of pathetic appeals are, once more, bound to diction. Look for
clues in word choice that indicate an appeal to the emotions of an individual. A
good, though sometimes sad, example of pathos is a call for donations to cancer
research which features the stories or pictures of survivors and sufferers.
15. Symbol/Symbolism
A thing that represents or stands for another thing like an object that represents
an abstract idea.
Example: Consider the phrase “a new dawn.” It literally refers to the beginning of
a new day. However, figuratively speaking, the beginning of a new day signifies a
new start.
Conclusion
Now that you’ve explored a few of the necessary rhetorical terms and gained a
possible strategy for studying the rest of the terms, you’re well on your way to
conquering the multiple-choice section of the AP English Literature exam.
Continue studying using repetition and compartmentalizing, and you’ll be able to
easily recall these definitions and examples when you’re taking the test.
Start Practicing
AP English Lit
Multiple Choice Questions:
A How-To Guide
As it makes up 45% of your score, the multiple-choice section on the AP English
Literature is an important thing to study for, even if you think you’re already an
excellent multiple-choice test-taker.
There are 55 AP English Literature multiple choice questions and you will be given
one hour to complete them. Sample AP English Literature multiple choice
questions are available on Albert.io and CollegeBoard.
What follows are some basic strategies to keep in mind while studying for this
section of the test, doing practice questions, and taking the exam itself.
1. Close Reading
Because the AP English Literature multiple choice questions are centered around
passages selected from works of literature throughout the ages, it is important to
read the passages thoroughly but efficiently (as you only have about 1 minute per
question on this section of the exam).
There are a few different helpful strategies for reading the passages in this
section; you should try each with a different set of practice questions and see
which one works best for you.
Some students feel they perform better when they read the questions before the
passages. One of the advantages of this strategy is that you will already know
what you’re looking for when you start to tackle the passage.
Of course, simply reading the passage through once and then starting on the
questions may work for you better than these. Try all three strategies and any
others you can think of to see what works best for you.
If you can eliminate 3 of the 5 possible answers, you have a 50% chance of getting
the question right, and should take a guess, because the potential benefits
outweigh the very minimal risk.
Because there is no penalty for leaving questions blank, if a question is giving you
trouble you should skip it and mark it to return to later if you have time. You only
have 1 hour for the test, which breaks down to about one minute per question
with a little extra time for reading the associated passage. As such, you need to
work through the test efficiently; it’s better to miss out on the points for one
tough question than three easy ones, as the questions are all counted equally,
despite their difficulty levels.
Each open-ended AP English Literature essay prompt focuses upon a specific idea
or theme common in canonical literature (such as justice, sacrifice) or a certain
type of work or technique used within many works. It will then ask you to explain
how whatever device it focuses on works within a particular piece of literature
and then justify that explanation. Here are three sample AP English Literature
prompts (all from actual AP exams) and a quick explanation of one way you could
tackle each of them. Studying and practicing these methods will definitely help
you perform better on the AP English Literature exam!
According to critic Northup Frye, “Tragic heroes are so much the high points in
their human landscape that they seem the inevitable conductors of the power
around them, great trees more likely to be struck by lightning than a clump of
grass. Conductors may of course be instruments as well as victims of the divisive
lightning.” Select a novel or play in which a tragic figure functions as an
instrument of the suffering of others. Then write an essay in which you explain
how the suffering brought upon others by that figure contributes to the tragic
vision of the work as a whole.
• With every act of violence, he becomes more mad with guilt and paranoid
that he will be discovered (in the beginning) or usurped (throughout the
middle and end). Macbeth’s madness and paranoia lead to further acts of
violence in a vicious cycle.
• The people Macbeth should love most, his wife and best friend, are
directly affected by his actions, Lady Macbeth going mad and Banquo
being murdered by hired assassins.
• There is an irony in the fact that Macbeth is hated for killing his
countrymen, when before the murder spree he was revered for killing his
kingdom’s enemies.
Any one of these, if fully explored, could provide an essay in and of itself, or all of
them could be combined in one essay. For practice, try constructing a thesis (or
even writing an entire essay) for each of these points, then all of them together.
Many works of literature deal with political or social issues. Choose a novel or play
that focuses on a political or social issue. Then write an essay in which you analyze
how the author uses literary elements to explore this issue and explain how the
issue contributes to the meaning of the work as a whole. Do not merely summarize
the plot.
A good work for this prompt would be George Orwell’s 1984, which focuses on the
political issue of communist totalitarianism. The setting of this novel is one
element through which political commentary is delivered, in that Orwell has
imagined a future in which the government lies to its people constantly and has
forged a police state in the name of creating equality, while in fact the same
inequalities that ran rampant during the age of capitalism still exist.
The character of Winston Smith is also an element through which Orwell makes
his commentary, because Smith is an “everyman” – an unremarkable, easy-to-
relate-to character – driven to political radicalism by that environment.
Focusing on setting or character would work equally well for an essay. For points
supporting a thesis related to setting, you could list and explain examples of the
various ways in which Orwell’s imagined society takes control of its people, and
the consequences for fighting against that system. For points supporting a thesis
related to character, you could write on the changes that take place in Smith over
the course of the novel, as he gets involved with revolutionary activity and then
faces torture, imprisonment, and guilt toward the novel’s end.
“And, after all, our surroundings influence our lives and character as much as fate,
destiny, or any supernatural agency.” – Pauline Hopkins, Contending Forces
When writing this essay, you could focus not only on how these traits are
displayed by the characters from or inhabiting one of the two estates, but how the
development of characters at each of the locations seeks to start a dialogue about
ideas of “good breeding” very prevalent in society at the time. Is a person shaped
more by her heredity or environment? There are cases to be made from both and
evidence to support either claim in this very complicated novel.
You could also consider the fact that the most important, interesting, and
ultimately happy characters in the story are not dominated by either place, either
family, either set of characteristics – showing that freedom and wildness
tempered with, but not totally eclipsed by, civilized notions provide the best life.
You should ensure that you practice responding to sample prompts in as precise a
manner as possible. How do we measure our precision here? Good question. By
examining the AP English Literature rubric for the free response section, the
pertinent skills on which your success depends become evident.
First of all, I believe the best way for us to analyze the AP English Literature rubric
itself is by unpacking the important information found in the 9-8 scoring range.
We should aim high here. The very fact that this range defines the highest
percentile grades means that essays receiving 8 or 9 marks have everything
needed—and a little more than that—to ace this portion of the exam.
A top-tier essay covers an appropriate work and the appropriate elements within
that work. Appropriate is subjective though. Carefully consider how the literary
work you’ve chosen helps you respond to the prompt. The piece you’ve selected
should allow you to make many specific, apt references. These references and
their purpose in proving your thesis should be clearly explained in a logical
manner. The rubric warns against including “plot summary that is not relevant to
the topic,” so make sure, again, that the material is appropriate.
The bottom line is that there are some concrete requirements we can plainly see
in the rubric that will not only allow you to analyze your own writing, but that will
also inform the way you practice writing for the AP English Literature exam. Let’s
get down to some perfect practice.
The following example prompt comes from the 2013 AP English Literature free
response section.
1. Introduction
II. Body
a. It is at this point in the story that Joyce’s diction and style become
more elevated, reflecting Stephen’s development sans religion.
b. By Chapter 5, Stephen seems well adjusted and as if he is able to
embrace adulthood.
Conclusion
1. The moment when Stephen observes the angelic girl in the water and
contemplates the myth of Daedalus represents a pivotal moment not
only in the story but in Stephen’s psychological and moral development
throughout Joyce’s A Portrait of the Artist as a Young Man.
2. This moment shapes the story by, in effect, being one of the main
reasons that Joyce wrote it.
3. Joyce himself struggled with his religion, and, once free of it, developed
into the artist he was meant to be, much like Stephen.
First, it was established that the literary work chosen was appropriate. The
elements chosen, the pivotal moment was also established as appropriate,
according to the prompt. Next, an understanding of the concept and of the
references made in Paragraph I was demonstrated. Then, I responded to the other
portion of the prompt regarding how the pivotal moment shapes the story and
demonstrated an understanding of the references made in support of that. Finally,
an insight was made regarding Joyce’s reason for writing A Portrait of the Artist as
a Young Man.
This is an O.K. response. It’s nothing special but it gives us an example text to
guide our discussion of the strategies you can use to score your own practice
essays.
The easiest way to score your practice essays is to consider the concrete
information that’s known about how the readers will score your essays. The
following five questions are useful in scoring your practice essays but also in
guiding your preparation for the actual test.
First, pretty obviously, have you actually made an attempt to respond to the
prompt precisely and with only relevant material? If so, you’ve at least gotten off
to a good start.
Second, analyze your structure and organization. Can you follow the logic in your
essay without having to mentally fill in any blanks? If you notice that some part of
the logic is unclear and requires you to make some cognitive jump, rest assured
your reader will notice this. Good organization and structure of your thoughts is
plainly pivotal to upping your essay scores. If you can read through your response
comfortably, you’re in good shape.
Third, analyze your diction and rhetorical strategies. Do you use a varied
vocabulary? Have you employed any college-level composition strategies such as
parallelism or antithesis? If no to either of these, you’re running par for the
course. If yes to both, you’re doing pretty well.
Fifth, scrutinize the style of your essay. This is the final part of your self-scoring. If
you read over your essay and remark on your own style, even if you’re critical at
times, in a positive way, there’s a chance your response may be an 8 or better.
Conclusion
Effective preparation for the AP English Literature free response section depends
on accepting that practice makes perfect. Strive throughout the time you spend
studying to practice as perfectly as possible.
With this analysis of the rubric itself and the discussion of the five graduated
questions you should ask about your practice essays, you’ve got a few more tools
to use in ensuring that your practice is as perfect and precise as possible.
Ensure that your essays cover appropriate material. Analyze your organization.
Examine your diction and usage of rhetorical strategies. Criticize your
understanding of the prompt, the text, and the elements you’ve called out in the
essay. Scrutinize your style.
By performing these five actions, you’re increasing your odds of putting forth a
solid performance on test day.
You are most likely a bit apprehensive about the AP English Literature &
Composition exam in early May. It certainly is a challenging, rigorous course, but
your having found this page means that you are well on your way to figuring out
how to get that elusive score of 5, which only about 8% of examinees received last
year. Let’s calm your nerves by figuring out which review book will make you feel
more confident by test date.
Briefly, the test has two separate section, the first 60 minutes (and 45% of the
overall score) consists of multiple-choice comprehension questions, while the
remaining 120 minutes (and 55% of the overall score) consists of three free-
response questions, of which one of them lets you choose the literary work to
base your essay off.
Without going into too much detail on the contents of the exam, there is an
available list of authors from poetry, drama, fiction (novels and short stories), and
expository prose that you can find on the AP English Literature & Composition
Course Description (pages 10-11) as well as other useful information about the
exam and sample questions of all types.
Which book is best to fit with your study schedule depends on how much time
you have left until the exam, whether you are cramming or have time to do a
more comprehensive study. There are a lot of books to choose from out there,
and we’ve found the pros and cons of 5 of the better known more titles. Funny
thing is, this test is hard to prepare for, as you know, so what we’re going to care
about more here in our review is how much practice you’re given in the book and
what style of content review there is. That’s where these books differ the most.
Without further ado…
This 288-page review book by the guys and gals at The Princeton Review promises
to streamline your test-taking strategies to fit the exam better, reviewing key
literary devices and concepts that will keep your analysis in line and writing sound
spot on. Keep in mind that advice will only go so far for this AP exam and probably
the most valuable test prep help you’ll get is by writing essays, comparing them
with samples, and having concepts and ideas which will streamline the way you
approach each essay and answer each comprehension question (since the free-
response section comprises 55% of your score!) Get pencil/pen to paper stat!
The book is divided into 7 parts, but the best parts are the diagnostic test (Part II),
the test-taking strategies (Part IV), the content review (Part V), and the final
practice test (Part VI).
• 2 full-length practice tests (one at the beginning before you begin your
studies using this book, one at the end after you’ve gone through the
book)
• Plenty of sample essays/questions
• The book does an excellent job explaining the different literary
movements and themes (but that comprises the majority of the content
review)
• Has plenty of prose and poetry questions with explanations following on
how to “crack” the questions
• The explanations for the multiple-choice questions won’t leave you in
doubt either because they’re particularly well written!
• A glossary at the end of the book
• Bits of humor here and there
Downsides:
• Free-response essay section could go into more detail, since this is 55% of
the test
• More content review would help some students (and this book is lacking
content review of drama)
• The Princeton Review is a bit notorious for copying from earlier editions
But, we’re still off to an okay start!
GRADE: B
Let’s check out how another classic test-prep title fares. This 336-page review
book is slightly larger than Princeton Review’s. Its organization is something done
particularly well and is a godsend for the stressed-out student. It starts off by
giving you multiple-choice answering strategies (with explanations on language
and rhetoric), and valuable advice on structuring and writing the different kinds of
essays to make them look stronger. Having taken the book’s advice, the student is
presented with a diagnostic test, followed by a more comprehensive content
review, and finally a bunch of practice tests.
• Diagnostic test
• 5 full-length practice exams give you lots and lots of questions to practice
• You can also do extra online practice test
• An extra CD can be purchased containing two additional tests
• One of the things that this book manages to do, but some others don’t is
a review of all three major literary styles: prose, poetry, and drama (many
review books ignore drama altogether)
• A section on how to analyze famous novels that is concise and useful
• There’s much more to be had in this title’s content review versus, for
example, the Princeton Review’s
• The multiple-choice questions are a bit harder than the ones on the actual
test, so you’re practicing for something slightly more challenging
• Glossary of terms and index
Downsides:
• Perhaps the section on poetry is a bit too long (but of course, if that’s not
your strong suit, then maybe it’s worth a peek!)
• Typically uses well-known literary examples, depriving the student of the
opportunity to come across and analyze unseen works
• The explanations don’t focus too much on explaining why the wrong
answers are wrong, but typically only focus on why the “best” answer is
right
GRADE: A
Alright, this is another well-known test prep series. This 256-page book is
organized into ‘5 steps’ to get you the best score you can get:
You probably know that it takes more than 5 steps to improve your score, but
having this clear organization takes the burden off your mind.
Downsides:
GRADE: B+
The Crash Course series are designed for study at a faster pace. You shouldn’t be
waiting until the last minute to study for the test, but if that’s you, this book might
be useful for you. This 240-page book is the shortest of the ones we’ve looked at
so far. The main four parts of this book are a content review, followed by test-
taking tips on reading passages, essay writing, and multiple choice questions,
respectively. Rest assured, this book is chock-full of tips and advice.
• Access to the online REA Study Center (with a free practice exam)
• Well-organized as a last minute cramming book (but you have to have
already read the literary works because this book doesn’t give you much
information!)
• Makes studying for English Literature seem like studying for Biology. But,
of course, this is only a good thing if memorization is your strong suit
• A crash course on many concepts like literary periods (in a timeline for the
visually inclined!)
• A discussion of fiction, drama, and poetry, and famous literary works’
main points organized into a reader-friendly list
• Explains diction, imagery, figurative language, point of view, syntax, and
tone as well as giving examples of how authors use these literary
elements
Downsides:
Good practice questions with good explanations are invaluable. This might be a
good reference only if you can recall a lot of literary works and detail from class
already, thereby using this review book as a tool to get your test-taking skills up to
par. That being said, the content tends to be kind of superficial. If you’re the kind
of student who studies for any test by memorizing facts, this book might merit a
higher grade, but as for the majority of students, I have to give it a:
GRADE: B
But, just as a side note, don’t always trust a single company to provide quality
study prep materials for all subjects (i.e. don’t buy all your AP review books from
the same company); sometimes they are right on with a subject, and then off the
mark with another. That’s why we have these book review posts, to let you know
when they get it right, and when they make a misstep!
The book’s most important sections are the diagnostic test (Part Two), exam
content and test-taking strategies review (Part Three), and the subsequent
practice tests (Part Four)
• A diagnostic test
• 3 full-length practice exams at the end of the book
• Practice questions at the end of each content review section
• Tips and tricks from teachers and students who were able to get 5’s on
the exam
• The best part of the book is Part 3, which consists of a section of key
terms and a passage from Thoreau which exhibits many of those terms, a
section on writing tips for the essay, and then two sections on poetry and
prose, respectively
• An index at the end and a 2-page color study sheet for key literary terms
• The author Pivarnik-Nova has been an AP English/AP Lit teacher for over
20 years
Downsides:
• No online resources
• No section on drama
But, for the most part, it does what it sets out to do!
GRADE: A-.
It depends on how much time you have to study. There are roughly two types of
study guides that we’ve seen, crash-course types and more in-depth review types.
Of the former, the Crash Course book is the one that does brevity with the most
success, but then again it is severely lacking in practice opportunities.
Of the more holistic review books, the one that stands out above the rest is
Barron’s. Barron’s has a great set of practice exams, comprehensive content
review, and online resources. It is the review book that is best for all kinds of
students. Kaplan’s is decent too, but it doesn’t have any online resources. And 5
Steps to a 5 is not as good in its content review and needs at least one more
practice exam. To get more practice exams, however, you can just use AP Central if
necessary to supplement.
Final Verdict:
There are honestly a few close contenders, but the best AP English Literature &
Composition book is Barron’s AP English Literature and Composition. This book
gives you the complete study experience, and the amount of practice questions
available exceeds expectations. As always, you can supplement these books
with AP Central practice questions and Albert.io. If you’re especially devoted to
the AP English Literature & Composition exam, though, I would certainly suggest
not only getting one review book. Choose another one that complements well!
Some students swear by the Crash Course series, but for AP English Literature it
doesn’t perform as well. The information is too superficial, some of the advice is
common sense, and if you’re looking for superficial information and common
sense advice, the internet is full of that (and it’s free too online). I would not
suggest cramming for this exam, because cramming doesn’t really help as much as
it would for another subject which requires more memorization. Please, please,
please leave some time to digest all the information!
Best of luck on your exam! By the end of this intensive studying, you might be able
to get into those exclusive literary circles!
Have a great review book that’s not on our list? Let us know!
Start Practicing
The Ultimate
AP English Literature
Reading List
Knowing which literary works to study when preparing to face the AP English
Literature exam takes some thought on your part. You can prepare your own AP
English Literature reading list using some of the following selections and the
commentary I’ve provided.
Whatever you do, be well read when going into this test. Have some knowledge,
basic knowledge at least, on a wide variety of texts from novellas to epics and
everything in between.
The following reading list, complete with some commentary on these works’
merits and purpose as study materials as well as a general synopses, should give
you a solid pool of AP English Literature works from which you can choose the
ones that work best for you.
You can’t argue with hard statistics. The College Board has kept track of the most
frequently cited the AP English Literature works from 1971 through 2014. This
portion of the list is devoted directly to these ten works. It could be of great
importance that you at the very least gain some familiarity with these titles, as
the likelihood that one of these will appear somewhere on the test is pretty high.
Ellison’s Invisible Man is a long read but it is definitely worth the time spent due to
the way it tackles race and bigotry and its effect on the minds of the parties
involved in issues of race. Invisible Man covers race, identity, ideology, and
stereotypes. Further, it tells the story of a marginalized character who eventually
overcomes alienation, invisibility, and defies a society that is unable and unwilling
to recognize the individuality of the black man. This is the most frequently
referenced title on the AP English Literature reading list at 26 citations since 1971.
Wuthering Heights is one of the most widely regarded pieces on the AP English
Literature reading list. WH is a good example of Gothic Romanticism that deals
heavily with questions of emotion and violence. It’s particularly accessible and
discusses class and gender comfortably from the perspective of a woman. This is
one of the most frequently cited literary works on the AP Literature exam. It has
been included in some form or fashion on 20 different years’ tests since 1971.
I personally recommend analyzing this piece while looking out for the poetry and
mastery of composition that Emily Bronte wields in her only published
novel. Wuthering Heights is long but meaningful read.
Great Expectations is probably one of the most versatile titles on this list because
it addresses many of the Victorian-era genres of the novel, including satire, crime,
Silver Fork, Newgate, Gothic, serial fiction, romance, politics, and history.
Make sure you don’t focus on plot with any Dickens piece. Plots are his weakest
point. Concentrate on instances of his beautiful use of language.
King Lear, referenced 17 times since 1971, is the most frequently cited work by
Shakespeare.
King Lear is a brutal play containing themes ranging from familial love and duty to
anger and deception. It’s a play that provides you with many different elements of
story to discuss as well as elements of style. The actual story is too complicated to
briefly summarize, so trust the numbers and read this play before taking the test.
The main theme of Crime and Punishment is redemption via suffering. This is
another long but worthwhile read at 545 pages. The purpose of Crime and
Punishment is to provide a psychological analysis of the young Raskolnikov’s crime
to reveal how this psychological analysis itself keeps us imprisoned.
Intellectualizing events, says Dostoevsky, keeps us imprisoned.
As the name tells us, Crime and Punishment and their relationship to each other
are major themes in the story. Think about questions of sacrifice when reading
studying this piece. Nihilism, the superhero complex, alienation, and poverty are
also analyzed at length.
Above all else, Heart of Darkness effectively explores and answers questions
about morality and how the ambiguity of right and wrong can justify actions. Keep
this in mind.
Jane Eyre is a highly cited Victorian Romantic novel. At its core, this is a story of a
woman yearning for more than what traditional society would allow her to have.
Not only is it well known, it’s more relevant today due to the recent push for
social equity for women.
Huck Finn is probably one of the best-known titles on this list among American
students and with good reason. It’s rich and complex, yet decipherable by
students. If, perhaps, you’re asked about the era of Slavery or
Reconstruction, Huck Finn should really come to mind. It relentlessly discusses
slavery and racism and the hypocrisy of civilized society. Consider the Mississippi
River a symbol for remaining in the middle of the road on issues of race and use
that to inform your reading of Huck Finn.
Probably one of the best-known Lost Generation literary works, The Great
Gatsby has become iconic in high school English Literature education. F. Scott
Fitzgerald’s work has come to represent the Jazz Age in America. If you were asked
about early-20th century American society, The Great Gatsby would be a kind of
touchstone work to analyze.
Faulkner’s As I Lay Dying, his fifth novel, would be a good example for you to use if
asked about stream of consciousness, how that style develops tone, and how that
style aids in character development. It’s written in 59 chapters from 15 points of
view that develop each character in manageable chunks, which is made much
more easily understood by the intimate tone of stream of consciousness writing.
Furthermore, it’s viewed as part of the foundation of the Southern Renaissance.
Faulkner’s fourth novel, The Sound and the Fury, is another exercise in style. He
used stream of consciousness writing once more to tell a personal story of fear
about the corruption of family values. The Sound and the Fury provides, most of
all, a pathway to impress a reader. This is a difficult book to decipher, but, if you
can get a handle on how Faulkner utilizes point of view within it, this piece can be
of great value to you in both the multiple choice and free response sections of the
exam.
The Sun Also Rises represents the pinnacle, in my opinion, of the Iceberg Theory.
That is to say that Hemingway’s style of characterization and description, likely
considered sparse by most, actually inspired a curiosity in readers that could only
have been intentional.
The following literary works appear on the College Board’s most frequently cited
list and were published after WWI. These titles can be useful references to this
time period in particular.
The Color Purple is an epistolary novel set in rural Georgia in the 1930s. It deals
with racism and sexism, along with women’s rights. The power of language also
plays an important role in The Color Purple. Walker writes Celie’s letters in a way
that reflects her progression in emotional and psychological development.
Williams used much of his own personal experience in writing The Glass
Menagerie. This is a four-character play with a main theme of accepting reality.
Each character in The Glass Menagerie retreats into their own world to escape the
realities to which they cannot relate. Look for this selection in free response
prompts about symbolism. Laura’s array of delicate glass animals is the single
strongest symbol in the play and a strong symbol in general. This Glass
Menagerie comes to represent Laura herself and her escape her own illusory
world.
Many of William Shakespeare’s works appear on the most frequently cited list.
Surely you’ve studied Shakespeare if you’re preparing to take the AP English
Literature exam now, but it couldn’t hurt to refresh your memory of the following
works by the Bard of Avon.
21. Othello
Othello is a story of love and deception built upon a soldier’s insecurity with his
life outside of soldiering. Questions and prompts about Othello may be concerned
with issues of an isolated character and characteristics that contribute to that
isolation.
One of the prominent themes in The Tempest is the artist in relation to his
creation. Prospero can be viewed as a kind of artist, in that he controls the fate of
every other character. It’s as if Shakespeare inserted himself into the story as
Prospero. The Tempest is widely regarded as Shakespeare’s “Farewell”
performance.
Hamlet has been performed more than any other Shakespearean work. For this
reason alone, it would be a good idea to familiarize yourself with it. There are
many religious, philosophical, and psychoanalytical undercurrents
in Hamlet, interpretation of which could aid in free responses and multiple choice
questions pertaining to character.
25. Macbeth
The classical works also enjoy frequent citations on the AP Literature exam. These
5 classic works could appear on the multiple choice section of the test as well as
on the free response section.
Oedipus Rex (The King) demonstrates a unique take on the Greek Tragedy. Rather
than utilizing the sealed fate-type of arrangement that would have made sense to
the audience of the time, Sophocles made Oedipus’ faults contribute to his
downfall.
Frankenstein represents, arguably, the first science fiction story but does so while
remaining true to Shelley’s Gothic and Romantic roots. A circumstantial theme
within Frankenstein that could be need-to-know information for you is that the
entire novel is a study in how power can corrupt. The power of knowledge allows
Victor to animate “The Beast.” The power of his hatred for his creation pushes him
toward his own death. The story in itself is a study in power and its dangers.
*Candide was first published in 1759. While it does not necessary belong in a
group with the ancient plays, it is still considered a classic literary work.
**Frankenstein was first published in 1818. Though it doesn’t match the time
period of the other works on this list, it still could be considered a literary classic
to which many other literary works can be considered intertextually related, like
the other selections in this section.
The list above is full of familiar titles. If you can use a title from the following list of
works not referenced as often yet still literary, you may be able to score points for
the breadth of your literary knowledge.
Streetcar is considered one of the greatest American plays of all time. Like The
Glass Menagerie, Streetcar also deals with the interplay between reality and
fantasy and is considered at least vaguely autobiographical. Consider reading this
piece along with Menagerie.
Things Fall Apart chronicles the life of a Nigerian and comments on the effect of
British colonialism and Christianity. Read this novel if you’re searching for a piece
that comes from a different culture. Also, check out the work of Ngugi wa
Thiong’o if you’re interested in African perspectives on fiction.
Joy Kogawa displays her mastery of the imagery of serenity in Obasan. This piece
is rife with examples of figurative language.
Albee challenges the prevailing notions of success for both individuals and
families in this play. This is one more work that comments on reality vs. fantasy.
O’Connor’s first novel, Wise Blood, deals with the crisis of faith that can follow the
return of those who have seen war. Consider how O’Connor’s style affects the
exploration of faith in Wise Blood.
Now that you have such a list of possibilities, which ones will you choose to study?
The majority of these texts will serve you well in preparing for the AP English
Literature exam, so you can’t really go wrong.
The bottom line is that by reading and retaining as much information as possible
before test day comes, you’re maximizing your odds of receiving the grades you
want. I hope the list above helps you figure out which texts will help you maximize
your scores. Happy reading!
Last spring, Jodi G. from Saugus High School sent us an insightful list of AP English
Literature tips her graduating class of 2014 students compiled for her future
students. We thought we’d share this wonderful resource. Thanks Jodi for sending
this over!
I’d like to begin by congratulating you for your initiative. You, unlike many of your
peers, have chosen to take a challenging AP English Literature Course during your
senior year. You deserve a pat on the back. I’m sure you have plans to attend
college next year – this class will serve to help you get accepted and to be more
compatible with the college level of writing and reading. My one piece of advice
would be…
Don’t fall victim to senioritis. Keep up with your work – don’t get lazy.
Actually read all assigned works. Cramming a 300 page novel into one night
is really not doable – I know, I tried!
Always do the work. At this moment I am filling out a survey on all the work we
did this year and I realize that if I had actually done all of it I would have learned a
lot this year!?!?
I actually enjoyed the work we read this year – it addressed many universal
themes.
Don’t despair. Ms. G makes drab lectures funny with her cheery attitude and
“wacky” expressions like “clillax” and “You’re freaking me out!”
The material is pretty interesting and is different from the writing you learned in
11th grade. I was surprised how different this level was from what we learned in
AP Lang.
Pay attention – detail is important. Appreciate all the great novels and poems we
get to read.
I was surprised that we seemed to have random conversation that didn’t touch
on the literature, but they always came back to the topic or theme and helped us
learn.
I like the open environment where I never feel like I am being pressured to
change my opinion.
Know a few books very, very well. You will need it for that open-ended essay.
Get plenty of sleep and take care of yourself. Talk to Ms. G about problems – she
is here to help you succeed.
She is really helpful! Trust her – she knows 99.9% what she is doing. Be thankful
for her “reprieves”. She will get you there.
Approach Socratic seminars with a positive attitude. Don’t be afraid to talk and
participate. Most of the time, there are no wrong answers. (Even with her read-
my-mind questions!)
To prepare for the test – I suggest that you show up for the after school and
weekend session and do a full-length timed test. It helps a lot!
The novels that we read – particularly The Kite Runner — were very helpful.
She has good things to say – so listen. Pay attention to the essays because they
are good practice for the exam.
The projects are fun. With the author project, pick your favorite author and
actually read the books this time, because you will definitely use it on the exam.
Learn to annotate really well. If it is the one thing you learn – learn it well.
You could end up BSing the day-to-day assignments, but the kids who did
regretted it because they didn’t feel prepared when the test rolled around. This
isn’t the type of class where someone if going to be on top of you constantly
checking …be self motivated, have an open mind and strive to stay organized an
you will succeed.
Remember to outline before you start writing. Anyone can write a bland essay
structure, but the readers want personal flare. Don’t be afraid to leave the rigid
structures and write. Don’t freak out…it’s just English.
Stick it out! – once you have completed the AP Test at the end of the year it will
all have been worth it.
Prepare yourself for a “wacky” year – you will find that phrase very funny later.)
This is an AP class like no other!
Oh, and after all that, enjoy your senior year. We all did.
Good luck,
The APers of the Graduating Class of 2014
If you’re reading this, then you’re likely gearing up for the final stretch of
preparation for the AP English Literature Exam. And that might seem more than a
little scary. But don’t worry, we’re here to help this AP study guide will help you
sharpen your skills with processing, thinking about, and articulating a variety of
English literature, from poems older than Columbus’ voyage to the first science
fiction novel. More important than any piece of literature we touch on in this
study plan, however (and any piece of literature we don’t), this guide is designed
to help you work on your ability to understand what pieces of writing are getting
at and how, and help you develop a skill in identifying and connecting those big
points in your writing.
Feel free to adapt this study plan to whatever suits you best. How you review the
information and what parts of the study plan you focus on should be altered to fit
how you learn best. You’re the one learning all this, so make sure you do it in a
way that makes it easiest for you to learn. Play to your strengths, challenge your
weaknesses and make this plan however you deem best. Also, make sure to take
care of yourself throughout all this study period – particularly as the exam starts
getting closer. Not only do you probably not want to ruin your health over an
exam, but self-care can also prove incredibly useful for your performance on the
exam. Eating and sleeping well is a big part of helping our brains learn and
remember new information. You’ll want to use that to your advantage. What
you’ll need:
1. Our primary tool for this will be our AP English Literature Albert.io questions,
found here. Unlike most Albert.io courses, where the information is arranged
chronologically by subject and we tackle them one section at a time, we’re going
to be sampling a mix of mediums throughout the course, allowing you to whet
your critical thinking and reading skills on a variety of subjects. Rather than a body
of information you have to memorize, AP English Literature is a skill, so we’re
going to want to keep fresh on all forms of literature throughout the course.
4. Another handy thing here will be College Board’s own Official Course
Description and Overview for AP English Literature. These not only serve as the
exam explained by its creators, but the Course Description has a practice test
we’re going to use early on to gauge your knowledge.
5. Someplace you can listen to audio with or, alternatively, headphones. We’re
going to be supplementing some our Albert.io information with videos, so you’ll
want to make sure you’re in a position to hear them, one way or another (Though
there will be closed captions on most of the files too, so don’t worry, you have
options).
2. Any study guides or workbooks of appropriate quality you have for AP English
Literature. Whether you got it from class or on your own, don’t be afraid to use
alternative sources to widen what you’re testing yourself on or to approach
anything you may be struggling with here from a new angle. Having a wider range
of how you learn this knowledge available can only help you.
Day 1
Alright, we’re going to start by reviewing a basic summary of what is at the heart
of the AP Literature course, and what to expect on the exam. Head over to
the Course Overview and read over it. If you find any important points or ideas
you want to keep in mind as we go through the study plan, make sure to mark
those down in your notes.
Continuing our summary of what exactly to keep in mind for English, we’re going
to check out the first video of Crash Course‘s AP English Literature section. It’s a
speech on reading and understanding you may have gotten from your teacher or
some other source, but it neatly summarizes what to focus on and think about as
we go throughout this.
Okay, now that we’ve had that orientation for ourselves, we’re going to buckle
down and tackle some work. Let’s pull up the AP English Lit Course Description On
pages 12-27 (according to the description itself, not the pdf), there will be some
practice questions to sample the sort of questions you’ll be dealing with on the
exam. You’ll want to answer the questions, and then check your answer against
the answer key at the end. Don’t worry if you got questions wrong; this is to get a
taste of what to expect and to gauge how comfortable you are with answering
these sorts of questions. We’ll have plenty of time to sharpen up throughout the
study plan.
Day 2
Now that we’ve taken a look at what to expect and tested the waters let’s start
our second day by picking up the study plan proper.
We’re going to start at the poetry section of the practice questions on Albert.io,
with the questions on “The Pardoner’s Prologue”.
(Note: we highly suggest you register for full access on Albert.io for this. Not only
will you be able to access the high difficulty practice questions, but you will be able
to see the explanation on the multiple choice questions no matter if you answered
it correctly or not.)
Next, we’ll move down to the prose section of the sample questions and answer a
few questions on Belinda. As with the poetry questions, this will be passage
based. Don’t worry if you haven’t read Belinda in its entirety, though: while it
certainly doesn’t hurt to know the entire context of the story, the questions are
designed to be answered just by critically thinking about and responding to the
passage presented. So work with what you got, and don’t sweat the rest.
Day 3
We’ll start the day with another round of practice questions on Albert.io, this
time for poetry questions on “Thou Blind Man’s Mark”. Remember to pay
attention to the explanations, and feel free to take notes on anything you find
useful.
Next up, let’s get started on the drama section questions on Albert.io with the
questions for Antigone. Try to keep in mind that more important than knowing all
the facts of the whole play is thinking critically about the passage presented.
To wrap up the day, you’ll want to head over to the free response section of
Albert.io to try to answer the question on “How do I Love Thee”. Try to conduct
this question in exam like conditions, so put away any notes or distractions, and
write a short response to the best of your abilities.
Day 4
Today we’re going to break slightly from our usual patterns to focus on the works
of Shakespeare. This won’t be the last time we focus on the bard, but he’s
important enough in the context of literary history to be featured a lot, including
all of today’s material. We know that this work, like a lot of the older material, is a
bit hard to understand in terms of language, but if you’re able to break through
the dated terminology you should be able to find some really good literature
worth studying, not to mention a whole lot of dirty jokes.
On Albert.io, we’re going to start the day by answering the poetry section
questions on Sonnets 19 and 11. By now you’ll want to be getting into the habit of
reading the explanations, and taking notes on any themes or ideas you think you
should keep in mind for later questions or the exam.
We’ll conclude the day down in the drama section with one of Shakespeare’s
comedies—A Midsummer’s Night Dream. Remember that even if you haven’t read
or seen the play, you’re really only working with the selected passages, which you
can pull up in the “show passage” link beneath the question.
Great job so far, we’re nearly through the first week. Enjoy the rest of your day;
you’ll want to come back on your last two days focused and able to finish strong.
Today we’re starting, as you may have guessed, with some practice questions
on Albert.io. Let’s gear up in the poetry question, with the questions based on “A
Valediction: Forbidding Mourning”.
Once we’ve warmed up with that, we’ll continue to the prose section, to answer
the questions associated with Northanger Abbey.
Now let’s take a little bit of a break to pull up the Crash Course video on the life
and work of one Emily Dickinson. In addition to some fun information on one of
history’s more famous recluses, it should give us some thematic and authorial
background on today’s free response question.
Now that we’ve gotten a quick rundown (or reminder) on who the heck Emily
Dickinson was and what sort of themes her poetry touched on let’s go to the free
response section of Albert.io to answer the question comparing “Every Morning”
with “Because I could not stop for Death”. As with last time, try to answer the
question in exam like conditions, and compare your answer with the rubric once
you’re done.
Day 6
(Note: This is our first “weekend” day. Basically, this will be about double the
material as a usual day, and you can choose to tackle it all in one day and have the
other day free, or split it up among two days.)
This first part of the day (or this first day, if you’re splitting things up on the
weekend session) is going to be another focus on our old friend Shakespeare.
We’ll start today, naturally, at Albert.io, in the drama section to be precise, to
answer the questions on Henry VIII.
With that done, we’re going to shift from history to tragedy, with a few questions
on the notorious “Scottish Play”: Macbeth.
Now that you’re back, we’re going to tackle just a little bit more Shakespeare with
the poetry section questions on Sonnet 138.
Now that we’ve accomplished that let’s head down to the prose section and jump
ahead a few centuries to The Moonstone, and answer the questions there.
To finish our first week, we’re going to hit up the free response section of
Albert.io, and try out all this big thinking and ideas and themes on our first open
question. Click the question on Sympathy, and answer the question accordingly.
Like previous free responses, you’ll want to answer this question in exam-like
conditions and check the rubric after the fact. Unlike previous free response, this
is not a response to a single question but a big thematic question, from which
you’ll have to draw what you know about the big themes of several works of your
choice to respond. This will have a few suggested texts, which you may or may not
be familiar with, but feel free to draw from any texts with relevant ideas to form
the basis of your answer.
And there’s our first week over and done! Congratulations, you’re off to a great
start—you’ve applied your critical thinking skills on the likes of such great writers
such as Shakespeare and Dickinson, and begun working out your ability to identify
and talk about the important parts of poetry, prose, and drama alike. Enjoy the
rest of your weekend, and we’ll see you back here for Week 2.
Alright, welcome back for the second week of our one-month study plan. Here
we’re going to continue to work on our skills for processing poetry, prose, and
drama while dealing with some of the most famous works of English fiction
throughout history. We’ll also be seeing an increase in free response questions, to
help shift our influence from reading comprehension to the next step of working
with and synthesizing what we take from the texts to our big ideas. Alright, here
we go.
Day 1
Let’s start our day and week with a video or two from our old friends at Crash
Course, this time on Frankenstein. The channel actually has two videos on the
novel, and depending on your time and how comfortable you are with the work
already feel free to watch one or both.
Afterward, you’ll want to head over to Albert.io to answer some prose questions
on, shockingly, Frankenstein (we apologize to anyone harmed by that pun).
Remember that, whether you read the full novel or not, you should be able to
infer the answer from the individual passages, and to pay attention to the
explanations of the answers after.
We’re going to shift gears as we wind down today, heading up to answer the
poetry multiple choice for “A Lecture Upon the Shadows”.
Day 2
Today we’ll be focusing on a variety of close reading, with a little prose, a little
poetry, and a reading based essay question. Let’s start with the poetry
on Albert.io, namely those for “The Retreat”.
While we’re on multiple choice, let’s head over to the prose section and answer
our questions for The Awakening.
Day 3
Today we’ll be focusing on only one set of multiple choice questions, but they’re a
doozy. Pull up Albert.io, and scroll on down to answer the questions
haunting Heart of Darkness. There are a lot to get through, but tackle them like
you would any other and try to keep the larger themes and structures that arise
from the sections in your mind.
Once you get through that, we still have a little bit more work for the day—head
over to the free response section, go down to the synthesis questions, and tackle
the prompt on Frame Narration. This is another one you’ll be pulling from your
knowledge to answer though Heart of Darkness and Frankenstein are both
provide good examples of this if you’re familiar with either of them.
Great job! By now you should be getting a good feel for both the rigors of the
multiple choice questions and the bigger sort of synthesis problems. These can be
pretty tricky skills to pin down and develop, so you’ve been doing great if you’ve
kept up with us so far.
Day 4
Today will be a bit of a return to our usual pace, with a mix of multiple choice and
a quick close reading free response. Let’s start, as usual, on Albert.io. Head over
to the poetry section, and take a crack at “To Sir John Lade on his Coming of Age”.
To wrap up the day, you’ll want to go to the free response page, to answer the
poetry free response question on “The Flea” and “The Sun Rising”.
Day 5
Today we’re going to be tackling another work with a lot of practice questions on
it, this time from our old friend the bard. Hamlet is regarded as being pretty
groundbreaking in how it approached its characters and its plot, so having, at
least, a passing familiarity with the play can really bolster your knowledge base for
the Literature exam. Before we begin, you may want to familiarize yourself with
the important themes and significance of the play via Crash
Course’s two videos on the play.
When that’s done, go down to the drama section on the practice questions
at Albert.io, and knock out the large section on Hamlet.
Day 6
Alright, here comes our second weekend day. Remember that this day easily splits
in two if you find it a bit much to chew through all these pieces in one day. Now
buckle down, and let’s knock out the last pieces to the first half of our AP Study
Plan.
Let’s start with some poetry multiple choice questions on Albert.io, these for
“The Chimney Sweeper”.
Now that we’re nearing a normal day’s workload, you should take a quick break to
relax and recharge yourself for the second half of the day. Alternatively, if you plan
to split up the weekend session into two parts, this would be the ideal place to do
so.
Now that you’re back let’s return to the multiple choice section and answer the
questions on A Doll’s House, under the drama section.
And to wrap up our formal work for the day, head over to the free
response section and pull up the prose free response on The New England Nun.
Remember to try and take these in exam like conditions, and pay attention to the
rubric after you’re done.
Alright, before we leave for the week, let’s take a moment to review how far
we’ve come in this first half of the study plan. You’ll want to briefly review your
notes and answers from the past two weeks, both to refresh your familiarity with
some of the significant texts we’ve been covering and to see how your critical
reading and thinking skills have developed and changed over the past few days.
Getting a good sampling of the breadth of significant English writing will be
helpful to you for the exam, but the most important thing is developing your
ability to work with and write about both new and familiar passages.
Once you’ve seen to that, congratulations on reaching the halfway point of the
study guide! Try to find some way to celebrate your achievement, and we’ll see
you next week for beginning of the back end of our Literature study guide.
Alright, time to buckle up for the third week of our AP study guide. This week will
bring us to a variety of big works, from the works of Oscar Wilde to a few forays
back to our unshakable companion Shakespeare. Most predominant in this week,
however, will be poetry. Since many English students find poetry one of the harder
forms of literature to make sense of, we’re going to dedicate at least a little bit of
most days this week to verse, with a few days being particularly poetry intensive.
Just a heads up.
Day 1
We’re going to start the week with one more super focused day, this time tackling
a whopping 44 questions on King Lear under the drama section on Albert.io. As
with Hamlet, we’re going to dedicate the whole day on these questions, so feel
free to take your time on paying attention to the themes and big ideas across all
these questions.
Fantastic job on getting through those: that was the most questions on a single
work we’re going to have the whole course! Take it easy the rest of the day, and
when you come back remember you’ve already knocked out the biggest block of
multiple choice questions.
Day 2
Today will be the first of our poetry intensive days, starting off with the Crash
Course video on the poetry of Sylvia Plath. Not only does it capture a lot of the
importance and impact of Plath as a poet, but help nails down some of the
curiosities of poetry as a medium. If poetry is still giving you some difficulty, this is
a good video to help organize your thoughts on the matter.
With the video in mind, let’s turn our attention to Albert.io, to answer the poetry
question on Plath’s “Barren Woman”.
Finally, we’ll wrap up the day with a little more poetry, covering the multiple
choice questions on “The Black Walnut Tree”.
Day 3
We’ll be spending the day on Albert.io, across a couple of mediums and formats.
We’re going to start, you guessed it, with some poetry, specifically the multiple
choice questions on “An Ode to a Grecian Urn.”
With that done, let’s squeeze in a little prose before moving on, covering the
multiple choice questions on The Voyage Out.
And to wind things down, we’ll return to poetry but switch from multiple choice
to free response, this one on a close reading of the poem “To an Athlete Dying
Young”. Remember to try to take it in exam like conditions!
Day 4
Okay, heads up: today will be another poetry intensive day, this time with a whole
lot of multiple choice. We start, on Albert.io as usual, with the poetry questions
for “Mezzo Cappin”.
We’re going to end the day with a bit of a downer, unfortunately, covering a few
more multiple choice poetry questions on the World War I inspired “Dulce et
Decorum Est”, which captures the horror and visceral experience of war pretty
vividly. Pretty brutal, but dang does it make for nice poetry.
Alright, you’ve been doing great so far. Today will be something close to what we
might call normal for a day on our study plan, with one little curveball at the end.
For now, though, let’s just head over to Albert.io to answer the prose questions
on The Rainbow.
Once we’ve knocked that out, let’s go up to the poetry section, to answer the
questions on “The Second Coming”.
Now we’re going to jump back a bit and pick up an old friend: Hamlet. Today we’re
going to tackle the poetry free response on everyone’s favorite angsty Danish
prince, and see how familiar you still are with it since we tackled it last week.
Day 6
And here we are, on our third weekend session! Fantastic job keeping us with us
so far, but let’s not rest on our laurels. Let’s start with some multiple questions
on Albert.io, particularly the poetry questions on, well, “Poetry”.
Next up, let’s shift to drama to answer some multiple choice on Oscar Wilde’s
grand comedy The Importance of Being Earnest.
Alright, break time. Or time to call it a day and put the second half off to Day 7, if
you’re splitting the weekend up. Either way, find a way to blow off a bit of steam
and we’ll see you later!
Alright, welcome back. To round out our Albert.io multiple choice experience for
the weekend, let’s tackle a couple of prose questions on Sophistication.
And, while we’re at it, let’s hop back to the drama section to tackle the questions
on Trifles.
And there we have it, the third week is done! Alright! Just one more to go and
you’ll be all set. Sit back and enjoy the rest of your weekend, and we’ll see you
back here for the big finale.
And here we are, on the final week of the study guide. We’ll be winding things
down with a variety of forms, with a particular emphasis on free response
questions. By now you hopefully have a pretty good sense of how to read and
respond to passages in multiple choice format by now, so our main attention
should be on developing your ability to take all those big ideas and talk about
them as interconnected and involved points. That might sound like a lot, but
you’ve been doing it already across these past three weeks, and these next few
days will help you hone those skills even further. But enough talk, let’s get to it!
Day 1
We’ll start the week in the poetry section of Albert.io, to answer a few quick
questions on “Do not go gently into that Good Night”. This process should all be
pretty familiar to you by now, but don’t’ forget to read over the answer’s
explanations and write notes on anything you find useful.
After that, we’ll hit up the prose section on the same section to answer the
multiple choice questions covering Siddharta.
Keeping with the same form of literature but moving over to free response, let’s
finish the day by tackling the close reading free response on Olikeye.
Day 2
Today we’re going to start by watching our final CrashCourse video on the section,
this time on Victorian classic Jane Eyre. It should be relatively quick, and has
something to offer for both students who haven’t read the book (or those of you
who just skimmed enough to make a few comments in class), and a few fun
insights even for those of you who know the book well.
Finally, we’ll be changing up our forms if not our tones, with a few multiple choice
poetry questions on “Tintern Abbey”.
Day 3
Alright, time for our final hump day of the study plan. We’ll start, as usual, with
some multiple choice questions on Albert.io, in this case in the prose section on
passages from Jamaica Kincaid’s Girl.
With that taken care of, we’re going to spend the rest of the day focusing on
another of the bigger questions in the free response section. This time, we’ll be
tackling the thematic synthesis question on Neighbors. As with our other
synthesis questions, feel free to pull from the suggested questions or choose any
relevant works of your own to answer the question. Once you’ve written up your
answer, compare it to the rubric provided, and if you feel yours is particularly off
base, consider rewriting the question with the targeted points in mind.
Alright, folks, just half a week left. You’ve been doing great if you’ve made it this
far with us. Just hang in a little longer and we’ll be home free.
Day 4
Today will be fairly straightforward with some multiple choice and a close reading
free response, but we will manage to hit all three of the primary forms of
literature we’ve been covering. Let’s start with some prose on Albert.io, covering
some multiple choice on Johnny Got his Gun.
Once we’ve taken care of that, let’s finish up Albert.io’s multiple choice drama
section with the questions on A Streetcar Named Desire.
Day 5
After that we’ll take on the last of our prose passages, this one on The Known
World. With this, you’ll have successfully navigated all three of Albert.io’s multiple
choice sections. Nicely done!
Day 6
Alright, end of the road, folks. You’ve come a long way in a relatively short period
of time in regards to critical reading and writing, so consider this weekend session
(whether you break it up or not) both a final review to polish up the skills we’ve
developed for the exam, and checkpoint to make sure you’re coming away from
this study guide with the skills you need. Let’s start by reviewing over the notes
you’ve accumulated over the course of the study guide. Depending on how you’ve
approached the multiple choice questions and the Crash Course videos, this could
be a lot of ground to cover, but take your time to give the information a thorough
review. We’ll be here when you’re done.
Afterward, let’s take a crack at the last of Albert.io’s synthesis questions—this one
titled Scars. Draw from either the list of provided works or your knowledge, but in
any case strive to answer the question in exam-like conditions and review your
answer against the rubric once you’re done. You might want to consider writing a
revised version of your answer after (again in exam like conditions!), depending
on where your answer stands compared to the rubric.
Now that you’re back, we’re going to head over to the checklist section on
Albert.io. Here there will be three big lists of things you should know regarding
literature, whether from the Albert.io explanations, the Crash Course videos, or
the knowledge you’ve gained from class or other sources. As you go through,
check off the ideas you can confidently say you know. Once you’ve done so, check
back to see any of the points you’ve left unchecked, and review your notes and
other resources to fill in the gaps of your knowledge.
For the grand finale, let’s look at some questions from previous years of the test
themselves. Let’s head to AP Central and click on one of the previous year’s tests
to choose from. For our purposes here, let’s focus on the synthesis question since
those are the most involved and kind of our focus here on week 4. That means
pulling from the “Question 3” of each year, the ones with the list of titles beneath
each prompt. It’s up to you which questions you choose (though if you’re stumped
we suggest 2014’s question on sacrifice and/or 2013’s question on coming of
age stories), but try to select and answer TWO synthesis questions in exam like
conditions. Once you’re done, pull up the sample answers on AP Central (right
next to the links for the tests), and compare your answer the examples provided
by the site.
And that’s it! You’ve successfully completed our one-month study guide over AP
English Literature! You should be coming out of the study guide with a little more
familiarity with some of the big names of literature that the AP exam likes to ask
about, but much more importantly you should have a finely honed sense of how
to read, think, and write critically about the written words, and be able to connect
big themes and ideas within and between works of literature. Amazing job with
sticking with us throughout this hectic month (no really—give yourself a mental
pat on the back or a bowl of ice cream or some such for doing so), and we hope
what you’ve learned will serve you well on the exam and beyond.
Let us know what has worked for you. What did you like best about this one
month study guide? Do you have recommendations of your own on how to study
for the AP English Literature exam?
The AP English Literature and Composition exam is designed to test your ability to
think critically and analyze literary excerpts. The test is three hours long and
consists of a multiple-choice portion (worth 45% of your grade) and an essay
portion (worth 55% of your grade). Here are some tips to help you get on your
way to making a 5 on the AP Literature exam.
Before you start studying for the AP Literature exam at the end of the year, you
need some tips on how to survive the course itself. Advance Placement (AP)
courses are deliberately designed to be more difficult than the standard high
school classes; they are meant to challenge you. AP courses, English Literature
included, require a great deal of studying to make good grades throughout the
year. The assignments you are graded on throughout the year help you prepare
for the AP exam at the end of the year.
Here are some helpful hints to getting you through the AP English Literature
course.
1. Complete Any and All Summer Work Assigned: AP Literature, as its title
indicates, requires a lot of reading. Chances are, your teacher will provide you
with a reading list and expect the required titles to be read when you walk into
your first day of class. In some cases, you may even be assigned a report or project
to be completed before you begin the class. This is more for the teacher to view
what literary skills you already possess and what skills will need to be taught to
you. However, this doesn’t mean you should take the work assigned lightly. If you
take it seriously and complete a proficient assignment, it will show your teacher
that you are in the course to learn. This attitude will make the school year a lot
more bearable for both you and your instructor.
You can really get creative with this. You can teach yourself by conducting good
old fashioned research, or just by reading the assigned texts. Or, you can expand
your knowledge a little more. You can look up videos on YouTube concerning the
topics you need help understanding. You can also use Albert.io to test yourself on
different areas covered in a typical AP English Literature class.
4. Learn How to Analyze Text: Analyzing literary text is an incredibly large portion
of the AP English Literature course. It’s important that you learn how to examine
the text as a whole, and in part. Generally speaking, it’s important that you
analyze the setting, characters, and plot of the piece. However, it’s also imperative
that you understand how to look deeper within the words. Deconstruct the text
and examine its theme, look for literary devices, and motives.
6. Ask Questions: Your teacher is there to help; it’s their job. If there’s anything
you don’t understand, be sure to ask your instructor. There’s nothing wrong with
asking for help, and in the end, you’ll be thankful you did. Understanding a
concept you previously had trouble with is sure to be a huge weight off of your
shoulders.
Now that you have a grasp on how to get through the actual coursework of your
AP English Literature and Composition class, it’s time to learn how to study for the
exam at the end of the year.
First, we’ll take a look at some tips that are sure to help you ace the first portion
of the AP Literature exam: the multiple-choice section. This portion is worth 45%
of your total score and it consists of several passages to read and 55 questions to
answer, which you have exactly one hour to complete.
1. First, Read the Passages: Yes, you read that correctly. It’s a common
misconception that you should read the questions before reading the passage, so
you can work quickly and scan the text for the correct answer. One vital thing to
remember is this: quicker isn’t always better. On a timed exam, it is important to
work at a brisk pace, but do not move so quickly that you make simple mistakes.
It’s best to read the passages before even glancing at the questions because it
prevents error. By merely scanning the passage for the answers, you’re missing
out on a plethora of content that could be vital to answering questions correctly
later on in the test.
2. Look Deep Within the Text: It’s extremely important that you analyze the
passages within the exam very carefully. Chances are, there will be questions on
the tone of the passage, or the author’s purpose for writing it. Was it to inform or
persuade the audience? Perhaps the author used some literary devices like
allusions or irony. Closely read the passages and you will have no problem
identifying the answers to questions that are specific to the literature side of AP
English.
3. Carefully Read the Questions: If you don’t understand what the question is
asking, you can’t possibly expect to know the answer. Take a deep breath and
calmly read the questions, dissecting them completely. This will be easier to do for
some questions than for others. Once you understand what it is exactly the
question is asking, try to recall where in the passage the answer could be located.
Also be sure to read the question in its entirety. Sometimes, the writers of the test
will throw in certain words or phrases that lead the question in a different
direction. For example, the words “EXCEPT” and “NOT” are often used at the end
of questions, and this can confuse you. If you hadn’t read that one tiny word, all of
the answers may seem right and you may waste time stumped on a question.
5. Reread Parts of the Passage: If time permits, reread the parts of the text in
which answers are located. Be sure the information matches one of the answer
choices. You may even want to put a star, dash, or some other marking beside
portions of the text that contain answers. That way, if you have extra time at the
end of the test, you can go back and check your answers more quickly.
7. Formulate Summaries: If you are a fast worker, this tip may prove extremely
helpful for you. A few of the multiple-choice questions may test your overall
comprehension of the passages you read. In the margins of the page beside the
passage, jot down a few bullet points outlining the plot progression. This way you
can refer back to your notes when answering questions rather than searching the
entire text.
9. Study Everywhere: This may seem a bit extreme, but it really helps. Take the
flashcards you’ve made with you wherever you go. Keep them in your wallet, in
your purse, or even in your car. Whenever you have a moment of free time,
instead of scrolling through Twitter or Facebook on your phone, run through a
review of your terms. It’ll stick better in your memory and help your AP Literature
exam score in the long run.
10. Test Yourself: The most helpful and effective way to prepare for the multiple-
choice portion of the AP English Literature exam is by testing yourself. Prepare
early in the semester for the exam. Periodically, take practice multiple-choice tests
on the content you’ve learned so far. There are several websites out there
dedicated to helping you quiz yourself for the AP Literature exam. One of these
is Albert.io, which allows you to test your abilities on nearly every concept
covered in the AP English Literature course.
11. Don’t Stress It: The AP English Literature exam is one big test. Sure, it affects
the amount of college credit you receive coming out of high school. But at the end
of the day, it’s just a test. Anxiety and stress can severely affect your ability to
function correctly. Over time, it can even start to have negative effects on your
mind and body. Some people even develop anxiety disorders. Just remember, your
mental health is more important than your grades. Take a deep breath periodically
throughout the test. It’ll help calm your body and soothe your mind so you can
concentrate better. Now that you have some tips on how to tackle the multiple-
choice portion of the AP English Literature exam, it’s time to focus on the most
challenging part: the free response portion.
1. Read the Question: The first step towards writing an awesome essay on the AP
Literature exam is reading (and understanding) the question. What are the
authors of the test asking for specifically? The answer to this question is the key to
writing a well-rounded essay. The scorers of the free response portion want essays
that are clear and straight to the point. Simply restating the prompt will result in a
huge deduction of points. Regurgitating the question will show the reader that
you may not be confident in your ability to dissect passages. This is an extremely
bad impression to give, since the interpretation of text is the basis of the entire
course.
6. Prepare Early: The third free response question on the AP Literature exam is
more open ended than the first two. You will be asked a question and you will be
given the opportunity to answer it pertaining to a work of literature that you have
read in class. It’s important that you keep this particular essay question in mind as
you work throughout the semester. If a particular work of literature stands out to
you, prepare early to choose this as the piece to write about in your third essay.
7. Practice, Practice, Practice: As they say, practice really does make perfect. A
good option for practicing free response questions involves searching the Internet
for old exam rubrics. These show you exactly what the scorers are looking for in an
essay. The AP Literature section of AP Central, a website created by the College
Board to help with studying for exams, has several practice exams for your use.
Take advantage of this and practice writing essays using different prompts from
previous exams.
8. Use a Good Writing Utensil: Nothing is worse than getting halfway through an
essay and having your pen run out of ink, or your pencil getting smudged. Often,
readers prefer the look and clarity of black ink to colored ink or the graphite of
pencil. Take that into mind when going into the free response portion of the exam.
9. Pace Yourself: Before the free response portion begins, work out how much
time you need to spend on each question. It may even be helpful to bring a watch
to time yourself on each essay. You need to give yourself ample time to complete
each question. However, you also need to be sure that you are not rushing
through the questions and leaving vital information out of your essays.
11. Don’t Leave Questions Blank: Although this may be acceptable for the
multiple-choice portion of the exam, it is absolutely inexcusable for your essays.
You only get three chances to prove your competency in the free response
portion. Take advantage of this opportunity to show the readers how much you’ve
learned from taking this AP course.
12. Understand What the Readers are Looking For: As we said earlier, rubrics are
a great resource to use when preparing for the AP Literature exam. They reflect
exactly how your essay will be scored. It’s vital to understand exactly what the
readers are looking for in a good essay. This includes:
The AP English Literature and Composition exam is all about analysis of different
literary works. Hopefully these tips will help you tackle this massive exam with
ease.
1. Always remember the author’s purpose. Retelling what happened in the story
is not an analysis. You must understand and relay why the author wrote it the way
he/she did and what he/she is trying to tell readers! That’s crucial! Thanks for the
tip from Kim F. from Tavares High.
2. Be original. Think about the fact that the AP Test readers have been looking at
essays on the same topics for three days. What will you do to be original and
stand out that will surprise the reader at 4:30 pm on day three? Brainstorm what
everyone else will say before writing. Then, don’t write on those topics. Thanks for
the tip from Mike G. from MPS.
3. “Box the but because shift happens.” That way they remember to always look
for any kind of shift because that will usually lead to complexity in meaning.
Thanks for the tip from Amber B. at Madison County Schools.
4. Answer the question as it is actually asked. It’s easy to see a title or an author
and jump to conclusions, and sometimes that means students are writing about
what they think the question is asking instead of what the question actually is
asking. In the pressure to complete three essays in 120 minutes, it’s an easy
mistake to make … and a good one to avoid! Thanks for the tip from Heather I.
from Niles North.
5. Answer the question in the introduction. Thanks for the tip from Rhonda G.
from Sante Fe Public Schools.
9. Students who read widely and regularly are far more prepared to write and
communicate clearly with a deeper understanding than students who do not read.
Reading expands knowledge, vocabulary usage and comprehension and enables
students to make connections within and between content areas which real world
applications. Thanks for the tip from Elizabeth B. from Harrison High.
11. Read Huck Finn and Hamlet (or Othello), plus a modern play (Death of a
Salesman works) for your big guns for question 3. Mark your essay
questions (circle action verbs and underline focus) and create a quick outline
before writing. The time spent will prevent the heartache of not addressing the
prompt. It’d be Peggy C. from Cherokee County Schools.
12. Each essay is worth the same amount of points, but one is set for you to
shine — know three books really well so that you can rock the free-response
essay. On the test – do it first while your mind is still fresh. Thanks for the tip from
Diane S. from Frederick High School.
14. Find a good literary timeline to conceptualize what you read in terms of the
art movement and historical time period. These can provide insight into the texts
as well as help you remember what you have read. Thanks for the tip from Paul H.
at Walled Lake Central High.
15. Have four novels of literary quality and one play that the student is
comfortable analyzing so no question #3 can stump the student. Thanks for the
tip from Bill O. from El Molino High.
16. For all poetry: a. analyze the central purpose, b. explain the speaker’s
attitude toward the subject, c. Analyze any figurative language. Thanks for the
second tip from Bill O. from El Molino High.
18. Learn and practice using the language and function of literature, poetry, and
rhetoric. Plan and execute their usage in your style, syntax, and art, and use the
language when critiquing in workshops and discussing classics. Thanks for the tip
from Jon A. from Arts and Communication Magnet Academy.
20. Deconstruct the prompt – make sure you understand exactly what it is asking
you to do – then use it as a focus for your annotation of the text on Q1 and Q2
and as a launching point for your notes and thesis for Q3. Thanks for the tip from
Erin M. at Mercy County Senior High.
21. Focus on two primary ideas (literary devices, elements of composition, etc…)
for each essay in order to go deeper in analysis of each. Do not try to say
something about everything you see, say everything about one or two
something! Thanks for the tip from Erin M. at Mercy County Senior High.
22. Take 10-12 minutes to read and deconstruct the prompt, annotate the poem
or passage and develop a thesis before you begin writing the essay. That thinking
and planning time will help you remain focused which will ensure that your essay
is clear and cohesive. Thanks for the tip from Erin M. at Mercy County Senior High.
23. Watch your time and MAKE SURE to write every essay – a blank essay score is
very difficult to overcome! Thanks for the tip from Erin M. at Mercy County Senior
High.
24. Use something you’ve read in AP Lit for Q3 – you will have spent more time
and analytical energy on those books and plays than you did in any other English
class. Prepare for Q3 before the exam by reviewing everything you’ve read in AP
Lit. Thanks for the tip from Erin M. at Mercy County Senior High.
26. Address all aspects of the prompt! Look for complexity! Thanks for the tip
from Lori Mill Creek High School.
28. Turn your words into pictures and your pictures into words. Meaning: If you
have an idea, anchor it to something concrete. If you have something concrete,
associate it with an idea. Thanks for the tip from Jeff T at Lynden Christian High
School.
29. When writing essays, always tie your thoughts to the text (embed
quotes)! Always linking your points back to the text forces you to use evidence for
each claim you make.
30. Analyze not summarize! Thanks for the tip from Lynne B. at Buchholz High
School.
31. Debate the questions. Get students to debate the answers to AP multiple
choice questions without your help. After they “quiz” on a passage and the
questions for it, ask them how they think they did. The answer is always mixed, so
give them an option: Keep the score they currently have OR discuss the answers in
a large group without teacher’s help and take that community grade. They always
pick the latter. Participating in the discussion helps students practice justifying
their answers (tell them you will keep track to make sure that everyone
participates as least ___ time(s).) As you observe their process, you will gain all
kinds of insight into students’ thinking process, they will learn from the ways their
classmates explain their choices, and their scores are almost always 100! Thanks
for the tip from Wendy R from Weslaco East High School.
Start Practicing