Analog Obsession Manual
Analog Obsession Manual
G395a
Here is New - Old Jam G395a!
It was (and still it is) an early 70s discrete/Class A 3-Band EQ with selectable mid and
fixed hi/lo frequencies. Vintage transformer models on both the inputs and outputs.
In digital world, we have auto-gain compensation, now! EQ moves won't affect gain
of signal instead tone!
And also, oversampling will make it smoother!
Features
LOW : fixed 60 Hz +/- 15 dB in 3 dB steps
HIGH : fixed 10 kHz +/- 15 dB in 3 dB steps
MIDS : 700 Hz - 1 - 1.4 - 2 - 3 kHz with 0 to 8 dB gain 2 dB steps
PLUGIN LABEL (Bottom right) : Bypass button. It's red and when you click it to bypass
plugin, it will turn to white.
ANALOG OBSESSION LOGO : Oversampling. It will turn to red when oversampling is
engaged. Also, show you a notification.
***You will notice plugin's file is named as "GGGGa". But you will see it in DAW as "G305a".
TUBA
Tube mic/line amp with 2 band EQ.
Based on famous tube console. DIY version of original hardware with mods.
Features
LEVEL : Input drive. Fully compensated to avoid gain changes.
GAIN : Input drive gain range.
MIC/LINE : Selectable mic preamp or line amp for different characters and colors.
LF : Low frequency with broad shelf around 100 Hz.
HF : High frequency with broad shelf around 8 kHz.
0/180 : Phase switch
PAD : 20 dB pad without affecting gain level. It will increase headroom.
OUTPUT : Clean output
ANALOG OBSESSION : This label is clickable. It will turn to red and engage
Oversampling (4x)
TuPRE
It's tube line amp with custom passive program equalizer. Colorful and solid design for you!
Not emulating any gear. Fully custom design. Simple but really effective for any source.
(Best Tube Tone)
Features
GAIN : 45 dB line amp (Gain Compensated)
LOW : 100Hz shelf with +/- 10dB
HIGH : 10kHz shelf with +/- 10dB
OUTPUT : Clean output
ANALOG OBSESSION : This label is clickable. It will turn to red and engage
Oversampling (4x)
Kolin
Vintage limiting amplifier with additional features like adjustable attack and release.
Features
A-ADJUST : 1ms to 50ms Attack Time
R-ADJUST : 0.1sec to 3sec Release Time
MIX : Knob to blend DRY and WET signal
HPF : 20Hz to 500Hz Sidechain
EXT-SC : External Sidechain
INPUT LEVEL : 40dB gain compensated input control
OUTPUT LEVEL : +/- 20dB output control
ANALOG OBSESSION : This label is clickable. It will turn to red and engage
Oversampling (4x)
FIVER
Versatile five bands equalizer with low and high shelf filters and three bands with
continuously variable bandwidth.
It will give you full control over any source with its own character and almost
transparent but musical sound.
While it can be surgical, you can use it as color eq to shape your source.
Clean and crispy GUI will help your eyes with its pastel colors. Also, readouts will let
you know exact frequencies that you working on. So, you can use FIVER easily and go
deeper in source.
Features
LF : Low shelf with continuously variable from 30Hz to 300Hz / -12dB to +12dB /
Independent bypass (Also, HF bypass)
LMF : Low mid band with continuously variable from 50Hz to 400Hz / -12dB to +12dB /
Continuously variable bandwidth / Independent bypass
MF : Mid band with continuously variable from 330 Hz to 2.5 kHz / -12dB to +12dB /
Continuously variable bandwidth / Independent bypass
HMF : Mid band with continuously variable from 2 kHz to 16 kHz / -12dB to +12dB /
Continuously variable bandwidth / Independent bypass
HF : High shelf with continuously variable from 2.5kHz to 25kHz / -12dB to +12dB /
Independent bypass (Also, LF bypass)
TRIM : Clean output / -12dB to +12dB
DRV : Compensated input drive / -24dB to 24dB
ALL BYPASS : General bypass for whole bands
ANALOG OBSESSION : This label is clickable. It will turn to red and engage
Oversampling (4x)
BritBundle
BritPre has same preamp as BritChannel but it has lowpass and highpass filters. Instead of
making my old plugin “LCF”, I redesigned it and combined with preamp.
BritChannel
Features
Britpressor
BritPre
Classic British Mic/Line Preamp with Lowpass and Highpass filters. It has two modules with
independent bypass. Also, it has phase invert button.
Features
UPDATE - 6.2.2021
- FIXED VST3 GRAPHIC & AUDIO LAG ON CUBASE/ABLETON - MAC/WINDOWS
- FIXED MINOR VST2 BUGS FOR CUBASE
KABIN
KABIN is a universal guitar cabinet modeler. You can create different speaker/cabinet models
with SIZE and CHARACTER options and shape tone with microphone placement.
Controls :
SIZE : You can set spiker and cabinet size and response with SIZE knob.
Spiker/Cabinet size can be changed battery-powered guitar amp cab to 1x12. While
your spiker size goes to smaller, cabinet size will go smaller, too.
CHARACTER : Will set character of spiker and cabinet. Soft to Punch. Soft will give
smoother mid response (mostly low mid) and Punch will give fuller mid response. Not
only frequency changes. Also, dynamic response.
MICROPHONE : There is a mic (Modeled Tube Mic) in front of cabinet. You can move
it left to right. In default, it's placed center. You can move mic to right to get off-axis
placement.
OUTPUT : Will set main output. Inf to +12dB.
KABIN : It's also bypass button. Red is active, white is bypassed.
BUSTERse
Classic console compressor (SSL) with extra Filter and Transient sidechain options to
dominate whole signal!
FEATURES
STEREO COMPRESSOR : Compressor Section
FLT : Filter Section
TR : Transient Section
CONTROL : Control section
Compressor Section
THRESHOLD (dB) : +15 to -15
ATTACK (ms) : 0.1, 0.3, 1, 3, 10, 30
RELEASE (sec) : 0.1, 0.3, 0.6, 1.2, Auto
RATIO : 1.5, 2, 3, 4, 5, 10
MAKE UP (dB) : 0 to 15
MIX (%) : DRY to WET
Filter Section (Sidechain)
HPF (Hz) : 20 to 500
MID (~1500Hz) : -6dB to +6dB
HF (~10kHz) : 0dB to -10dB *Will work like famous optical-tube compressor and help
you to control high frequencies, better.
Transient Section (Sidechain)
BOOST (dB) : 0 to 10 *While boosting attack, it will reduce decay/release of signal to
make compressor more sensitive with only attacks/peaks.
TILT (~1kHz Center) : -6dB to 6 dB *It's placed before BOOST to send only
dedicated range to BOOST. So, BOOST will affect only given frequency range and will
boost only this range's transients. If TILT is default, BOOST will affect overall
transients.
MIX (%) : DRY to WET *Will blend DRY and WET signal. After boosting transients, you
can blend with DRY signal to keep reduced release of signal. When MIX in default
position, TR is off. So, you can turn MIX knob to all the way up to engage TR section.
*EXT (External Sidechain) : When you engage EXT, sidechain circuit will listen incoming signal and you
can still use Filter and Transient sections on incoming signal.
Control Section
MAIN : General Bypass
TURBO : Turbo Mod *Turbo mod will help to compressor to affect whole signal
range. Otherwise, compressor will focus on mid frequencies. This mod added to keep
original sign of hardware.
XFORMER : In/Out Transformers *If you engage XFORMER, in/out ICs will be
replaced with transformer to balance it. This will affect to impedance, character,
overall sound.
ANALOG OBSESSION LOGO: Oversampling. It will turn to red when oversampling is
engaged. Also, show you a notification.
FetDrive
I modified the circuit, again. And made it as original unit's "COMPRESSOR OFF" version. With
original unit, you can close sidechain and use it as line amp/driver.
Now, we can use FetDrive as a saturator with extra tone and blend features.
Features :
Drive : It will rise your input level (with gain compensation) and will saturate your
signal. Input range is really extended to get more drive!
Tone : Tone will shape your source before drive section. So, it's Pre-Tone Control. This
will let you decide which frequency range will be saturated.
Mix : Will blend dry and wet signal.
Output : Final output stage after MIX knob.
Fet Symbol : It's regular bypass.
FetSnap
FetSnap is the most interesting transient enhancer and is based on the famous FET
compressor!
In digital world, we can fully modify any circuit according to our requirements. So, just played
with FET compressor's circuit and made it transient enhancer.
It's really colorful and snappy enhancer for your drums and any percussive instruments.
It's also very useful for your any other tracks. Need punchy bass guitar? Or "in your face"
slaps? Need aggressive vocals with enhanced transient? Need funky and twangy guitars?
Enhance your pick sound with FetSnap!
Features :
Snap is the most important control of this plugin. Simply, you can dial it up and enhance
your attack. That simple!
Tone control will shape your transient's tone. It's kind of tilt equalizer.
But before starting, decide your goal! You need low end attack or high end?
If you want to enhance your low end, simply set your Tone control to Dark side. Need
high end transient? Set your Tone control to Bright side.
When you decide your tone of transients, now, time to dial up your Snap control. Set
your Snap control according to your taste and rise up source's attack!
If you happy with result, now, time to blend your enhanced attack with original
source.
Leave Tone knob at flat and add just a little bit Snap to your source and done!
Or just use Tone control and leave transient. And you have tilt EQ!
LALA
Features :
PEAK REDUCTION : Simply, it's threshold setting. Will set you compression level.
GAIN : Make up gain
LIMIT : When you engage, it will work as limiter. Otherwise, it will react as
compressor.
EXT : External side chain option. You will still be to use sidechain filter with external
sidechain.
HPF : Will cut low end.
MF / MG : Will set sensitivity of compressor for mid frequencies.
HF : Will set sensitivity of compressor for high frequencies (Enhanced version of
original unit's R37 setting)
ANALOG OBSESSION LOGO : Oversampling. It will turn to red when oversampling is
engaged. Also, show you a notification.
POWER : Bypass button
MASBAX
High, Mid, and Low Boost/Cut amounts : +/- 0.5, 1, 1.5, 2, 2.5, 3, 3.5, 4, 5, 6
Mid band has two type of bandwidth. Broad boost and narrow cut.
Six High Frequency Selections : 9kHz, 13kHz, 16kHz, 20kHz, 27kHz, and 40kHz
Six Mid Frequency Selections : 200Hz, 400Hz, 800Hz, 2kHz, 4kHz, and 7kHz
Six Low Frequency Selections : 20Hz, 30Hz, 40Hz, 60Hz, 85Hz, and 120Hz
Version 1.1
Fixed parameter state when re-opening project and preset saving issue
LOVEND
Continuous frequencies and continuous boost. Great for materials with weak low-end.
You will get low bump directly when you load plugin. Then, you can choose your frequency
and boost according to your need.
Features :
“DYNASAUR” is the best helper to tame your annoying frequencies. Dynamically ride your EQ
or shape your sound with pure static EQ. Use it as de-esser, multi-band compressor or peak
rider!
Unique Feature
Don’t miss unique feature! All bands have RMS or PEAK mode to get best result. For
example, low-end has more energy and less peaks/dynamics but high-end or mids have less
energy and more peaks/dynamics. While taming your lows, use RMS mode for better control.
And you can use PEAK mode with mids or highs to catch peaks! It’s totally up to your
material.
FEATURES :
Iconic Vari-Mu limiting amplifier with extra features. (Best Analog Sounding Compressor)
Features :
VOLUME : -24 to +24dB internally compensated input volume to drive circuit. You
can drive circuit and get saturation plus more compression or vice versa.
ATTEN : Output volume to adjust final level after process.
THRESHOLD : Will let you set threshold to make compressor works. If you use
VOLUME knob to boost input, you can leave THRESHOLD at default position and get
mojo slightly compression. It has 50dB range.
RELEASE : 50ms to 2sec release time
MIX : Will let you blend compressed and dry signal.
HPF : 20 to 500Hz HPF to keep low frequencies from sidechain circuit. So,
compressor won’t touch to low-end.
EXT-SC : This will let you use external signal to compressed input signal.
POWER : Plugin Bypass
Fixed Attack Time : 10ms
Version 4.0
- Improved compression curve
- Fixed Mono instance and sidechain for Logic users
- Added HPF feature
- Added MIX feature
- Updated GUI
SSQ
Version 5.1
- Redesigned whole circuit to get better response as hardware
- Added Bell options for Low & High bands
- Reversed bandwidth knobs (same as hardware)
- Added LINK option for input and output
- Added input and output range (+/- 12dB to +/- 24dB)
- Reduced CPU usage
- Improved harmonic finger-print
- Fixed Bypass buttons for Filter and General (Important for automation and MIDI control)
- Re-designed GUI (Bigger and cleaner)
Rare
There are tons of Pultec EQP-1A, all are different but same process at the end. We thought
that our version must be different.
Pultec is passive eq with gain stage at the end. Simple but awesome design.
I changed this design and added switchable gain stage. Pre and Post gain stage!
Pultec has its own gain stage at the end and when we boost low or high too much, gain
stage will react according to eq moves. That's the special design of Pultec.
But if we place gain stage before eq section, we can saturate signal at the unity gain without
changing character by eq section and use eq without side effects of output gain stage.
Pultec has SRPP design and really colorful. So, it will saturate and compress especially low
frequencies. But when we switch Pre Gain Stage, our low boost will give same harmonic
character as flat. Also, we can keep highs from gain stage and this will make highs cleaner!
With this feature, we can use Pultec without any harmonic changes while we use eq section.
Features :
Features :
INPUT : Extended 0 to 60dB input gain. Internally compensated input knob to drive
circuit and get compression. With original gear, input will boost signal without
compensation. With FETISH, you don’t have to reduce volume while you boost input.
OUTPUT : -30 to +30dB Make-Up Gain to compensate compressed signal
ATACK : 20 to 800 microseconds with reversed knob to adjust without confusion.
RELEASE : 50ms to 1.1sec with reversed knob to adjust without confusion.
RATIO : Selectable 4:1, 8:1, 12:1 and 20:1. Each has it’s own curve and range to start
compress. While you use lowest ratio, you should get compression quickly when you
boost input. With higher ratios, compression will start at higher input gains.
HPF : 20 to 500Hz HPF to keep low frequencies from sidechain circuit. So,
compressor won’t touch to low-end.
MID F. (Frequency 500Hz to 10kHz) / MID G. (Gain -6dB to +6dB) : With these
two knobs, you can set mid frequency and set it to compress more or less. If you
boost mid gain (broad band), you will get more compression on selected frequency.
If you reduce mid gain, mids will be less compressed.
HF : HF knob will help you to compress high more. While FLAT position keeps highs
natural, HF position will compress highs more.
MIX : Will let you blend compressed and dry signal.
SLAM : With this function, you will get ultra-fast and aggressive limiting option. You
can use this function for every ratio.
EXT-SC : This will let you use external signal to compressed input signal.
POWER : Plugin Bypass
Version 4.0
- Improved Attack/Release response
- Improved compression curve
- Fixed Mono instance and sidechain for Logic users
- Updated GUI
Chopa
Creative chopper and tremolo plugin for basses, guitars, keys and vocals.
BlackVibe
Fender style clean amp model with tremolo. This amp for your bass, guitar and keys.
SweetVox
Intelligent processor for your vocals with de-esser.
SweetDrums
Best solution for giving life to your drums. Lots of intelligent processor will work together
with only one knob.
BlackShow
Here is the Fender Blackface type amp modeller.