Q2 - WS - Music and Arts 4 - Lesson 5 - Week 7-8
Q2 - WS - Music and Arts 4 - Lesson 5 - Week 7-8
Quarter 2
Learning Activity Sheet Lesson
This material is intended exclusively for the use of teachers participating in the
implementation of the MATATAG K to 10 Curriculum during the School Year 2024-2025. It
aims to assist in delivering the curriculum content, standards, and lesson competencies. Any
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Development Team
Writer:
• Grizel Anne Y. Ocampo (Prado Siongco High School)
Validator:
• Wesly M. Tayag (San Vicente Pilot School For Philippine Craftsmen)
Management Team
Philippine Normal University
Research Institute for Teacher Quality
SiMERR National Research Centre
Every care has been taken to ensure the accuracy of the information provided in this
material. For inquiries or feedback, please write or call the Office of the Director of the Bureau
of Learning Resources via telephone numbers (02) 8634-1072 and 8631-6922 or by email at
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IMPLEMENTATION OF THE MATATAG K TO 10 CURRICULUM
Facial Faith
Costume
Expression
Belief Dance
Instrument
4. You will be allowed to explore and select the items they feel best represent their
assigned Benguet dance.
5. The teacher will ask the you about the representation of the music, instruments,
dance motion and theatrical elements to elicit the faith and beliefs through the
following questions using the format below:
o You may improvise accessories, instruments, attire, costumes, and simple dance steps for
your assigned dances.
Assessment Guide:
Criteria Excellent (4) Good (3) Fair (2) Poor (1)
Demonstrates a deep Shows a clear Displays some Shows little
understanding and understanding and understanding and understanding or
thoughtful exploration exploration of the exploration of the exploration of the
of the dance related to dance related to faith dance related to faith dance related to faith or
Comprehension of faith or belief, or belief, with some or belief, with limited belief, with minimal
dance effectively improvising improvisation and improvisation improvisation and
and integrating local integration of local integration of local integration of local
concepts, practices, and concepts, practices, concepts, practices, concepts, practices,
processes in Music and and processes in and processes in and processes in Music
Arts. Music and Arts. Music and Arts. and Arts.
Makes some effort to
work within the Demonstrates little
Works well within
Works collaboratively group, but may not effort to work within
the group, fulfilling
within the group, consistently fulfill the group, often failing
assigned roles and
effectively fulfilling assigned roles and to fulfill assigned roles
Collaboration tasks, and
assigned roles and tasks, tasks, and may not and tasks, and
within the group contributing to the
and contributing to the contribute contributing minimally
overall preparation
overall preparation and significantly to the to the overall
and
performance/artwork. overall preparation preparation and
performance/artwork.
and performance/artwork.
performance/artwork.
Displays some
Demonstrates thorough Shows little
Shows adequate preparation of
preparation of preparation of
preparation of performance/artwork
performance/artwork performance/artwork
Preparation performance/artwork but may lack polish
that effectively that fails to effectively
that communicates and effectiveness in
communicates the communicate the
the chosen theme. communicating the
chosen theme. chosen theme.
chosen theme.
I. Activity No. 5: THE CAÑAO IS MINE! THE TAYAW IS MINE! THE BENDIAN IS MINE!
II. Objective(s): Present to the class a brief improvised performance or piece of art that
shows understanding of the individual’s faith or belief.
III. Materials Needed: Activity Sheet, Pen, Art Materials, Improvised processes, attire,
choreography/steps/dance and instruments, Bluetooth Speaker if needed.
IV. Instructions:
a. Do this in an open space, school gymnasium, covered court if there’s any.
b. Prepare your scoring sheet and get ready to perform.