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Purushasuktanyasa

The document recommends reciting the Sri Vishnu Sahasranama Stotra after performing nyasa with the Purusha Sukta. This process of nyasa and recitation was recommended by a saint to the author. Performing nyasa in this manner is said to multiply the merits received from reciting the Sahasranama. Some traditions also prescribe performing Shapamochana before recitation, which involves reciting specific mantras.

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2K views

Purushasuktanyasa

The document recommends reciting the Sri Vishnu Sahasranama Stotra after performing nyasa with the Purusha Sukta. This process of nyasa and recitation was recommended by a saint to the author. Performing nyasa in this manner is said to multiply the merits received from reciting the Sahasranama. Some traditions also prescribe performing Shapamochana before recitation, which involves reciting specific mantras.

Uploaded by

krasivaad
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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. pué;sU´ Nyasivix>.

Saints and Scholars have recommended the nyAsa with puruSha sUkta before reciting Sri
Vishnu Sahasranama Stotra. This process, described in Agamas and Tantras, was given
as Upadesha to an elderly friend of mine by H H Sri Sri Abhinava Vidya Tirtha Swamigal,
Jagadguru Mahasannidhanam of Sri Dakshinamnaya Sringeri Sharada Peetham. The
merit of reciting the Sahasranama is multiplied manifold times by following this process.

Some Sampradayas prescribe Shapamochana which is recommended by Tantras. Those


who have Gurupadesha can recite the shapamochana mantra. The mantra would be
useless unless received through an initiation by Sadguru.

AacMy - ` kezvay Svaha +++ ïIk«:[ay nm>.

` ÉU> +++ ÉUÉuRvSsuvraem!, mmaepaÄ smStÊirt]yÖara ïIprmeñr àITyw¡ svRpap]yaw¡

pué;sU´ NyaspUvRk ïIiv:[ae> shönamStaeÇ paray[< kir:ye.

` ASy ïIpué;sU´ mhamÙSy naray[ \i;> gayaÇI DNd> ïIprmpué;ae devta Nyase

ivinyaeg>.

krNyas>

` naray[ay - A¼‚óa_ya< nm>

` maxvay - tjRnI_ya< nm>

` ù;Ikezay - mXyma_ya< nm>

` jnadRnay - Anaimka_ya< nm>

` ïIiv:[ve - kinióka_ya< nm>

` pué;aeÄmay - krtlkrp&óa_ya< nm>


A¼Nyas>

` kezvay nm> - mUi×R

` naray[ay nm> - llaqe

` maxvay nm> - k[Ryae>

` gaeivNday nm> - neÇyae>

` iv:[ve nm> - ºa[e

` mxusUdnay nm> - muoe

` iÇiv³may nm> - k{Qe

` vamnay nm> - Éujyae>

` ïIxray nm> - ùid

` ù;Ikezay nm> - naÉaE

` pÒnaÉay nm> - kq(am!

` damaedray nm> - padyae>

` s/hö?zI;aR/ pué?;>, s/hö


/ a/]> s/hö?pat!,

s ÉUim?< iv/ñtae? v&T/ va, ATy?itóÎza¼‚/lm!, - vamhSte

pué?; @/vd
e ‡ svRm,
š! yуt
/ < y½/ ÉVym!,
š

%/tam&?t/TvSyeza?n>, y/dÚe?nait/raeh?it, - d]hSte


@/tava?nSy mih/ma, Atae/ Jyaya‡?í/ pUé?;>,

padaeš=Sy/ ivña? ÉU/tain?, iÇ/pad?Sya/m&t?< id/iv, - vampade

iÇ/paË/XvR %dE/Tpué?;>, padaeš=Sye/ha==É?va/Tpun?>,

ttae/ ivñ/'œVy?³amt!, sa/z/na/n/z/ne A/iÉ, - d]pade

tSmašiÖ/raf?jayt, iv/rajae/ Aix/ pUé;


? >,

s ja/tae ATy?irCyt, p/íaуim/mwae? pu/r>, - vamj'œ"e

yTpué?;e[ h/iv;aš, de/va y/}mt?Nvt,

v/s/Ntae A?SyasI/daJym!š, ¢I/:m #/XmZzrÏ/iv>, - d]j'œ"e

s/ÝaSya?sNpir/xy?>, iÇSs/Ý s/imx?> k«/ta>,

dev
/ a y*/}< t?Nva/na>, Ab?×Npu?é;< p/zum!, - naÉaE

t< y/}< b/ihRi;/ àaE]n!?, pué?;< ja/tm?¢/t>,

ten? de/va Ay?jNt, sa/Xya \;?yí/ ye, - ùid

tSmaš*/}aTs?vR/÷t?>, s<É&?t< p&;da/Jym!,


p/zU‡Sta‡í?³e vay/Vyan!?, Aa/r/{yaN¢a/Myaí/ ye, - k{Qe

tSmaš*/}aTs?vR/÷t?>, \c/> sama?in ji}re,

DNda‡?is ji}re/ tSmašt!, yju/StSma?djayt, - vambahaE

tSma/dña? AjayNt, ye ke cae?É/yad?t>,

gavae? h ji}re/ tSmašt!, tSmaš¾a/ta A?ja/vy?>, - d]bahaE

yTpué?;/< Vy?dxu>, k/it/xa Vy?kLpyn!,

muo/< ikm?Sy/ kaE ba/ø, kavU/ê pada?vuCyete, - muoe

äa/ü/[aeš=Sy/ muo?masIt!, ba/ø ra?j/Ny?> k«/t>,

^/ê td?Sy/ yÖEZy?>, p/Ñ(a‡ zU/Ôae A?jayt, - vamk[eR

c/NÔma/ mn?sae ja/t>, c]ae/SsUyaeR? Ajayt,

muoa/idNÔ?ía/i¶í?, àa/[aÖa/yru ?jayt, - d]k[eR

na_ya? AasId/Ntir?]m!, zI/:[aeR *aE> sm?vtRt,

p/Ñ(a< ÉUim/idRz/> ïaeÇašt!, twa? lae/ka‡ A?kLpyn!, - vamneÇe


veda/hme/t< pué?;< m/haNtm!š, Aa/id/Tyv?[¡/ tm?sStu pa/re,

svaR?i[ ê/pai[? iv/icTy/ xIr?>, nama?in k«/Tva=iÉ/vd/NydaSteš, - d]neÇe

xa/ta pu/rSta/*mu?daj/har?, z/³> àiv/ÖaNà/idz/ít?ö>,

tme/v< iv/Öan/m&t? #/h É?vit, naNy> pNwa/ Ay?nay iv*te, - guýe

y/}en? y/}m?yjNt de/va>, tain/ xmaR?i[ àw/maNya?sn!,

te h/ nak?< mih/man?> scNte, yÇ/ pUveR? sa/Xya> siNt? de/va>, - izris

Atae? de/va A?vNtu nae/ ytae/ iv:[u?ivRc³/me,

p&/iw/VyaSs/Ý xam?iÉ>, - ùdyay nm>

#/d< iv:[u/ivRc?³me Çe/xa ind?xe p/dm!,

smU?FmSy pa‡su/re, - izrse Svaha

ÇIi[? p/da ivc?³me/ iv:[u?gaeR/pa Adaš_y>,

ttae/ xmaR?i[ xa/ryn!?, - izoayE v;qœ

iv:[ae/> kmaR?i[ pZyt/ ytaeš ì/tain? pSp&/ze,

#NÔ?Sy/ yuJy/Ssoaš. - kvcay ÷<


tiÖ:[aeš> pr/m< p/d‡ sda? pZyiNt sU/ry?>,

id/vIv/ c]u/rat?tm!, - neÇÇyay vaE;qœ

tiÖàa?sae ivp/Nyvae? jag&/va‡ s/Ssim?Nxte,

iv:[ae/yRTp?r/m< p/dm!, - Aôay )qœ

Xyanm!

gae]IraÉ< pu{frIkayta]m!

c³aâa*E> ÉU;[EÉURi;ta¼m!,

ïIÉUim_yamicRte yaegpIQe

ySt< dev< pUjyeTpaEé;e[.

. Aw zapivmaecnm!.

` ASy ïIiv:[ae> shönaça< éÔzap ivmaecn mhamÙSy mhadev \i;> Anuòup! cNd>

ïIéÔanu¢hzi´deRvta surez> zr[< zmeRit bIj< AnNtae ÷tÉuGÉae´eit zi´> sureñrayeit

kIlk< éÔzap ivmaecne ivinyaeg>.

krNyas>
` ¬I— ÿa< - A¼‚óa_ya< nm>

` ÿI— - tjRnI_ya< nm>

` ÿƒ< - mXyma_ya< nm>

` ÿE< - Anaimka_ya< nm>

` ÿaE< - kinióka_ya< nm>

` ÿ> - krtlkrp&óa_ya< nm>

A¼Nyas>

` ¬I— ÿa< - ùdyay nm>

` ÿI— - izrse Svaha

` ÿƒ< - izoayE v;qœ

` ÿE< - kvcay ÷<

` ÿaE< - neÇÇyay vaE;qœ

` ÿ> - Aôay )qœ

sudzRnayaôayeit idGbNx>

Xyanm!

tmalZyamltnu< pItkaEzeyvassm!,

v[RmUitRmy< dev< XyayeÚaray[< ivÉum!.


` ¬I— ÿa< ÿI— ÿƒ< ÿE< ÿaE< ÿ> ïIiv:[ae> shönam Stv! éÔzap ivmae´ae Év [#it sÝxa

dzxa va jpeidit ³m>]

Now, one should recite the Sahasranama with Purva and Uttara Pithika-s, Nyasa and
Dhyana.

– Sri Kamakoti Mandali [[email protected]]

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