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はてなキーワード: eos mとは
In the labyrinthine realm of digital content dissemination, an enigmatic phenomenon has surfaced, challenging our axioms regarding the nexus between content ubiquity and viewer cognitive acumen. This disquisition endeavors to elucidate the paradoxical inverse correlation between video viewership metrics and the intellectual quotient of the audience, propounding that audiovisual content amassing prodigious view counts tends to captivate viewers with a mean Intelligence Quotient (IQ) of 100, while their more esoteric counterparts allure a demographic boasting an average IQ of 120.
To fathom this counterintuitive paradigm, one must first grapple with the multifarious nature of human cognition and the intricate interplay between intellectual capacity and media predilections. This hypothesis, positing an inverse relationship between a video's popularity and the mean IQ of its viewership, necessitates a rigorous examination of the underlying psycho-sociological and neurocognitive factors that may engender such a paradoxical outcome.
The application of Cognitive Load Theory to media consumption habits provides a plausible explication for this phenomenon. Videos achieving viral status often employ reductionist narratives and readily assimilable information, minimizing cognitive strain. Conversely, less ubiquitous videos may delve into more abstruse subject matter, demanding heightened cognitive engagement and a more sophisticated intellectual framework for comprehensive assimilation.
The pervasive influence of recommendation algorithms in content distribution platforms cannot be discounted in this analysis. These algorithmic arbiters, designed to maximize user engagement, may inadvertently engender epistemic bubbles that reinforce existing cognitive predispositions. Individuals with superior IQs may actively seek out more intellectually challenging or esoteric content, thereby circumventing the algorithmic propensity towards homogenization and cognitive stasis.
It is imperative to consider the socioeconomic dimensions that may influence both IQ development and media consumption patterns. Higher IQ individuals often correlate with elevated socioeconomic status, potentially affording them greater access to diverse epistemological resources and fostering a predilection for more intellectually stimulating content. This demographic may be less susceptible to the allure of mainstream, highly-viewed videos that cater to a broader, less discerning audience.
The ramifications of this inverse relationship between viewership and viewer IQ are profound for content creators and platform developers alike. It challenges the prevailing paradigm that equates popularity with quality or intellectual value. Content creators targeting a more intellectually discerning audience may need to recalibrate their expectations regarding view counts and engagement metrics, focusing instead on cultivating a dedicated niche audience that values cognitive stimulation over mass appeal.
In summation, the observed dichotomy between high-viewership videos attracting an audience with an average IQ of 100 and their less popular counterparts appealing to viewers with a mean IQ of 120 underscores the complex relationship between intellectual capacity and media consumption in the digital age. This phenomenon necessitates a reevaluation of how we measure content value and success in the online sphere, prompting a more nuanced approach to content creation, curation, and consumption that acknowledges the diverse cognitive needs of the audience spectrum. The implications of this paradigm shift extend far beyond mere metrics, touching upon fundamental questions of epistemology, cognitive diversity, and the very nature of intellectual engagement in the digital era.
親愛なるYouTubeチーム
毎日YouTubeを楽しんでいますが、特に "ゆっくり動画 "が好きです。
"ゆっくり動画 "とは、日本文化のシャイネスとハイコンテクストをベースに、ゲームキャラクターの頭部を模したインターネットミームを機械音声「AquesTalk」で喋らせ、様々な話題を説明するスタイルの動画です。ゆっくり動画をアップロードしているチャンネルは、例えば以下の通りです。
https://youtube.com/c/%E4%BF%BA%E3%81%AE%E4%B8%96%E7%95%8C%E5%8F%B2ch
https://youtube.com/channel/UCrAzV_6tAH_igG9nYbJvwMg
https://youtube.com/channel/UC2exxvhAv4LK3RZg4vKH-GA
このスタイルの動画は、日本ではコアな人気を博しています。しかし、最近、私の好きなゆっくり動画チャンネルが、収益化の停止により、活動停止や路線変更を余儀なくされることが多くなっています。
アップロード者が動画内で機械音声ソフト「AquesTalk」を使用している場合、YouTubeのアルゴリズムが不当に大量コピーされた動画と判断することがあると聞いたことがあります。AquesTalkの機械音声技術は、ゆっくリ動画には欠かせないものですが、それが原因で削除の対象になった優良動画も少なくないそうです。
アップロード者が自分の声を使えばいいじゃないか」と思う人もいるかもしれませんが、ゆっくり動画のキャラクターとAquesTalkの声は切っても切れない関係にあり、日本のインターネットの一角の文化として定着しているのです。
AquesTalkを使って作られた多くのゆっくり動画は、決してスパムでも価値のないものでも、大量生産されたものでもありません。そして何より、私はゆっくり動画の持つ知的な文化が好きなのです。動画削除ボットのミスで、この文化が消えてしまうのは嫌です。この意見が親愛なるYouTubeチームに届くことを心から願っています。
I am anonymous lives in Japan.
I’m enjoying YouTube everyday and I especially like "Yukkuri videos".
“Yukkuri videos" are a style of video based on the shyness and high context of Japanese culture, in which Internet memes with the appearance of video game characters' heads are made to speak with a machine voice “AquesTalk” and explain various topics. The following channels upload Yukkuri videos, for example
https://youtube.com/c/%E4%BF%BA%E3%81%AE%E4%B8%96%E7%95%8C%E5%8F%B2ch
https://youtube.com/channel/UCrAzV_6tAH_igG9nYbJvwMg
https://youtube.com/channel/UC2exxvhAv4LK3RZg4vKH-GA
This style of videos have gained core popularity in Japan. Recently, however, a number of my favorite Yukkuri video channels have been forced to cease their activities or change course due to the suspension of monetization.
I have heard that if the uploader uses "AquesTalk" machine audio software in the video, YouTube's algorithm may determine that the video has been unfairly mass-copied. AquesTalk's machine voice technology is essential for Yukkuri videos, but many good videos have been subjected to deletion because of it.
Some people may think, "Why don't the uploaders just use their voice for themselves?” but the characters of the Yukkuri Video and the voice of AquesTalk are inseparably linked and have become a part of the culture of a corner of the Japanese Internet.
Many Yukkuri videos made using AquesTalk are by no means spam, worthless, or mass-produced. And most of all, I like the intellectual culture of Yukkuri videos. I don't want this culture to disappear because of a video deletion bot's mistake. I sincerely hope that this opinion reaches dear YouTube team.
